Kirjahaku

We remember the 1980s as the era of Ronald Reagan, a conservative decade populated by preppies and yuppies dancing to a soundtrack of electronic synth pop music (the "MTV generation"). But the decade also produced some of the most creative works of punk rock - not just the music of bands like the Minutemen and the Dead Kennedys, but also visual arts, literature, poetry, and film. Kevin Mattson documents what Kurt Cobain once called a "punk rock world." He shows just how widespread the movement became, and how democratic (not at all New York-centric), due to its commitment to Do-It-Yourself (DIY) ethics. Mattson puts this movement into a wider context, telling about a culture war that punks opened up against the sitting president. Reagan's talk about end days and nuclear warfare made kids panic; his tax cuts for the rich and simultaneous slashing of school lunch program funding made punks seethe at his meanness. The anger went deep, since punks saw Reagan as the country's entertainer-in-chief - his career (from radio to Hollywood and television) synched to the very world punks rejected. Through deep archival research, Mattson reignites the heated debates that punk's opposition generated - about everything from "straight edge" ethics to anarchism to the art of dissent. By reconstructing the world of punk, Mattson shows that it was more than just a style of purple hair and torn jeans. And in so doing, he reminds readers of its importance and its challenge to simplistic assumptions about the 1980s as a one-dimensional, conservative epoch.

During America's Progressive Era at the beginning of the twentieth century, democracy was more alive than it is today. Social activists and intellectuals of that era formed institutions where citizens educated themselves about pressing issues and public matters. While these efforts at democratic participation have largely been forgotten, their rediscovery may represent our best hope for resolving the current crisis of democracy in the United States.Mattson explores the work of early activists like Charles Zueblin, who tried to advance adult education at the University of Chicago, and Frederic Howe, whose People's Institute sparked the nationwide forum movement. He then turns to the social centers movement, which began in Rochester, New York, in 1907 with the opening of public schools to adults in the evening as centers for debate over current issues. Mattson tells how this simple program grew into a national phenomenon and cites its achievements and political ideals, and he analyzes the political thought of activists within the movement—notably Mary Parker Follett and Edward Ward—to show that these intellectuals had a profound understanding of what was needed to create vigorous democratic practices.Creating a Democratic Public challenges us to reconsider how we think about democracy by bringing us into critical dialogue with the past and exploring the work of yesterday's activists. Combining historical analysis, political theory, and social criticism, Mattson analyzes experiments in grassroots democracy from the Progressive Era and explores how we might foster more public involvement in political deliberation today.

During America's Progressive Era at the beginning of the twentieth century, democracy was more alive than it is today. Social activists and intellectuals of that era formed institutions where citizens educated themselves about pressing issues and public matters. While these efforts at democratic participation have largely been forgotten, their rediscovery may represent our best hope for resolving the current crisis of democracy in the United States.Mattson explores the work of early activists like Charles Zueblin, who tried to advance adult education at the University of Chicago, and Frederic Howe, whose People's Institute sparked the nationwide forum movement. He then turns to the social centers movement, which began in Rochester, New York, in 1907 with the opening of public schools to adults in the evening as centers for debate over current issues. Mattson tells how this simple program grew into a national phenomenon and cites its achievements and political ideals, and he analyzes the political thought of activists within the movement—notably Mary Parker Follett and Edward Ward—to show that these intellectuals had a profound understanding of what was needed to create vigorous democratic practices.Creating a Democratic Public challenges us to reconsider how we think about democracy by bringing us into critical dialogue with the past and exploring the work of yesterday's activists. Combining historical analysis, political theory, and social criticism, Mattson analyzes experiments in grassroots democracy from the Progressive Era and explores how we might foster more public involvement in political deliberation today.

Born in 1966‚ a generation removed from the counterculture‚ Kevin Mattson came of political age in the conservative Reagan era. In an effort to understand contemporary political ambivalence and the plight of radicalism today‚ Mattson looks back to the ideas that informed the protest‚ social movements‚ and activism of the 1960s. To accomplish its historical reconstruction‚ the book combines traditional intellectual biography—including thorough archival research—with social history to examine a group of intellectuals whose thinking was crucial in the formulation of New Left political theory. These include C. Wright Mills‚ the popular radical sociologist; Paul Goodman‚ a practicing Gestalt therapist and anarcho-pacifist; William Appleman Williams‚ the historian and famed critic of "American empire"; Arnold Kaufman‚ a "radical liberal" who deeply influenced the thinking of the SDS. The book discusses not only their ideas‚ but also their practices‚ from writing pamphlets and arranging television debates to forming left-leaning think tanks and organizing teach-ins protesting the Vietnam War. Mattson argues that it is this political engagement balanced with a commitment to truth-telling that is lacking in our own age of postmodern acquiescence. Challenging the standard interpretation of the New Left as inherently in conflict with liberalis‚ Mattson depicts their relationship as more complicated‚ pointing to possibilities for a radical liberalism today. Intellectual and social historians‚ as well as general readers either fascinated by the 1960s protest movements or actively seeking an alternative to our contemporary political malais‚ will embrace Mattson’s book and its promise to shed new light on a time period known for both its intriguing conflicts and its enduring consequences.

