Kirjahaku

Kathy Acker was a punk-rock counter-cultural icon, and innovator of the literary underground. The interviews collected here span her amazing, uncompromising, and often misunderstood 30-year career. From Acker's earliest interviews--filled with playful, evasive, and counter-intuitive responses--to the last interview before her death where she reflects on the state of American literature, these interviews capture the writer at her funny and surprising best. Another highlight includes Acker's 1997 interview with the Spice Girls on the forces of pop and feminism (which reads as if it could have been conducted with a new generation of pop star in 2018).

The incredible variety of Acker's body of work has been distilled into a single volume that reads like a communique from the front lines of late-20th century America. Acker was a literary pirate whose prodigious output drew promiscuously from popular culture, the classics of Western civilization, current events, and the raw material of her own life.

'Acker gives her work the power to mirror the reader's soul' William S. Burroughs'Kathy Acker's writing is virtuoso, maddening, crazy, so sexy, so painful, and beaten out of a wild heart that nothing can tame. Acker is a landmark writer' Jeanette WintersonThis is the story of Janey, who lived in a locked room, where she found a scrap of paper and began to write down her life. It's a story of lust, sex, pain, youth, punk, anarchy, gangs, the city, feminism, America, Jean Genet and the prisons we create for ourselves. A heady, surreal mash-up of coming-of-age tale, prose, poetry, plagiarism and illustration, Kathy Acker's breakthrough 1984 novel caused huge controversy and made her an avant-garde literary icon.Published to coincide with the 20th anniversary of Kathy Acker's untimely death, Blood and Guts in High School is published for the first time in Penguin Classics, acknowledging the profound impact she has had on our culture, and alongside the authors her work pulsates with the influence of: William S. Burroughs, Cervantes and Charles Dickens, among others.

A tale of art, sex, blood, junkies and whores in New York's underground, from cult literary icon Kathy Acker.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

Pip switches identities, sexes and centuries in this punk, fairytale reimagining of Charles Dickens's original Great Expectations. Both familiar and unfamiliar, our orphaned narrator is transplanted to New York City in the 1980s; becoming, by turns, a sailor, a pirate, a rebel and an outlaw, through adventures incorporating desire, creativity, porn, sadism and art. This ribald explosion of literature, sex and violence shows the literary anarchist Kathy Acker at her most brilliant and brave.

A masterpiece of surrealist fiction, steeped in controversy upon its first publication in 1984, Blood and Guts in High School is the book that established Kathy Acker as the preeminent voice of post-punk feminism. With 2017 marking the 70th anniversary of her birth, as well as the 10th year since her death this transgressive work of philosophical, political, and sexual insight--with a new introduction by Chris Kraus--continues to become more relevant than ever before. In the Mexican city of Merida, ten-year-old Janey lives with Johnny--her "boyfriend, brother, sister, money, amusement, and father"--until he leaves her for another woman. Bereft, Janey travels to New York City, plunging into an underworld of gangs and prostitution. After escaping imprisonment, she flees to Tangiers where she meets Jean Genet, and they begin a torrid affair that will lead Janey to her demise. Fantastical, sensual, and fearlessly radical, this hallucinatory collage is both a comic and tragic portrait of erotic awakening.

Kathy Acker's practice of literary appropriation and pastiche made her notorious--as a rebel and a groundbreaker--when Great Expectations was first published in 1982. Here, she begins rewriting Charles Dickens's classic--splicing it with passages from Pierre Guyotat's sexually violent Eden, Eden, Eden, among other texts--alongside Acker's trademark pithy dialogue, as well as prank missives to the likes of Susan Sontag, Sylvere Lotringer, and God. At the center of this form-shifting narrative, Acker's protagonist collects an inheritance following her mother's suicide, which compels her to revisit and reinterpret traumatic scenes from the past. Switching perspectives, identities, genders, and centuries, the speaker lustily ransacks world literature to celebrate and challenge the discourse around art, love, life, and death.

My Death My Life by Pier Paolo Pasolini imagines the Italian filmmaker and writer returning to the Roman homosexual hustlers he knew, in a scathing commentary on false values in art (The Hartford Courant)."

