Kirjojen hintavertailu. Mukana 11 244 527 kirjaa ja 12 kauppaa.

Kirjahaku

Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.

18 kirjaa tekijältä Kim Addonizio

Bukowski In A Sundress

Bukowski In A Sundress

Kim Addonizio

Penguin USA
2016
nidottu
Through a collection of personal essays, poet provocateur Kim Addonizio chronicles the joys and indignities in the life of a writer coasting through middle age. She vividly captures moments of inspiration at the writing desk (or bed) and adventures on the road - from sparsely attended readings at small Midwestern colleges to wine-fuelled one-night stands at publishing conferences. Addonizio's crackling wit and colorful prose bring unforgettable life to her words, producing is a memoir that radiates all the wit, heartbreak and sexy grittiness her fans love.
Mortal Trash: Poems

Mortal Trash: Poems

Kim Addonizio

W. W. Norton Company
2016
sidottu
Passionate and irreverent, Mortal Trash transports the readers into a world of wit, lament, and desire. In a section called "Over the Bright and Darkened Lands," canonical poems are torqued into new shapes. "Except Thou Ravish Me," reimagines John Donne's famous "Batter my heart, Three-person'd God" as told from the perspective of a victim of domestic violence. Like Pablo Neruda, Addonizio hears "a swarm of objects that call without being answered" hospital crash carts, lawn gnomes, Evian bottles, wind-up Christmas creches, edible panties, cracked mirrors. Whether comic, elegiac, or ironic, the poems in Mortal Trash remind us of the beauty and absurdity of our time on earth.From "Scrapbook" We believe in the one-ton rose and the displaced toilet equally. Our blues assume you understand not much, and try to be alive, just as we do, and that it may be helpful to hold the hand of someone as lost as you.
Ordinary Genius

Ordinary Genius

Kim Addonizio

WW Norton Co
2009
nidottu
"The creative process is just that," maintains Kim Addonizio. "Not a means to an end, but an ongoing participation." A widely acclaimed poet and finalist for the National Book Award, Addonizio meditates on her own process as she encourages writers to explore both their personal and political worlds, to seek inspiration from poets new and old, and to discover the rich poetic resources of the Internet. Lively, accessible, and informative, Ordinary Genius?provides wisdom gleaned through personal experience and offers a heady variety of writing exercises. Chapters on gender, addiction, race and class, metaphor and line invite each individual writer to find and to hone his or her unique voice. This is the perfect book for both experienced writers and beginners eager to glimpse the angel of poetry.
Lucifer at the Starlite

Lucifer at the Starlite

Kim Addonizio

WW Norton Co
2011
pokkari
With both passion and precision, Lucifer at the Starlite explores life s dual nature: good and evil, light and dark, suffering and moments of unexpected joy. Whether looking outward to events on the world stage the war in Iraq, the 2004 Asian tsunami or inward at struggles with the self, these poems aim at the heart and against the feeling that Lucifer may have already won the day. from Lucifer at the Starlite Here s my bright idea for life on earth: better management. The CEO has lost touch with the details. I m worth as much, but I care; I come down here, I show my face, I m a real regular. A toast: To our boys and girls in the war, grinding through sand, to everybody here, our host who s mostly mist, like methane rising"
Mortal Trash: Poems

Mortal Trash: Poems

Kim Addonizio

W. W. Norton Company
2017
nidottu
Passionate and irreverent, Mortal Trash transports the readers into a world of wit, lament, and desire. In a section called "Over the Bright and Darkened Lands," canonical poems are torqued into new shapes. "Except Thou Ravish Me," reimagines John Donne's famous "Batter my heart, Three-person'd God" as told from the perspective of a victim of domestic violence. Like Pablo Neruda, Addonizio hears "a swarm of objects that call without being answered" hospital crash carts, lawn gnomes, Evian bottles, wind-up Christmas creches, edible panties, cracked mirrors. Whether comic, elegiac, or ironic, the poems in Mortal Trash remind us of the beauty and absurdity of our time on earth.From "Scrapbook" We believe in the one-ton rose and the displaced toilet equally. Our blues assume you understand not much, and try to be alive, just as we do, and that it may be helpful to hold the hand of someone as lost as you.
Now We're Getting Somewhere: Poems

