Kirjahaku

A sensitive, gracefully written exploration of the distinctiveness of the female adolescent experience. The author combines insights drawn from her clinical practice with informed analyses of familiar works of literature. Her premise is that literature does not merely exemplify but deepens our understanding of psychological processes. "A brilliant and evocative analysis of the transition from girlhood to womanhood, with its longings, its pain, and the pride of growing up. The depiction is rich with the particularities of the experiences of adolescent girls, and provides a welcome contrast to the usual rendering of this period as a variation on male development."—Lila Braine, Chair, Department of Psychology, Barnard College "Masterful analyses of five literary works. . . . Dalsimer’s interpretations are remarkable for the intelligent and informed acuity of her psychoanalytic observations as well as for their preservation of the texture of lived experience. A uniquely felicitous conjunction of psychoanalysis and literature."—Choice "Dalsimer’s commentaries prove consistently empathetic, discerning, and convincing. . . . This beautifully writen book renders important service both to psychoanalysis and to literary studies."—Paul Schwaber, Professor of Letters, Wesleyan University "This book will be treasured by anyone who has taught or treated an adolescent girl, or read a book about one, or, like Freud and the rest of us, simply wondered at the miracle of transformation of a girl into a woman."—Robert Michels, M.D., Chairman, Department of Psychiatry, Cornell University Medical College

By the time she was twenty-four, Virginia Woolf had suffered a series of devastating losses that later she would describe as “sledge-hammer blows,” beginning with the death of her mother when she was thirteen years old and followed by those of her half-sister, father, and brother. Yet vulnerable as she was (“skinless” was her word) she began, through these years, to practice her art—and to discover how it could serve her. Ultimately, she came to feel that it was her “shock-receiving capacity” that had made her a writer.Astonishingly gifted from the start, Woolf learned to be attentive to the movements of her own mind. Through self-reflection she found a language for the ebb and flow of thought, fantasy, feeling, and memory, for the shifts of light and dark. And in her writing she preserved, recreated, and altered the dead, altering in the process her internal relationship with their “invisible presences.” “I will go backwards & forwards” she remarked in her diary, a comment on both her imaginative and writerly practice.Following Woolf’s lead, psychologist Katherine Dalsimer moves backward and forward between the work of Woolf’s maturity and her early journals, letters, and unpublished juvenilia to illuminate the process by which Woolf became a writer. Drawing on psychoanalytic theory as well as on Woolf’s life and work, and trusting Woolf’s own self-observations, Dalsimer offers a compelling account of a young artist’s voyage out—a voyage that Virginia Woolf began by looking inward and completed by looking back.