Kirjahaku

The relationship between war and religion is nothing new. For millennia, humankind has waged war over religion and derived religion from war. It is not surprising, then, that military leadership and religious conviction frequently coincide. This study documents the long tradition of the religious warrior in Western history and literature, with a special focus on Civil War general Thomas J. "Stonewall" Jackson. It also provides a general survey of the religious antecedents of Jackson and other more modern American military heroes. The book begins with an introduction to the Confederate general, largely from the perspective of those who lived with and served under him, whose testimonies attest to his courage, initiative, innate tactical talent, deep religious faith, and eccentric personal habits. The author analyzes the extent to which Jackson's national zeal has elevated him to the status of a religious martyr, remembered today within an epic frame of sainthood and heroism. Concise comparisons are drawn between Jackson and his Old World predecessors, including Ulrich Zwingli, John Knox and Oliver Cromwell. Similar associations are made between Jackson and such Civil War contemporaries as William Dorsey Pender and Oliver Otis Howard. A chapter addressing the representation of "Stonewall" in modern Civil War literature and film, particularly in the novel and subsequent motion picture Gods and Generals, provides an insightful juxtaposition of Jackson's status among the "gods" of the Civil War and his own reverence for the God of his Presbyterian faith.

The first edition of John Woo: The Films (McFarland, 1999) was the earliest English-language volume to address the motion picture output of the celebrated Hong Kong director. The book dealt with Woo's film career from his professional beginnings in 1968 through his first three Hollywood releases (Hard Target, Broken Arrow and Face/Off), situating his work within Asian and Western cinematic and cultural traditions. This second edition offers a wealth of additional information, including treatment of John Woo's Hollywood productions Mission: Impossible II, Windtalkers and Paycheck. Also featured is material on Woo's epic Red Cliff, filmed in China. A new foreword is provided by Tony Williams, author of John Woo's Bullet in the Head. Instructors considering this book for use in a course may request an examination copy here.

? In American Westerns, the main characters are most often gunfighters, lawmen, ranchers and dancehall girls. Civil professionals such as doctors, engineers and journalists have been given far less representation, usually appearing as background characters in most films and fiction. In Westerns about the 1910 Mexican Revolution, however, civil professionals also feature prominently in the narrative, often as members of the intelligentsia--an important force in Mexican politics. This book compares the roles of civil professionals in most American Westerns to those in films on the 1910 Mexican Revolution. Included are studies on the Santiago Toole novels by Richard Wheeler, Strange Lady in Town with Greer Garson and La sombra del Caudillo by Martin Luis Guzman.