Kirjahaku

Our traditional image of Chicago - as a gritty metropolis carved into ethnically defined enclaves where the game of machine politics overshadows its ends - is such a powerful shaper of the city's identity that many of its closest observers fail to notice that a new Chicago has emerged over the past two decades. Larry Bennett here tackles some of our more commonly held ideas about the Windy City - inherited from such icons as Theodore Dreiser, Carl Sandburg, Daniel Burnham, Robert Park, Sara Paretsky, and Mike Royko - with the goal of better understanding Chicago as it is now: the third city. Bennett calls contemporary Chicago the third city to distinguish it from its two predecessors: the first city, a sprawling industrial center whose historical arc ran from the Civil War to the Great Depression; and the second city, the rustbelt exemplar of the period from around 1950 to 1990. The third city features a dramatically revitalized urban core, a shifting population mix that includes new immigrant streams, and a growing number of middle-class professionals working in new economy sectors. It is also a city utterly transformed by the top-to-bottom reconstruction of public housing developments and the ambitious provision of public works like Millennium Park. It is, according to Bennett, a work in progress spearheaded by Richard M. Daley, a self-consciously innovative mayor whose strategy of neighborhood revitalization and urban renewal is a prototype of city governance for the twenty-first century. "The Third City" ultimately contends that to understand Chicago under Daley's charge is to understand what metropolitan life across North America may well look like in the coming decades.

Our traditional image of Chicago-as a gritty metropolis carved into ethnically defined enclaves where the game of machine politics overshadows its ends-is such a powerful shaper of the city's identity that many of its closest observers fail to notice that a new Chicago has emerged over the past two decades. Larry Bennett here tackles some of our more commonly held ideas about the Windy City-inherited from such icons as Theodore Dreiser, Carl Sandburg, Daniel Burnham, Robert Park, Sara Paretsky, and Mike Royko-with the goal of better understanding Chicago as it is now: the third city. Bennett calls contemporary Chicago the third city to distinguish it from its two predecessors: the first city, a sprawling industrial center whose historical arc ran from the Civil War to the Great Depression; and the second city, the Rustbelt exemplar of the period from around 1950 to 1990. The third city features a dramatically revitalized urban core, a shifting population mix that includes new immigrant streams, and a growing number of middle-class professionals working in new economy sectors. It is also a city utterly transformed by the top-to-bottom reconstruction of public housing developments and the ambitious provision of public works like Millennium Park. It is, according to Bennett, a work in progress spearheaded by Richard M. Daley, a self-consciously innovative mayor whose strategy of neighborhood revitalization and urban renewal is a prototype of city governance for the twenty-first century. The Third City ultimately contends that to understand Chicago under Daley's charge is to understand what metropolitan life across North America may well look like in the coming decades.

Why do we seek to return to the past or rescue pieces of the past that may have value in the present? Why does nostalgia attach to an approach to the world, social rules, and material products that willfully rejected the past? Larry Bennett explores the complexities of nostalgia with considerations of the historic preservation of brutalist architecture, specifically Bertrand Goldberg’s Prentice Women’s Hospital in Chicago; the memoirs and recollections of early and mid-twentieth-century Brooklyn and Detroit; and the turntable’s rebirth as a musical instrument alongside the vinyl LP’s resurgence as a prized way of consuming music. Bennett tracks modernity as expressed through ideas, artistic products, and widespread social practices. His consideration of nostalgia focuses on our inclination to rediscover value in people, places, and social habits diminished by the passage of time. Provocative and multidisciplinary, Reclaiming Modernity delves into the paradox of how we feel nostalgia for ideas and times that emerged from an impulse to shun nostalgia.

Why do we seek to return to the past or rescue pieces of the past that may have value in the present? Why does nostalgia attach to an approach to the world, social rules, and material products that willfully rejected the past? Larry Bennett explores the complexities of nostalgia with considerations of the historic preservation of brutalist architecture, specifically Bertrand Goldberg’s Prentice Women’s Hospital in Chicago; the memoirs and recollections of early and mid-twentieth-century Brooklyn and Detroit; and the turntable’s rebirth as a musical instrument alongside the vinyl LP’s resurgence as a prized way of consuming music. Bennett tracks modernity as expressed through ideas, artistic products, and widespread social practices. His consideration of nostalgia focuses on our inclination to rediscover value in people, places, and social habits diminished by the passage of time. Provocative and multidisciplinary, Reclaiming Modernity delves into the paradox of how we feel nostalgia for ideas and times that emerged from an impulse to shun nostalgia.

