Kirjahaku

" Kathleen Jamie's] essays guide you softly along coastlines of varying continents, exploring caves, and pondering ice ages until the narrator stumbles over -- not a rock on the trail, but mortality, maybe the earth's, maybe our own, pointing to new paths forward through the forest." --Delia Owens, author of Where the Crawdads Sing, "By the Book" in The New York Times Book Review. An immersive exploration of time and place in a shrinking world, from the award-winning author of Sightlines. In this remarkable blend of memoir, cultural history, and travelogue, poet and author Kathleen Jamie touches points on a timeline spanning millennia, and considers what surfaces and what reconnects us to our past. From the thawing tundra linking a Yup'ik village in Alaska to its hunter-gatherer past to the shifting sand dunes revealing the impressiely preserved homes of neolithic farmers in Scotland, Jamie explores how the changing natural world can alter our sense of time. Most movingly, she considers, as her father dies and her children leave home, the surfacing of an older, less tethered sense of herself. In precise, luminous prose, Surfacing offers a profound sense of time passing and an antidote to all that is instant, ephemeral, unrooted.

When ten Pakistani men walk into Kathleen Jamie's small Scottish town on a peace march, in November 2001, she is thrown back to her own travels in Northern Pakistan and a book she wrote a decade earlier. Among Muslims is the account of Jamie's time travelling alone and living among the Shia and Ismaili Muslims in the Northern Areas - the mountainous regions wedged between Afghanistan, India and China and one of the most volatile borderlands in the world. A bold, sympathetic and superbly written book, Among Muslims delves into Jamie's own Scottish upbringing to find links with the purdah-observing lifestyle of her Shia Muslim hosts. It is a privileged account from an acclaimed poet, who during her travels was often literally the only woman on the bus. Among Muslims was originally published as The Golden Peak. For this edition, Kathleen Jamie returned to Pakistan to write an Afterword and Preface.

It's surprising what you can find by simply stepping out to look. Award-winning poet Kathleen Jamie has an eye and an ease with the nature and landscapes of Scotland as well as an incisive sense of our domestic realities. In Findings she draws together these themes to describe travels like no other contemporary writer. Whether she is following the call of a peregrine in the hills above her home in Fife, sailing into a dark winter solstice on the Orkney islands, or pacing around the carcass of a whale on a rain-swept Hebridean beach, she creates a subtle and modern narrative, peculiarly alive to her connections and surroundings.

The outer world flew open like a door, and I wondered - what is it that we're just not seeing? In this greatly anticipated sequel to Findings, prize-winning poet and renowned nature writer Kathleen Jamie takes a fresh look at her native Scottish landscapes, before sailing north into iceberg-strewn seas. Her gaze swoops vertiginously too; from a countryside of cells beneath a hospital microscope, to killer whales rounding a headland, to the constellations of satellites that belie our sense of the remote. Written with her hallmark precision and delicacy, and marked by moments in her own life, Sightlines offers a rare invitation to pause and to pay heed to our surroundings.

The Overhaul is Kathleen Jamie’s first collection since the award-winning The Tree House, and it broadens her poetic range considerably. The Overhaul continues Jamie’s lyric enquiry into the aspects of the world our rushing lives elide, and even threaten. Whether she is addressing birds or rivers, or the need to accept loss, or sometimes, the desire to escape our own lives, her work is earthy and rigorous, her language at once elemental and tender. As an essayist, she has frequently queried our human presence in the world with the question ‘How are we to live?’ Here, this is answered more personally than ever. The Overhaul is a mid-life book of repair, restitution, and ultimately hope – of the wisest and most worldly kind.

In her extraordinary collection, Kathleen Jamie examines her native Scotland - a country at once wild and contained, rural and urban - and her place within it. In the author's own words: '2014 was a year of tremendous energy in my native Scotland, and knowing I wanted to embrace that energy and participate in my own way, I resolved to write a poem a week, and follow the cycle of the year.' The poems also venture into childhood and family memory - and look to ahead to the future. The Bonniest Companie is a visionary response to a year shaped and charged by both local and global forces, and will stand as a remarkable document of our times.

