Kirjahaku

Anthropologists have invariably engaged in their discipline as a form of redemption, whether to escape from social restriction, nourish their souls, reform their home polities, or vindicate "the natives." Redeeming Anthropology explores how in pursuit of a secular science sired by the Enlightenment, adherents to a "faith in mankind" have vacillated between rejecting and embracing theology, albeit in concealed and contradictory ways. Mining the biographical registers of the American, British, and French anthropological traditions, Khaled Furani argues that despite all efforts to the contrary, theological sediments remain in this disciplining discipline. Rather than continuing to forget, deny, and sequester it, theology can serve as a mirror for introspection, as a source of critique offering invaluable tools for revitalization: for thinking anew not only anthropology's study of others' cultures, but also its very own reason.

Silencing the Sea follows Palestinian poets' debates about their craft as they traverse multiple and competing realities of secularism and religion, expulsion and occupation, art, politics, immortality, death, fame, and obscurity. Khaled Furani takes his reader down ancient roads and across military checkpoints to join the poets' worlds and engage with the rhythms of their lifelong journeys in Islamic and Arabic history, language, and verse. This excursion offers newfound understandings of how today's secular age goes far beyond doctrine, to inhabit our very senses, imbuing all that we see, hear, feel, and say. Poetry, the traditional repository of Arab history, has become the preeminent medium of Palestinian memory in exile. In probing poets' writings, this work investigates how struggles over poetic form can host larger struggles over authority, knowledge, language, and freedom. It reveals a very intimate and venerated world, entwining art, intellect, and politics, narrating previously untold stories of a highly stereotyped people.