A sweeping intellectual history that will make us rethink postwar politics and culture, When America Was Greatprofiles the thinkers and writers who crafted a new American liberal tradition in a conservative era -- from historians Arthur Schlesinger, Jr., and C. Vann Woodward, to economist John Kenneth Galbraith and theologian Reinhold Niebuhr.A compelling tale that will redefine the word "liberal" for a new generation, Mattson retraces the intellectual journey of these towering figures. They served in the Second World War. They opposed communism but also wanted to make America's poor visible to the affluent society. Contrary to those who characterize liberals as naïve or sentimental "bleeding hearts," they had a tough-minded and nuanced vision that stressed both human limitations and hope. They felt America should stand for something more than just a strong economy.

A sweeping intellectual history that will make us rethink postwar politics and culture, When America Was Greatprofiles the thinkers and writers who crafted a new American liberal tradition in a conservative era -- from historians Arthur Schlesinger, Jr., and C. Vann Woodward, to economist John Kenneth Galbraith and theologian Reinhold Niebuhr.A compelling tale that will redefine the word "liberal" for a new generation, Mattson retraces the intellectual journey of these towering figures. They served in the Second World War. They opposed communism but also wanted to make America's poor visible to the affluent society. Contrary to those who characterize liberals as naïve or sentimental "bleeding hearts," they had a tough-minded and nuanced vision that stressed both human limitations and hope. They felt America should stand for something more than just a strong economy.

Outstanding Academic Title of 2008 Do you ever wonder why conservative pundits drop the word “faggot” or talk about killing and then Christianizing Muslims abroad? Do you wonder why the right’s spokespeople seem so confrontational, rude, and over-the-top recently? Does it seem strange that conservative books have such apocalyptic titles? Do you marvel at why conservative writers trumpeted the “rebel” qualities of George W. Bush just a few years back? There is no doubt that the style of the political right today is tough, brash, and by many accounts, not very conservative sounding. After all, isn’t conservatism supposed to be about maintaining standards, upholding civility, and frowning upon rebellion? Historian Kevin Mattson explains the apparent contradictions of the party in this fresh examination of the postwar conservative mind. Examining a big cast of characters that includes William F. Buckley, Whittaker Chambers, Norman Podhoretz, Irving Kristol, Kevin Phillips, David Brooks, and others, Mattson shows how right-wing intellectuals have always, but in different ways, played to the populist and rowdy tendencies in America’s political culture. He boldly compares the conservative intellectual movement to the radical utopians among the New Left of the 1960s and he explains how conservatism has ingested central features of American culture, including a distrust of sophistication and intellectualism and a love of popular culture, sensation, shock, and celebrity.Both a work of history and political criticism, Rebels All! shows how the conservative mind made itself appealing, but also points to its endemic problems. Mattson’s conclusion outlines how a recast liberalism should respond to the conservative ascendancy that has marked our politics for the last thirty years.

Praise for UPTON SINCLAIR and the other American Century""I look forward to all of Kevin Mattson's works of history and I've notbeen disappointed yet. Upton Sinclair is a thoughtful, well-researched, and extremely eloquently told excavation of the history of theAmerican left and, indeed, the American nation, as well as a testamentto the power of one man to influence his times. Well done.""--Eric Alterman, author of When Presidents Lie: A History of Official Deception and Its Consequences""A splendid read. It reminds you that real heroes once dwelt among us. Mattson not only captures Sinclair's character, but the world he inhabited, with deft strokes whose energy and passion easily match his subject's.""--Richard Parker, author of John Kenneth Galbraith: His Life, His Politics, His Economics""From the meat-packing houses of Chicago to the automobile factories of Detroit to the voting booths of California, Upton Sinclair cut a wide swath as a muckraking writer who exposed the injustices rendered by American industrial capitalism. Now Kevin Mattson presents a much-needed exploration of this complex crusader. This is a thoughtful, provocative, and gripping account of an important figure who appeared equal parts intellectual, propagandist, and political combatant as he struggled to illuminate the 'other American century' inhabited by the poor and powerless.""--Steven Watts, author of The People's Tycoon: Henry Ford and the American Century