Now We're Getting Somewhere: Poems

Kim Addonizio

W. W. Norton Company
2021
sidottu
Kim Addonizio's sharp and irreverent eighth volume, Now We're Getting Somewhere, is an essential companion to your practice of the Finnish art of kalsarik nnit--drinking at home, alone in your underwear, with no intention of going out. Imbued with the poet's characteristic precision and passion, the collection charts a hazardous course through heartache, climate change, dental work, Outlander, semiotics, and more.Combatting existential gloom with a wicked, seductive energy, Addonizio investigates desire, loss, and the madness of contemporary life. She calls out to Walt Whitman and John Keats, echoes Dorothy Parker, and finds sisterhood with Virginia Woolf.Sometimes confessional, sometimes philosophical, these poems weave from desolation to drollery and clamor with raucous imagery: an insect in high heels, a wolf at an uncomfortable party, a glowing and self-serious guitar.A poet whose "voice lifts from the page, alive and biting" (Sky Sanchez, San Francisco Book Review), Addonizio reminds her reader, "if you think nothing & / no one can / listen I love you joy is coming."
Little Beauties

Little Beauties

Kim Addonizio

Simon Schuster
2006
pokkari
The lives of three characters -- an obsessive-compulsive, a pregnant teenager, and the teen's unborn child -- come together in National Book Award finalist and Pushcart Prize winner Kim Addonizio's unsparingly funny and transcendent debut novel. Diana McBride, a thirty-four-year-old former child pageant contender, now works in a baby store in Long Beach. Between dealing with a catastrophic haircut, the failure of her marriage, and phone calls from her alcoholic mother, Diana has gone off her OCD medication and is trying to cope via washing and cleaning rituals. When pregnant teenager Jamie Ramirez enters the store, Diana's already chaotic world is sent spinning. Jamie can't stand being pregnant. She can't wait to get on with her normal life and give the baby up for adoption. But her yet-to-be-born daughter, Stella, has a fierce will and a destiny to fulfill. And as the magical plot of "Little Beauties" unfolds, these three characters' lives become linked in ever more surprising ways. With a poet's ear for fresh, evocative language and a deft humor that exposes her characters' foibles, Addonizio perfectly captures the messiness and unexpected beauty of life.
My Dreams Out in the Street

My Dreams Out in the Street

Kim Addonizio

SIMON SCHUSTER
2010
nidottu
Rita Jackson is a young woman on the skids, spending her time in shelters and on the dot-com-drunk streets of late 1990s San Francisco. She's a young woman haunted by the murder of her mother when she was thirteen, and a young bride haunted by the disappearance of her husband, Jimmy, who split after a nasty argument more than a year earlier. Together Jimmy and Rita were slipping into drugs and hard times. Rita is filled with feelings of guilt and failure, and the hope that she will one day and Jimmy. She doesn't know that he is still in the city, still in love with her, waiting tables in an expensive restaurant while trying to get a foothold in the straight life. When Rita witnesses the aftermath of a murder, her own life is endangered. She becomes involved with Gary Shepard, a married criminal investigator drawn to the dark side of this young woman. What unfolds is a story of three flawed people struggling with themselves as much as with their circumstances, as each of them is pulled more deeply and dangerously into the consequences of their decisions. When a drunken night leads Jimmy to jeopardize his second and last chance, it seems unlikely that these sweet, damaged people will ever come to anything, let alone find and -- miracle of miracles -- save one another. But fate, in Addonizio's hands, works in strange and beautiful geometries. And redemption, she tells us, is never impossible.
Now We're Getting Somewhere: Poems

Now We're Getting Somewhere: Poems

Kim Addonizio

W. W. Norton Company
2022
nidottu
Kim Addonizio's sharp and irreverent eighth volume, Now We're Getting Somewhere, is an essential companion to your practice of the Finnish art of kalsarik nnit--drinking at home, alone in your underwear, with no intention of going out. Imbued with the poet's characteristic precision and passion, the collection charts a hazardous course through heartache, climate change, dental work, Outlander, semiotics, and more.Combatting existential gloom with a wicked, seductive energy, Addonizio investigates desire, loss, and the madness of contemporary life. She calls out to Walt Whitman and John Keats, echoes Dorothy Parker, and finds sisterhood with Virginia Woolf.Sometimes confessional, sometimes philosophical, these poems weave from desolation to drollery and clamor with raucous imagery: an insect in high heels, a wolf at an uncomfortable party, a glowing and self-serious guitar.A poet whose "voice lifts from the page, alive and biting" (Sky Sanchez, San Francisco Book Review), Addonizio reminds her reader, "if you think nothing & / no one can / listen I love you joy is coming."
Exit Opera

