Kirjahaku

As the 'thresholds' through which readers and viewers access texts, paratexts have already sparked important scholarship in literary theory, digital studies and media studies. Translation and Paratexts explores the relevance of paratexts for translation studies and provides a framework for further research. Writing in three parts, Kathryn Batchelor first offers a critical overview of recent scholarship, and in the second part introduces three original case studies to demonstrate the importance of paratextual theory. Batchelor interrogates English versions of Nietzsche, Chinese editions of Western translation theory, and examples of subtitled drama in the UK, before concluding with a final part outlining a theory of paratextuality for translation research, addressing questions of terminology and methodology. Translation and Paratexts is essential reading for students and researchers in translation studies, interpreting studies and literary translation.

For decades, Translation Studies has struggled to engage with Jacques Derrida, whose radical questioning of language seemed to undermine translation theory's foundations. This book reveals a hidden dimension: Derrida's obsessive engagement with translation throughout his career. The text uncovers his "translation reflex" of constant pausing to question how concepts might be translated, demonstrating how this overlooked practice shaped his philosophical thinking. Examining translation alongside key themes from Derrida's later work including inheritance, mourning, and the messianic, Kathryn Batchelor reconceptualizes translation as a philosophical tool, a response to intellectual heritage, and a means of confronting mortality. Through analysis of Derrida's translation of “Husserl's The Origin of Geometry” and readings of "Plato's Pharmacy" and “Spectres of Marx”, this text reveals his surprisingly conventional translation practices. As the first comprehensive study of Derrida as translator and the first book on Derrida and translation in two decades, this work challenges misconceptions about "anything goes" interpretations while offering insights into translation as a driving force in his development. Essential for scholars and advanced students in Translation Studies, Philosophy, Literary Theory, and Continental Philosophy.

For decades, Translation Studies has struggled to engage with Jacques Derrida, whose radical questioning of language seemed to undermine translation theory's foundations. This book reveals a hidden dimension: Derrida's obsessive engagement with translation throughout his career. The text uncovers his "translation reflex" of constant pausing to question how concepts might be translated, demonstrating how this overlooked practice shaped his philosophical thinking. Examining translation alongside key themes from Derrida's later work including inheritance, mourning, and the messianic, Kathryn Batchelor reconceptualizes translation as a philosophical tool, a response to intellectual heritage, and a means of confronting mortality. Through analysis of Derrida's translation of “Husserl's The Origin of Geometry” and readings of "Plato's Pharmacy" and “Spectres of Marx”, this text reveals his surprisingly conventional translation practices. As the first comprehensive study of Derrida as translator and the first book on Derrida and translation in two decades, this work challenges misconceptions about "anything goes" interpretations while offering insights into translation as a driving force in his development. Essential for scholars and advanced students in Translation Studies, Philosophy, Literary Theory, and Continental Philosophy.

The linguistically innovative aspect of Francophone African literature has been recognized and studied from a variety of angles over recent decades, yet little attention has been paid to what happens to such literature when it is translated into another language. Taking as its corpus all sub-Saharan Francophone African texts that have ever been published in English, this book explores the ways in which translators approach innovative features such as African-language borrowings, neologisms and other deliberate manipulations of French, depictions of sociolinguistic variation, and a variety of types of wordplay. The implications of their translation decisions are drawn out with reference to the broader significances that are often accorded to postcolonial literature, and earlier critics' calls for a decolonized translation practice are explored from both a practical and theoretical angle. These findings are used to push towards a detailed investigation of the postcolonial turn in translation studies, drawing on the work of key postcolonial theorists such has Homi K. Bhabha and Gayatri Spivak.This is a timely and incisive critical assessment of contemporary discourses on the ethics and politics of translation.

As the 'thresholds' through which readers and viewers access texts, paratexts have already sparked important scholarship in literary theory, digital studies and media studies. Translation and Paratexts explores the relevance of paratexts for translation studies and provides a framework for further research. Writing in three parts, Kathryn Batchelor first offers a critical overview of recent scholarship, and in the second part introduces three original case studies to demonstrate the importance of paratextual theory. Batchelor interrogates English versions of Nietzsche, Chinese editions of Western translation theory, and examples of subtitled drama in the UK, before concluding with a final part outlining a theory of paratextuality for translation research, addressing questions of terminology and methodology. Translation and Paratexts is essential reading for students and researchers in translation studies, interpreting studies and literary translation.

The linguistically innovative aspect of Francophone African literature has been recognized and studied from a variety of angles over recent decades, yet little attention has been paid to what happens to such literature when it is translated into another language. Taking as its corpus all sub-Saharan Francophone African texts that have ever been published in English, this book explores the ways in which translators approach innovative features such as African-language borrowings, neologisms and other deliberate manipulations of French, depictions of sociolinguistic variation, and a variety of types of wordplay. The implications of their translation decisions are drawn out with reference to the broader significances that are often accorded to postcolonial literature, and earlier critics' calls for a decolonized translation practice are explored from both a practical and theoretical angle. These findings are used to push towards a detailed investigation of the postcolonial turn in translation studies, drawing on the work of key postcolonial theorists such has Homi K. Bhabha and Gayatri Spivak.This is a timely and incisive critical assessment of contemporary discourses on the ethics and politics of translation.