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2 kirjaa tekijältä Kay Schaffer

Women and the Bush

Women and the Bush

Kay Schaffer

Cambridge University Press
1990
pokkari
Images of Australian identity, and of Australian nationhood, are social and cultural constructs. There are several dominant themes and elements, one of the most pervasive being the Australian bushman confronting a vast and barren landscape. This is a specifically Australian conception of the battle between Man and Nature. Throughout the myths, traditions and literary creations of Australia are underlying assumptions about gender and sexual difference: assumptions about masculinity and femininity within the nationalist tradition, which affect perceptions today. In this new critique, Kay Schaffer applies the insights of feminist scholarship and of literary analysis to examine the national character. She looks at how the concept of ‘the typical Australian’, and the woman who stands in relation to him, has evolved across a range of cultural forms, including historical and literary texts, film and the media. She concentrates in particular on the writings of Henry Lawson and of Barbara Bayton. The circulation of ideas about these writers, their contribution to a national mythology, and the different ways their importance has been represented to modern readers, is explored and discussed. This thoughtful and provocative study will interest readers concerned with Australian literary and cultural history, as well as the broader questions of Australia’s changing self-image. It will be of particular value to those interested in feminist approaches to culture and society.
In the Wake of First Contact

In the Wake of First Contact

Kay Schaffer

Cambridge University Press
1995
pokkari
Eliza Fraser was an English woman shipwrecked on the Australian coast in 1836, where she lived with an Aboriginal community until her rescue. The story of a 'civilised' white female being taken captive by 'savage' black men was both fascinating and repulsive. Images and narratives surrounding this notorious episode have proliferated from the 1830s to the present. Kay Schaffer looks at the various literary and artistic manifestations of Eliza Fraser as a fictional presence in Australian culture. Schaffer looks at the contemporary narratives, and at more recent representations of Mrs Fraser in film, in the art of Sidney Nolan, and the writing of Patrick White. The book uses these texts to examine historical discourses of colonialism, race, gender, and nation. This accessible and stimulating book promises to make an impressive contribution to women's studies, cultural studies, and Australian history.