Facing the trauma of an abortion, a young woman mentally escapes by setting out on a series of adventures as Don Quixote

"Scarified sensibility, subversive intellect, and predatory wit make her a writer like no other I know." -New York Times Book ReviewThe Childlike Life of the Black Tarantula, Kathy Acker's debut and the first in this three-novel collection, began as an episodic handmade pamphlet that Acker mailed out to influential writers and artists whose addresses she managed to get her hands on. In the novel, Acker steps into the biography of a Mississippi murderess who falls in love with a famous lawyer, and mixes in fragments from porn, historical romance, pulp fictions, and The Story of O. Collect with her second novel, the dreamy exploration of desire I Dreamt I was a Nymphomaniac, and her third, The Adult Life of Toulouse Lautrec, Portrait of an Eye is dive into the frenzy of sexual wanting, the search for identity, and the invention of a new literary language.Now with an introduction by Kate Zambreno contextualizing the resurrection of these three early Acker novels, this new edition of Portrait of an Eye reminds us of all there is still to learn from Kathy Acker, a writer and artist whose work "remains radical and uncanny, entirely inimitable, a smash and grab on the history of literature" (Guardian).

Loosely related to Robert Louis Stevenson's classic Treasure Island, Pussy, King of the Pirates is a grrrl pirate story that journeys from the most famous whorehouse in Alexandria though an unidentified, crumbling city that may or may not be sometime in the future, to Brighton Town, England, and, finally, to a ship headed toward Pirate Island, where the stories converge and the vision ends.Neil Gaiman, a close friend of Acker's, has written a new introduction to this anniversary edition. In typical Acker fashion, he's including a text exchange with one of Acker's fictional heroines, Janey Smith, along with stories of their friendship and what Acker would think of everything now, today, "as the world begins to burn."

A collection of early and not-so-early work by the mistress of gut-level fiction-making.You can say I write stories with sex and violence and therefore my writing isn't worth considering because it uses content much less lots of content. Well, I tell you this: 'Prickly race, who know nothing except how to eat out your hearts with envy, you don't eat cunt'... Edited by Sylvere Lotringer and published in 1991, this handy, pocket-sized collection of some early and not-so-early work by the mistress of gut-level fiction-making, Hannibal Lecter, My Father gathers together Acker's raw, brilliant, emotional and cerebral texts from 1970s, including the self-published 'zines written under the nom-de-plume, The Black Tarantula. This volume features, among others, the full text of Acker's opera, The Birth of the Poet, produced at Brooklyn Academy of Music in 1985, Algeria, 1979 and fragments of Politics, written at the age of 21. Also included is the longest and definitive interview Acker ever gave over two years: a chatty, intriguing and delightfully self-deprecating conversation with Semiotext(e) editor Sylvere Lotringer-which is trippy enough in itself as Lotringer, besides being a real person, has appeared as a character in Acker's fiction. And last, but not least, is the full transcript of the decision reached by West Germany's Federal Inspection Office for Publications Harmful to Minors in which Acker's work was judged to be "not only youth-threatening but also dangerous to adults," and subsequently banned. Acker is the sort of the writer that should be read first at 16, so that you can spend the rest of your life trying to figure her out; she confuses, infuriates, perplexes and then all of a sudden the writing seems to be in your bloodstream, like some kind of benign virus. She's definitely not for the easily offended-but then, there are worse things in life than being offended. Such as the things that Acker writes about...

New York City 1979 on kokeellisen kulttikirjailija Kathy Ackerin lyhyt proosateos, joka koostuu sikermästä kohtauksia 70-luvun lopun New Yorkin punk- ja vaihtoehtokulttuurista ja hurjuuteen ajavasta näköalattomasta preesensistä.Teos sekoittaa kuumeiseen kokonaisuuteensa proosarunon, manifestin, dialogin, reportaasin, feministisen esseen ja novellistiikan piirteitä ja syöksee lukijan tekstin sisuksiin, nurkkiin ja loukkoihin arvaamattomista kulmista. Kokonaisuuden ytimessä on satutettu Janey, joka kulkee läpi päiviensä kavahtaen läheisyyttä ja himoiten sitä repivästi - Acker työntää lukijan lähelle Janeyn kehollista suistumista kielensä kuumalla viivalla, joka kuohuaa syntyhetkensä totuutta. Janeyn tarinan säikeeseen kietoutuvat monet muut newyorkilaiset äänet: taiteilijoiden, punkkareiden, seksityöntekijöiden, unohdettujen ja muiden epätoivoisten tai epätoivoisen tyylikkäiden välähdykselliset läsnäolot.Runoilija Sini Silverin suomennos kohtaa Ackerin improvisatorisen suoruuden omalla himollaan; tekstistä tulee käännöksen, varastamisen ja antamisen paikka.New Yorkissa on tuhoavan kuuma, ja kaikki haluavat jotakin.