Kathleen Jamie’s Selected Poems gathers together some of the finest work by one of the foremost poets currently writing in English. Although Jamie is perhaps best known for her writing on nature, landscape, and place, Selected Poems shows the full and remarkably diverse range of her work – and why many regard her work as crucially relevant to our troubled age. No poet currently writing has a keener eye or ear; no poet has paid more careful attention to the other consciousnesses with whom we share the planet – and no poet has Jamie’s almost miraculous ability to show us just how the world might look when the human eye ceases to gaze on it. This exceptional collection of poetry, spanning several decades, allows readers to chart the development of one of our most important contemporary talents, and serves as perfect introduction to her work.

An essential new collection from one of Picador's leading poets our conduct within family and society. In The Tree House Jamie argues - as Burns did before her - for an engagement of the whole being through a kind of practical earthly spirituality. These often startling encounters with animals, birds, and other humans propose a way of living which recognises the earth as home to many different consciousnesses -- and a means of authentic engagement with 'this, the only world'. Together they form one of the most powerful poetic statements of recent years.

A Scotsman Poetry Book of the Year'Jamie’s poetry offers a new way of seeing the world and a new form of intelligence about ourselves and other species' – Kit Fan, GuardianThe Keelie Hawk is a landmark poetry collection from Kathleen Jamie, the former Makar (National Poet) of Scotland. For the first time, Kathleen Jamie has brought her astonishing lyric talent to the language of her homeland, with outstanding results. The Keelie Hawk is a deeply resonant collection written in Scots, with each poem accompanied by a translation into English.Its publication is a significant event in Scottish literature, not only a reclaiming by one of our finest poets of the mouth-music of literary Scots, but a furthering of that language: ‘by making poems, a language develops’, Jamie observes in a fascinating afterword.

Kathleen Jamie is one of Britain's leading poets. Her work is intelligent and subtle, her language inventive and refreshing. Mr and Mrs Scotland Are Dead is a selection from her early collections, from times of change and travel. It reveals the generous range of her concerns, from life in the wilder parts of Pakistan and Tibet to the 'difficult questions' of identity posed in her much celebrated collection, The Queen of Sheba, which was shortlisted for both the T.S. Eliot and Forward Prizes. Mr and Mrs Scotland Are Dead is a seminal volume in modern Scottish poetry. Shortlisted for the Griffin Poetry Prize, it was a Poetry Book Society Special Commendation. It includes most of her poems from Black Spiders (1982), A Flame in Your Heart (1986), The Way We Live (1987), The Autonomous Region (1993) and The Queen of Sheba (1994).

Collective Winner of the 2019 Highland Book Prize Under the ravishing light of an Alaskan sky, objects are spilling from the thawing tundra linking a Yup'ik village to its hunter-gatherer past. In the shifting sand dunes of a Scottish shoreline, impressively preserved hearths and homes of Neolithic farmers are uncovered. In a grandmother's disordered mind, memories surface of a long-ago mining accident and a 'mither who was kind'. For this luminous new essay collection, acclaimed author Kathleen Jamie visits archaeological sites and mines her own memories - of her grandparents, of youthful travels - to explore what surfaces and what reconnects us to our past. As always she looks to the natural world for her markers and guides. Most movingly, she considers, as her father dies, and her children leave home, the surfacing of an older, less tethered sense of herself. Surfacing offers a profound sense of time passing and an antidote to all that is instant, ephemeral, unrooted.