Exit Opera

Kim Addonizio

WW NORTON CO
2024
sidottu
Set in locations from dive bars to Montparnasse Cemetery, from an ancient Greek temple to a tourist shop in Assisi, Exit Opera explores the ever-vexing issues of time, mortality, love, and loss, and considers the roles of art and human connection. Whatever their nominal subject—jazz, zombies, Buddhism, Siberian tigers—these poems make for a compelling mix of humor and pain, difficulty and solace. In a nod to Keats, one of the many fellow travelers in these poems, Addonizio invites us to “[inscribe] a few verses on whatever water / you can find” and assures readers that they are not alone in navigating the challenges and changes of mortal life. As she writes in “My Opera”: The staging is difficult. Exploding stars are involved, high-redshift galaxies, interior chambers, a little country blues, a little jazz guitar, a jam jar containing a tiny ocean & a tinier rowboat rocking gently in the swells that I am steering toward you in the dark.
In the Box Called Pleasure

In the Box Called Pleasure

Kim Addonizio

Fiction Collective Two
1999
nidottu
Fiction. By turns graphic, funny, and moving, thes urban tales present characters who are teetering on the edge. Indifferent or absent lovers, drinking and smoking too much, loneliness, paranoia, a desire that is always fresh. In spite of the facts, rage, and obsession -- this is the macabre landscape of these unrestrained stories.
My Black Angel

My Black Angel

Kim Addonizio

Stephen F. Austin State University Press
2014
sidottu
Kim Addonizio’s latest collection of poetry, My Black Angel Blues Poems and Portraits, is an amazing work; featuring woodcuts by book artisan Charles D. Jones, My Black Angel is both an auditory pleasure and visual feast.First, Addonizio’s poetry celebrates the blues tradition in poetry much the way Langston Hughes, James Weldon Johnson, and Paul Laurence Dunbar did; she understands, feels, knows blues rhythms and the result is an incomparable and important poetry.Furthermore, Jones’ accompanying art encompasses the blues medium and personalities Addonizio so aptly employs in her poetry: edgy and surprising, multifaceted with concurrent streams of meaning, his woodcuts feature such blues personalities as Blind Willie Johnson, Robert Johnson, Billie Holliday, Muddy Waters, Lightnin’ Hopkins, John Lee Hooker, Big Mama Thornton, and more. The concert resultant from this collaboration is a dynamic performance bound to turn readers’ attentions to the music and tradition of the blues, to seek out the sources, to immerse in the blues.
My Black Angel, Blues Poems and Portraits: Limited Edition

My Black Angel, Blues Poems and Portraits: Limited Edition

Kim Addonizio

Stephen F. Austin State University Press
2014
sidottu
My Black Angel, Blues Poems and Portraits pairs the blues poems of Kim Addonizio with woodcut effigies based on images of a number of significiant blues musicians with the intent of creating ""duets"" of image and text, each spread becoming a visual composition and each element amplifying the other.Created by Charles D. Jones, the woodcuts are in direct response to the poetry. The limited edition book features 24 poems and 26 images printed directly from wooden blocks on Hahnemühle’s Biblio paper, with additional images for the delux edition printed onto Sekishu, a fine Japanese paper. Jones uses the Optima font, printing from photopolymer plates.
Wild Nights

Wild Nights

Kim Addonizio

Bloodaxe Books Ltd
2015
nidottu
America's Kim Addonizio has been called 'one of the nation's most provocative and edgy poets'. Her poetry is renowned both for its gritty, street-wise narrators and for a wicked sense of wit. With passion, precision and irreverent honesty, her poems explore life's dual nature: good and evil, light and dark, joy and suffering, exposing raw emotions often only visible when truly confronting ourselves - jealousy, self-pity, fear, lust.
Jimmy & Rita

Jimmy & Rita

Kim Addonizio

Stephen F. Austin State University Press
2012
nidottu
“One of the wonderful things about Jimmy & Rita is that Kim Addonizio never imposes herself in any way, so the poems sing themselves into us. We experience the victories and defeats of Jimmy and Rita as they struggle through the boundless claustrophobia of their world. I think of them and there is a sense of sadness within me. Yet I think of what Addonizio has accomplished and I feel joy.” - Hubert Selby, Jr
Exit Opera

Exit Opera

Kim Addonizio

WW NORTON CO
2026
nidottu
Set in locations from dive bars to Montparnasse Cemetery, from an ancient Greek temple to a tourist shop in Assisi, Exit Opera explores the ever-vexing issues of time, mortality, love and loss, and considers the roles of art and human connection. Whatever their nominal subject–jazz, zombies, Buddhism, Siberian tigers–these poems make for a compelling mix of humour and pain, difficulty and solace. In a nod to Keats, one of the many fellow travellers in these poems, Addonizio invites us to “[inscribe] a few verses on whatever water / you can find” and assures readers that they are not alone in navigating the challenges and changes of mortal life. As she writes in “My Opera”: The staging is difficult. Exploding stars are involved, high-redshift galaxies, interior chambers, a little country blues, a little jazz guitar, a jam jar containing a tiny ocean & a tinier rowboat rocking gently in the swells that I am steering toward you in the dark.