Kirjahaku

As featured on BBC Worldwide A captivating new history of art told through the storied biographies of colors and pigments In this refreshing approach to the history of color, Kelly Grovier takes readers on an exciting search for the intriguing and unusual. In Grovier's telling, a color's connotations are never fixed but are endlessly evolving. Knowledge of a pigment and its history can unlock meaning in the works that feature it. Grovier employs the term "artymology" to suggest that color is a linguistic device, where pigments stand in for syllables in art's language. Color is the site of invigorating conflict--a battleground where past and present, influence and originality, and superstition and science merge into meanings that complicate and intensify our appreciation of a given work. How might it change our understanding of a well-known masterpiece like Vincent van Gogh's Starry Night to know that the intense yellow moon in that painting was sculpted from clumps of dehydrated urine from cows that were fed nothing but mango leaves? Or that the cobalt blue pigment in Van Gogh's sky shares a material bloodline with the glaze of Ming Dynasty porcelain? Consisting of ten chapters, each presenting a biography of a family of colors, this volume mines a rich vein of pigmentation from prehistoric cave painting to art of the present day. The book also includes beautifully designed features exploring important milestones in the history of color theory from the Enlightenment to the twentieth century.

A Spectator Book of the Year 'Grovier’s book reframes [Banksy’s] works in a new light. Inextricably linked to Da Vinci, Monet and Van Gogh, Banksy not only makes art but reinvigorates it' Daily Mail A new take on the history of art – from da Vinci to Warhol – as reinterpreted and ultimately reinforced by the international phenomenon that is Banksy Few would dispute that Banksy is the most famous urban artist in the world today. That he is also one of the most perceptive art historians of our age might come as a surprise to many. But the myriad memorable works he has created over the past thirty years constitute an audacious commentary on the history of image-making – a captivating critique waiting to be pieced together. Armed with little more than stencils, spray paint and an anonymizing cloak of after-hours darkness, Banksy has forged an alluring identity for himself as an incorrigible prankster who doesn’t embrace tradition but shreds it. What actually illuminates Banksy’s audacious murals, impromptu urban sculptures and vandalized paintings, however, is a profound understanding of the story of art. Banksy recasts masterpieces as powerful comments on contemporary issues: climate change, consumerism and the struggle for peace, and reveals these works to be surprisingly elastic, resilient and relevant. In this fully illustrated and entertaining exploration, bestselling author Kelly Grovier traces art history through Banksy’s lens, presenting many of his most recognizable works: from his droll lampooning of the Lascaux cave paintings to his reinvention of Monet’s enchanting water-lily pond, a reboot of Géricault’s tragic gut-wrenching vision to Vermeer’s girl now instilled with street cred, everyone’s genius is grist for his unmerciful mill. Far from being diminished in their significance, however, the works that Banksy ruthlessly parodies are ultimately refurbished by the ordeal. Banksy’s iconoclastic works force us to rethink our affection for, and appreciation of, great works of art that define cultural history.

A unique insight into the life and art of Sean Scully, an internationally celebrated artist and creative practitioner at the height of his powers. Sean Scully’s paintings of brushy stripes and blocks of sumptuous colour are critically acclaimed and widely admired. Less well known is what a gifted storyteller and profound commentator on the history of art he is. In this fascinating book, the record of countless hours of conversations with Scully’s friend, the art critic Kelly Grovier, the painter reflects on his extraordinary journey – from homelessness on the streets of Dublin in the mid-1940s to his current position as one of the most important abstract artists working today. In these revealing conversations, Scully recalls with poignancy and wit his rough-and-tumble childhood in London (where his family moved when he was a toddler), his tenacity in the face of rejection from nearly every art school in England, and his rise to prominence in New York in the 1980s. Illustrated throughout with images that capture both the artist and his work, this volume explores Scully’s relationship with past masters, from Rembrandt to Rothko, and delves deep into his eventual rejection in the late 1970s of minimalism – the dominant force in abstract art at the time. Punctuated throughout by passionately recounted stories of struggle and loss, perseverance and triumph, the portrait that emerges from these pages is at once intimate and surprising. The book reflects the scope of Scully’s broad interests and opinions, with segments devoted not only to his attitudes towards the art world and his most significant works, but also culture, politics and philosophy. Scully communicates with a raw pugnacity that is every bit as hard-hitting as his big brushstrokes.With 146 illustrations in colour

The years since 1989 have seen a complete untethering of what art can be, who makes it and where it can be found, which has been matched by a reassessment of art's appropriate place in society and the financial value that should be attached to it. In this new book in the World of Art series, Kelly Grovier surveys the dynamic developments in art practice worldwide since 1989, going in search of those artists who have undertaken to shape a fresh visual vocabulary and whose work reflects on these turbulent years. The book’s ten chapters examine the key themes in contemporary art, from portraiture in the age of face transplants and facial recognition software, to political activism, science and religion. Artists discussed include Jeff Koons, Louise Bourgeois, Damien Hirst, George Condo, Marlene Dumas, Sean Scully, Cindy Sherman, Banksy, Ai Weiwei, Antony Gormley, Christo and Jean-Claude, Jenny Holzer, Chuck Close and Cornelia Parker. The final chapter, a timeline, traces the evolution of art practice in this period by looking closely at one key artwork from each year.