'This marvel of a book is a profound meditation on the precariousness of the planet ... these pieces kept bringing tears to my eyes, catching me offguard ... it is what art or, in this case, wonderful writing can do' Kate Kellaway, Observer Cairn: A marker on open land, a memorial, a viewpoint shared by strangers. For the last five years poet and author Kathleen Jamie has been turning her attention to a new form of writing: micro-essays, prose poems, notes and fragments. Placed together, like the stones of a wayside cairn, they mark a changing psychic and physical landscape. The virtuosity of these short pieces is both subtle and deceptive. Jamie's intent 'noticing' of the natural world is suffused with a clear-eyed awareness of all we endanger. She considers the future her children face, while recalling her own childhood and notes the lost innocence in the way we respond to the dramas of nature. With meticulous care she marks the point she has reached, in life and within the cascading crises of our times. Cairn resonates with a beauty and wisdom that only an artist of Jamie's calibre could achieve.

Winner of the 2012 Costa Poetry Award, the latest collection by Kathleen Jamie, "the leading Scottish poet of her generation" ("The Sunday Times") "See when it all unravels the entire project" "reduced to threads of moss fleeing a nor'wester;" "d'you ever imagine chasing just one strand, letting it lead you" "to an unsung cleft in a rock, a place you could take to, " "dig yourself in but what are the chances of that?" " Of the birds, " "few remain all winter; half a dozen waders" "mediate between sea and shore, that space confirmed don't laugh by your own work. " "" from "Materials" "The Overhaul" continues Kathleen Jamie's lyric inquiry into the aspects of the world our rushing lives elide, and even threaten. Whether she is addressing birds or rivers, or the need to accept loss, or, sometimes, the desire to escape our own lives, her poetry is earthy and rigorous, her language at once elemental and tender. "The Overhaul" is a midlife book of repair, restitution, and ultimately hope of the wisest and most worldly kind.

In Sightlines, Kathleen Jamie reports from the field--from her native Scottish "byways and hills" to the frigid Arctic in fourteen enthralling essays. She dissects whatever her gaze falls upon--vistas of cells beneath a hospital microscope, orcas rounding a headland, the aurora borealis lighting up the frozen sea. In so doing, she questions what, exactly, constitutes "nature," and upends the idea that it is always picturesque. Written with precision, subtlety, and wry humor, Sightlines urges the reader: "Keep looking, even when there's nothing much to see."

The first U.S. publication of Scottish poet Kathleen Jamie, author of The Tree House, winner of the 2004 Forward Prize for best poetry collection It isn't mine to give. I can't coax this bird to my hand that knows the depth of the river yet sings of it on land. from "The Dipper" For more than twenty years, Kathleen Jamie has been writing the poetry that has established her as "the leading Scottish poet of her generation" (The Sunday Times). Lyrical and meditative, her poems engage the natural world and human society with an authentic, earthly spirituality. Waterlight at last makes Jamie's work available to American readers. Her poetry rendered sometimes in the Scots dialect, sometimes in the descriptive bursts of a naturalist's field guide confronts gender, sex, landscape, and nationhood with the vivacity of an essential poetic voice."

"Leiud" toob lugejani valiku shoti kirjaniku Kathleen Jamie loodusesseedest. Shotimaa maastikke ja saari kirjeldavates esseedes on juttu autori kodu lähedale pesitsema asunud rabapistrikest ja ohustatud rukkirääkudest väikesel linnukaitsealal; mõõkvaaladest keset avarat ookeani, valguse ja pimeduse vaatemängust neoliitilises hauakambris ja veel nii mõnestki ootamatust kohtumisest, mida on edasi antud suure tähelepanelikkuse, kaasaelamise ja täpse poeetilise keelega. "Leiud" kutsub üles ümbritsevat elurikkust, sealhulgas linnaloodust, värske pilguga vaatama - tundma oma kodupaika, nägema kooselu teiste liikidega ning seostama nähtut meie eluviisi ja kultuuriga. Tähelepanu pööratakse ka inimtegevusega seotud keskkonnaprobleemidele: plastireostusele ookeanis, elupaikade kadumisele, kliimamuutusele, kuid ka ohustatud liikide kaitseks tehtavatele pingutustele. Jamie auhindu pälvinud esseedes on nii reisikirjale omast jutustamishoogu kui ka meeldejäävaid luulekujundeid, mistõttu on need ilukirjanduslikku stiili hindavale loodusehuvilisele põnev lugemine.