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7 kirjaa tekijältä Kyle McCord

Sympathy from the Devil

Sympathy from the Devil

Kyle McCord

Gold Wake Press Collective
2021
pokkari
Poetry. "In Kyle McCord's new book Gabriel empathizes, the Devil sympathizes, and an exhausted God watches a televangelist. Moving, imaginative and full of surprising turns, McCord's poems are alive with both the world and the dead who 'have no word for intimate, and a thousand words for blind.' I love the abundance of these poems, their humor, the music that made my ears howl and purr. When I dream about McCord's poems dreaming of me, I ride an aging mechanical bull, werewolves take over the city, Abraham Lincoln begs to rip off my blouse, God's love vanishes into my body like bread. I wake up hungry, afraid, laughing."-Traci Brimhall"In Kyle McCord's mercurial and visionary new book, SYMPATHY FROM THE DEVIL, we see a bold refiguring of the moral imagination that, like a Dante without a Beatrice, wanders hell bereft of the traditional compass that would clarify the archetypes. Here the eye opens wide its compassion in the dark. Play transgresses and so, in opposition to the self-servitude of sublimity and rapture, sheds light on cruelties and exclusions suffered in the name of the ideal. Everywhere we look in this book, we find the generosity and precision of paradox. The pleasure of absurdity may distance heartbreak, but it likewise binds us to it, such that the poet's lightness of touch and ranginess of sensibility becomes indistinguishable from his vision, the sense that one half of sympathy is always the embrace, the other the letting go. A stunning collection."-Bruce Bond"'What do you want from any of us, reader' asks the first poem in Kyle McCord's SYMPATHY FROM THE DEVIL, bristling a bit, cocking its chin, letting us know that what follows will never be exactly what we expect. The book brims with wily intelligence and unsettling humor that challenge and surprise and thrill and move us so that in the end what we want is everything this terrific book has to give."-Corey Marks
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Galley of the Beloved in Torment

Galley of the Beloved in Torment

Kyle McCord

Dream Horse Press
2010
nidottu
Kyle McCord's Galley of the Beloved in Torment bears the standard of les po tes maudits, the accursed poets, of Rimbaud, Corbi re, Mallarm , et al., and of their forefather Baudelaire. Like the speaker in many of McCord's poems, these fi n-de-si cle poets thrive in the outskirts, fi ngering the hem of society, free to witness her unraveling. Although McCord wrote Galley of the Beloved in Torment some 125 years aft er this time, his book parades the same Decadent style, a style indicative of high sentence, sensuality, social deviance, and the bizarre, to name a few, but enough to stoke our, as Marlow said in Heart of Darkness, "fascination of the abomination." -Ezekiel Black Kyle McCord is a wickedly lavish poet. His scope is broad, his syllables exactingly chosen. The Galley of the Beloved in Torment brings us the pleasure of fable, the "hot breath of one rock on another," the spectacle of life transformed. -Noy Holland Kyle McCord delicately folds promises, prophecies, laments, lists and directives into poems that exhibit both high mastery and intense earnestness. Lines shift and vary in unpredictable ways, as do the poems' speakers, who observe, summon, question, caution, and - above all else - morph. The line between man's best and beast repeatedly blurs. The personal terrifyingly melts into the global in an intimate overlay. Galley of the Beloved in Torment is not love poetry, nor political poetry, nor philosophical poetry; it is all those at once, slippery and sly yet hardhitt ing in a fantastic(al) blend. -YZ Chin
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Writing the Self-Elegy

Writing the Self-Elegy

Teresa Leo; Jennifer McCauley; John Chavez; Kasey Jueds; Catherine Kyle; Adam Crittenden; Rigoberto Gonzalez; Kyle McCord; Jane Wong; Naomi Ortiz; Denise Leto; Carol Berg; Kristy Bowen; Floydd Michael Elliot; Jehanne Dubrow; Carl Phillips; Bruce Bond; Kevin Prufer; Rusty Morrison; Sheila Black; Lauren Berry; Anne Kaier; TC Tolbert; Raymond Luczak; Stephanie Heit; Juliet Cook; Tanaya Winder

SOUTHERN ILLINOIS UNIVERSITY PRESS
2023
nidottu
An innovative roadmap to facing our past and present selves Honest, aching, and intimate, self-elegies are unique poems focusing on loss rather than death, mourning versions of the self that are forgotten or that never existed. Within their lyrical frame, multiple selves can coexist—wise and nai¨ve, angry and resigned—along with multiple timelines, each possible path stemming from one small choice that both creates new selves and negates potential selves. Giving voice to pain while complicating personal truths, self-elegies are an ideal poetic form for our time, compelling us to question our close-minded certainties, heal divides, and rethink our relation to others. In Writing the Self-Elegy, poet Kara Dorris introduces us to this prismatic tradition and its potential to forge new worlds. The self-elegies she includes in this anthology mix autobiography and poetics, blending craft with race, gender, sexuality, ability and disability, and place—all of the private and public elements that build individual and social identity. These poems reflect our complicated present while connecting us to our past, acting as lenses for understanding, and defining the self while facilitating reinvention. The twenty-eight poets included in this volume each practice self-elegy differently, realizing the full range of the form. In addition to a short essay that encapsulates the core value of the genre and its structural power, each poet’s contribution concludes with writing prompts that will be an inspiration inside the classroom and out. This is an anthology readers will keep close and share, exemplifying a style of writing that is as playful as it is interrogative and that restores the self in its confrontation with grief.
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