Kirjahaku

During a career spanning six decades, Lawrence Halprin (1916–2009) became one of the most prolific and outspoken landscape architects of his generation. He took on challenging new project types, developing a multidisciplinary practice while experimenting with adaptive reuse and ecological designs for new shopping malls, freeways, and urban parks. In his lifelong effort to improve the American landscape, Halprin celebrated the creative process as a form of social activism.A native New Yorker, Halprin earned degrees from Cornell and the University of Wisconsin before completing his design degree at Harvard. In 1945 he joined Thomas Church’s firm, where he collaborated on the iconic Donnell Garden. He opened his own San Francisco office in 1949, where he initially focused on residential commissions in the Bay Area, completing close to three hundred in ten years’ time. By the 1960s the firm had gained recognition for significant urban renewal projects such as Ghirardelli Square in San Francisco (1962–68), Nicollet Mall in Minneapolis (1962–67), and Freeway Park in Seattle (1970–74). Halprin used his conception of a Sierra stream as the catalyst for the Portland Open Space Sequence, a series of parks featuring great fountains that linked housing and civic space in the inner city.A charismatic speaker and passionate artist, Halprin designed landscapes that reflected the democratic and participatory ethic characteristic of his era. He communicated his ideas as well in lectures, books, exhibits, and performances. Along with his contemporary Ian McHarg, Halprin was his generation’s great proselytizer for landscape architecture as environmental design. Throughout his long career, he strived to develop poetic and symbolic landscapes that, in his words, could “articulate a culture’s most spiritual values.”

The craft brewing renaissance of recent decades has brought a renewed interest in hops. These vigorous vines, with their flavorful flowers, have long played a key role in beer making and in Oregon’s agricultural landscape. This compendium of photographs offers a visual dive into the distinctive physical presence of hops in the state. From pickers and poles to cones and oasts, Kenneth I. Helphand brings the landscape and culture of hops to life.For much of the first half of the twentieth century, Oregon was the leading producer of hops in the United States, with the Willamette Valley deemed “the garden spot of the world for the cultivation of hops.” The author has scoured archives across the state to gather together images of the hops landscape in the late nineteenth and early twentieth centuries.The photographs featured in Hops portray pickers of all backgrounds through different eras of agricultural practice. Here are children, nuns, families, immigrants, and college students in fields, hop driers, and tent camps. The photos range from the candid to the highly professional, including images from Dorothea Lange’s iconic Farm Security Administration work.The 85 high-quality photographs are accompanied by captions that provide, variously, factual background, selections from oral histories, and visual guidance. A historical essay provides a short overview of the plant’s history and the world of hop growing and picking.

"Defiant Gardens" examines gardens of war in the twentieth century, including gardens built behind the trenches in World War I, in the ghettos during World War II, and in Japanese-American internment camps in the US, as well as gardens created by soldiers at their bases and encampments during the Gulf War, Vietnam, Korea and the Second World Wars.