First Published in 1997. This book is the outcome of a small project that grew and grew. In the fall of 1990 the Chicago-based Policy Research Action Group (PRAG) commissioned the author to do a study of the Uptown area, to which he had moved in 1988.lMeanwhile, in conjunction with his university's Foreign Study Program, he spent the fall of 1991 in Sheffield, England.

First Published in 1997. This book is the outcome of a small project that grew and grew. In the fall of 1990 the Chicago-based Policy Research Action Group (PRAG) commissioned the author to do a study of the Uptown area, to which he had moved in 1988.lMeanwhile, in conjunction with his university's Foreign Study Program, he spent the fall of 1991 in Sheffield, England.

ALL SHIPS...ALL SHIPS....is the complete history of the short and medium range maritime Coast Radio Stations of Great Britain, including the stations in Ireland and the Channel Islands. The book takes us back to the pioneering days of wireless communication, with details of early experiments undertaken by Marconi and his peers. The introduction and development of the Coast Radio Station network, initially undertaken by Marconi and Lloyd's, and subsequently the British Post Office, is covered in detail. The role of the stations during World War I and World War II is explored, as well as the introduction of new services, equipment, and expansion throughout the 1960s and 1970s. As satellite communication technology took over in the 1980s, the network declined, the remote control of stations was introduced, and the service eventually closed in 2000. The history of each station is recalled, with photographs, diagrams, press articles and fond memories of both staff and sea-going Radio Officers adding to the technical information and historical timeline.Various appendices illustrate the development of the network from the 1920s to the 1990s, including details of wartime activities and a transcript of the last few minutes of Morse code operation in 1997. The devastating Humber Radio flood of 1952 is covered in detail, together with details of Coast Station involvement in the 'Princess Victoria', 'Herald of Free Enterprise' and 'Piper Alpha' disasters, all of which made national and international headlines.Much use has been made of press and magazine articles of the time, which in many cases provide an evocative and fascinating glimpse into what was at the time a revolutionary service. Many of the extracts have been left unedited so that the full impact of each article may be maintained.

'The Marconi Beam Wireless Stations of Somerset' is a history of the county's two main high-frequency point-to-point receiving stations located at Bridgwater and Somerton. The Bridgwater station was only active for around 15 years, whilst the Somerton station continued in its role in one form or another until 2000. Details of their 'sister' transmitting stations at Bodmin and Dorchester are also included, as well as a fascinating history of the Chedzoy Experimental Radiotelephone Station, near Bridgwater. An overview of the UK's Point-to-Point radio service is also featured to clarify the role played by the Somerset stations. Whilst modern technology has now superseded the international wireless network, the role of these stations cannot be underestimated, and it is right that their historical importance is recorded.

THE FOOTBALLING MORGAN FAMILY OF BRISTOL is the result of many years' work by the author, investigating and researching the Morgan family from North-East Bristol. They were a large and sporting family, excelling in swimming, water polo, pigeon racing and most notably, football. Five members of the Morgan family played football at a high level, and others played for local teams in the Bristol area. Two, Frederick 'Jerry' Morgan and William James 'Jimmy' Morgan played over 100 times each for Bristol Rovers, and full details of their careers have been compiled. The family is probably best well-known for fielding football teams made up of family members to raise money for local charities, which they organised from 1919 until the mid-1960s. In addition to the sporting aspect of the family, details of the family ancestry are explained in depth, together with details of associated families who married into the Morgan family. Many of the family ran public houses, and details of them have been included as an appendix. The written memories of the author's grandmother, Ivy Morgan, have been transcribed and they give a fascinating and detailed account of growing up in the north-eastern suburbs of Bristol in the early part of the 20th Century. Her wartime experiences are included, as well as many family anecdotes, photographs and documents. Many family members have kindly contributed family photographs and stories, and these have been included throughout the book. The book serves as a remarkable piece of both social and local history.