Kirjahaku

Over the course of a literary career that extended from the lingering Malthusian controversies of the late eighteenth century to the brink of the Reform Act of 1832, William Hazlitt produced a remarkable body of committed radical journalism. Against the view that partisan passion undermined his aesthetic judgment and compromised his celebrated disinterestedness, William Hazlitt: Political Essayist restores politics to the center of his achievement as a critic and essayist. In doing so Kevin Gilmartin explores his constructive relationship with the early nineteenth-century popular reform movement, while acknowledging his desire to reflect critically on radical politics and express his own doubts about social progress. Early chapters attend closely to his critical method and matters of style and form, focusing on the political development of his contradictory prose manner. Paradox and inconsistency are central to his attack on 'Legitimacy', a term he drew form the lexicon of post-Napoleonic political journalism. In treating legitimate government as a revived form of divine right monarchy, Hazlitt often produced harrowing visions of the perfect refinement of oppressive power and the complete elimination of any principle of liberty or resistance. At the same time he found ways to preserve his commitment to oppositional political expression and the redemptive necessity of what he termed 'a word uttered against'. Later chapters bring together the spiritual heritage of rational Dissent and emerging democratic developments in London to understand Hazlitt's distinctive mobilization of radical memory as a way of contending with present injustice and envisioning a political future.

Print Politics was the first literary study of the culture of the popular radical movement for parliamentary reform in the early decades of the nineteenth century. The period was characterized by popular agitation and repressive political measures including trials for seditious and blasphemous libel. Kevin Gilmartin explores the styles and strategies of radical opposition in the periodical press, and in the public culture of the time. He argues that writers and editors including William Cobbett, T. J. Wooler, Richard Carlile, John Wade, and Leigh Hunt committed themselves to a complex, flexible, and often contradictory project of independent political opposition. They sought to maintain a political resistance uncompromised by the influence of a corrupt 'system', even while addressing and imitating its practices to further their oppositional ends.

Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge.

Print Politics was the first literary study of the culture of the popular radical movement for parliamentary reform in the early decades of the nineteenth century. The period was characterized by popular agitation and repressive political measures including trials for seditious and blasphemous libel. Kevin Gilmartin explores the styles and strategies of radical opposition in the periodical press, and in the public culture of the time. He argues that writers and editors including William Cobbett, T. J. Wooler, Richard Carlile, John Wade, and Leigh Hunt committed themselves to a complex, flexible, and often contradictory project of independent political opposition. They sought to maintain a political resistance uncompromised by the influence of a corrupt 'system', even while addressing and imitating its practices to further their oppositional ends.

Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.