Just as Picasso’s Guernica or Géricault’s Raft of the Medusa survive as powerful cultural documents of their time, there will be works from our own era that will endure for generations to come. But which ones? Which contemporary artworks best capture the zeitgeist of the late 20th and early 21st centuries? This bold and engaging book, written by one of the freshest and most exciting voices in cultural criticism, predicts which artists and artworks from the past two decades will come to define our age through their power to question, provoke and inspire. This is essential and enjoyable reading for all those working with and studying contemporary culture, as well as for the general art-lover keen to find a clear path through the maze of global contemporary art.

A new way of appreciating art that puts the artwork front and centre, brought to us by one of the freshest and most exciting voices in cultural criticism. What makes great art great? Why do some works pulse in the imagination, generation after generation, century after century? From Botticelli’s Birth of Venus to Picasso’s Guernica, some paintings and sculptures have become so famous, so much a part of who we are, that we no longer really look at them. We take their greatness for granted; our eyes have become near-obsolete. We need a new way of seeing. Unsatisfied with traditional interpretations of masterpieces, which are so often interested only in learning about art, and not from it, Kelly Grovier combed the surface of revered works from the Terracotta Army to Frida Kahlo’s self-portraits, in a quest to find the key to their lasting power to move and delight us. He discovered that every truly great work is hardwired with an underappreciated detail that ignites it from deep within. Stepping away from biography, style and the chronology of ‘isms’ that preoccupies most art history, Grovier tells a new story in which we learn from the artworks, not just about them.

For over 800 years Newgate was the grimy axle around which British society slowly twisted. This is where such legendary outlaws as Robin Hood and Captain Kidd met their fates, where the rapier-wielding playwrights Ben Jonson and Christopher Marlowe sharpened their quills, and where flamboyant highwaymen like Claude Duval and James Maclaine made legions of women swoon. While London's theatres came and went, the gaol endured as Londons unofficial stage. From the Peasants Revolt to the Great Fire, it was at Newgate that England's greatest dramas unfolded. By piecing together the lives of forgotten figures as well as re-examining the prison's links with more famous individuals, from Dick Whittington to Charles Dickens, this thrilling history goes in search of a ghostly place, erased by time, which has inspired more poems and plays, paintings and novels, than any other structure in British history.

Understand the stories behind the paints and pigments used by the great artists. The front of each card outlines a pigment’s history – its discovery or invention, production and usage – with a swatch. The back features a notable work from the history of art that prominently features it. The 52 pigments have been carefully selected from across all cultures and eras and will demystify the extensive ranges of oil paints on offer today.

The poems in The Sleepwalker at Sea tread a fragile line between dream and wakefulness, memory and loss, presence and longing. Leave a house and it suddenly fills with 'the unseen'; consult 'The Book of Clues' and discover only 'ghostly hints' of a self you've left behind. Linked by their restless displacement, pacing haunted spaces, these are poems that question what it means to be in the world and seek answers in lost rooms, missing sketches, disappearing fragments. By turns meditative and playful, romantic and philosophical, The Sleepwalker at Sea strides an invisible path through streets of strangers, in search of ruined altars, buried candles, and 'the whispering galleries of the dead'. Here, deer 'dissolve / into a tapestry of mist', a butterfly 'measures / the universe's weight', and the soul 'sculpts itself in frostlit air'.

The title of Kelly Grovier's third collection, The Lantern Cage, conjures contrasting images of illumination and shadow, warmth and confinement, the burning soul and the material body. The poems it brings together are fascinated by a universe whose meaning flickers dimly across the walls of our experience. Prompted by scenes that occur in life's everyday spaces - city streets and secondhand shops, museum galleries and trains - these are poems that seek to shine a warm light on the mysteries that underlie our existence. This is a world of 'undeciphered sands', 'lost cathedrals', 'buried books', and 'bone machines' - a land where substance and shadow blur. By turns lyrical and philosophical, romantic and playful, The Lantern Cage is a collection located on the margins of vision, where the invisible calculations of being ('algorithms of rain'; 'the long divisions / of suffering') remain unsolvable - a realm whose secrets are kept 'under lough and quay'.

A complete guide to the most prominent color pigments and their use through art history to the present day. An invaluable resource for artists and students alike, The Artist's Color Box decodes the fascinating pigments that have shaped the story of art. Open the box, and you'll find 49 cards - each detailing a pigment carefully selected from across all cultures and eras. Discover the history behind each color (its discovery or invention, production and usage). Put each pigment card to use as a practical color swatch and learn more about a notable work from art history that prominently features it. Bridging the gap between historical technique and contemporary art practice, this interactive card deck will be an invaluable resource for any artist, art student, historian or art lover. Perfect for studio use, classroom exploration, or coffee table browsing, The Artist's Color Box is a tactile celebration of color's power to shape visual storytelling across centuries.