Kirjahaku

In the steam-powered mechanical age of the eighteenth and nineteenth centuries, the work of late Georgian and early Victorian mathematicians came to depend on far more than the properties of number. British mathematicians came to rely on industrialized paper and pen manufacture, railways and mail, and the print industries of the book, disciplinary journal, magazine, and newspaper. Although not always physically present with one another, the characters central to this book—from George Green to William Rowan Hamilton—relied heavily on communication technologies as they developed their theories in consort with colleagues. The letters they exchanged, together with the equations, diagrams, tables, or pictures that filled their manuscripts and publications, were all tangible traces of abstract ideas that extended mathematicians into their social and material environment. Each chapter of this book explores a thing, or assembling of things, needed by mathematicians to do their work—whether a textbook, museum, journal, library, diagram, notebook, or letter—all characteristic of the mid-nineteenth-century British taskscape, but also representative of great change to a discipline brought about by an industrialized world in motion.

Faldistoire’s grandfather thinks he’s a ghost. Sylvie’s mother reads tarot and summons stormclouds to mete her witch’s justice. Behind his Dad of the Year demeanour, Sébastien’s father hides dark designs. It’s Croustine’s grandfather who makes the boy a pair of slippers from the dead family dog, but it’s his father, the cannily-named Kevin Lambert, who always seems to be nearby when tragedy strikes, and in the cemetery, under the baleful eyes of toads, small graves are dug one after the other: Chicoutimi, Quebec, is a dangerous place for children. But these young victims of rape, arbitrary violence, and senseless murder keep coming back from the dead. They return to school, explore their sexualities, keep tabs on grown-up sins—and plot their apocalyptic retribution. Surreal and darkly comic, this debut novel by Kevin Lambert, one of the most celebrated and controversial writers to come out of Quebec in recent memory, takes the adult world to task—and then takes revenge.

Shortlisted for the 2022 Atwood Gibson Writers' Trust Fiction Prize • Winner of the 2023 ReLit Award for Fiction • Longlisted for the 2024 Dublin Literary AwardHomage to Jean Genet’s antihero and a brilliant reimagining of the ancient form of tragedy, Querelle of Roberval, winner of the Marquis de Sade Prize, is a wildly imaginative story of justice, passion, and murderous revenge. As a millworkers’ strike in the northern lumber town of Roberval drags on, tensions start to escalate between the workers—but when a lockout renews their solidarity, they rally around the mysterious and magnetic influence of Querelle, a dashing newcomer from Montreal. Strapping and unabashed, likeable but callow, by day he walks the picket lines and at night moves like a mythic Adonis through the ranks of young men who flock to his apartment for sex. As the dispute hardens and both sides refuse to yield, sand stalls the gears of the economic machine and the tinderbox of class struggle and entitlement ignites in a firestorm of passions carnal and violent. Trenchant social drama, a tribute to Jean Genet’s antihero, and a brilliant reimagining of the ancient form of tragedy, Querelle of Roberval, winner of France’s Marquis de Sade Prize, is a wildly imaginative story of justice, passion, and murderous revenge.

A Walrus Best Book of Fall 2024 • A Globe 100 Best Book of 2024 • A CBC Best Fiction Book of the Year • Winner of the 2023 Prix Médicis, Prix Décembre, and Prix RinguetCéline Wachowski, internationally renowned architect and accidental digital-culture icon, unveils her plans for the Webuy Complex, her first megaproject in Montreal, her hometown. But instead of the triumph she anticipates in finally bringing her reputation to bear in her own city, the project is excoriated by critics, who accuse her of callously destroying the social fabric of neighborhoods, ushering in a new era of gentrification, and many even deadlier sins. When she is deposed as CEO of her firm, Céline must make sense of the charges against herself and the people in her elite circle. For the first time in danger of losing their footing, what fictions must they tell themselves to justify their privilege and maintain their position in the world that they themselves have built?Moving fluidly between Céline’s perspective and the perspectives of her critics, and revealing both the ruthlessness of her methods and the brilliance of her aesthetic vision, May Our Joy Endure is a shrewd examination of the microcosm of the ultra-privileged and a dazzling social novel that depicts with razor-sharp acuity the terrible beauty of wealth, influence, and art.