Kirjahaku

I've lived the way a field is sometimes / a shelter for mice / or sometimes a source of game / for a hawkInspired by the literary landscape of the late poet John Thompson, Kevin Irie's The Tantramar Re-Vision presents a portrait of nature where the benign and the bedevilled coexist, collude, or collide.The Tantramar Re-Vision charts routes of discovery as it follows trails, waterways, flights, and fears, be it through the woods, the wilds, the page, or the mind where "it's hard to admit / you are not to your taste." It questions an existence in which the inhuman thrives, ignorant of divinity, while the human psyche continues to search for answers as "life takes directions / away from" it. The Tantramar Marsh setting of John Thompson's Stilt Jack resonates with Irie's landscapes of birds, fish, plants, and wildlife, all still within reach yet part of a world where "wind carries sounds / it cannot hear."Insightful and meditative, The Tantramar Re-Vision is poetry of the inner self and the outside observer, a poetic testament to the ways literature creates its own landmarks and nature survives without knowing a word.

With Evacuations, Kevin Irie weaves a poetic documentary for readers, capturing the personal and political histories of the Japanese-Canadian internment in British Columbia during World War II. The collection offers a rich tapestry of historical voices, revealing the devastating effects of the internment and preserving the stories of a generation gradually slipping into silence. The poems oscillate between the lyric mode and techniques of erasure poetry to highlight the dehumanizing nature of public decrees and government notices. Irie presents a history of the Canadian state’s racist policies, creating a record of painful memories replete with archival resonances. This collection will be of particular interest to readers in British Columbia and Alberta, to individuals with Japanese heritage, and all those interested in knowing more about the history of internment in North America.