Kirjahaku

The second collection of work by Olivier award-winning British playwright Laura Wade, bursting with her trademark satirical humour and her sharp, witty insight into gender and privilege. Posh (2010): the cult sensation which propelled Laura Wade onto the national stage and inspired the film The Riot Club (2014). Based on Oxford's real-life Bullingdon Club, the play unfolds during an evening of debauchery in an all-male elite student dining society. Kreutzer vs. Kreutzer (2010): a "play for voices" to be performed with an orchestra, re-imagining Tolstoy's The Kreutzer Sonata as an intimate two-hander. Home, I'm Darling (2018): a dark comedy about marriage and relationships, following one woman in the quest to be the perfect 1950s housewife. Winner of the 2019 Olivier Award for Best New Comedy. The Watsons (2018): a sparkingly funny new take on the unfinished Jane Austen novel, catapulting the characters into a contemporary context whilst dealing with questions of authorship and writer's block.

‘If one of the problems facing new playwrights is the expectation that each of their plays should be similar in style, Wade…proved that you could radically change both form and content… Not every writer delivers on their early promise. As this collection clearly shows, Wade certainly has.’ Aleks Sierz, from his IntroductionColder Than Here: ‘Laura Wade’s play is a 90-minute masterpiece, a jewel, dark bu ttranslucent. It is a play of love, death and grief: the grief that is hardest to bear, because it begins before the loved one dies.’ Sunday TimesBreathing Corpses: ‘The tension, the emotions and the sense of absurdity and fear are brilliantly handled... A terrifying tour de force.’ Sunday TimesOther Hands: ‘This is an extraordinary feat – a vicious satire with a heart of gold –wrought with peculiar subtlety and intelligence.’ The Spectator

In an oak-panelled room in a rural Oxford gastropub, ten young undergraduates with cut-glass vowels and deep pockets are meeting, intent on restoring their right to rule - and on getting totally "chatueaued". Members of The Riot Club, an elite student dining society, the fraternity starts to fray when they discover they're a guinea-fowl short and the prostitute they've hired is suddenly banished. An apparent spoof on Oxford's notorious Bullingdon Club, whose past members include Boris Johnson, George Osborne and David Cameron, Posh is a satirical play about power, politics and privilege, and how these elements interact within British institutions. The play is published here as a Methuen Drama Student Edition with commentary and notes by Henry Bell. Posh premiered at the Royal Court Theatre, London, in 2010 and two years later opened in the West End. It was nominated for Best New Play at both the Evening Standard Awards and for the Theatregoers' Choice Awards. It was subsequently made into a film called The Riot Club (2014), starring Sam Claflin, Max Irons and Douglas Booth.

What happens when the writer loses the plot?Emma Watson is nineteen and new in town. She’s been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast. If not, they face poverty, spinsterhood, or worse: an eternity with their boorish brother and his awful wife.Luckily there are plenty of potential suitors to dance with, from flirtatious Tom Musgrave to castle-owning Lord Osborne, who’s as awkward as he is rich.So far so familiar. But there’s a problem: Jane Austen didn’t finish the story. Who will write Emma’s happy ending now?Based on her incomplete novel, this sparklingly witty play looks under the bonnet of Jane Austen and asks: what can characters do when their author abandons them?

Amy's found another body in a hotel bedroom.There's a funny smell coming from one of Jim's storage units.And Kate's losing it after spending all day with the police.There's no going back after what they've seen.Breathing Corpses was first performed at the Royal Court Jerwood Theatre Upstairs in February 2005.

“I’ve got a new law for you mate, it’s called survival of the fittest, it’s called fuck you we’re the Riot Club.”In an oak-panelled room in Oxford, ten young bloods with cut-glass vowels and deep pockets are meeting, intent on restoring their right to rule. Members of an elite student dining society, the boys are bunkering down for a wild night of debauchery, decadence and bloody good wine. But this isn’t the last huzzah: they’re planning a takeover. Welcome to the Riot Club.

"I walked in and she's sat in the coffin. In the middle of the living-room floor and she's - she's watching telly and laughing"Nobody can ignore the fact that Myra is dying but in the meantime life goes on. There are boilers to be fixed, cats to be fed and the perfect funeral to be planned. As a mother researches burial spots and bio-degradable coffins, her family are finally forced to communicate with her, and each other, as they face up to an unpredictable future. Laura Wade's beautifully poised family drama was first performed at Soho Theatre, London.

“A scalpel-wielding dissection of the fetishisation of wifeliness." - The GuardianEvery couple needs a little fantasy to keep their marriage sparkling. Judy and Johnny are living the 1950s dream, but behind the gingham curtains, being a domestic goddess is not as easy as it looksA dark comedy about sex, cake, and the quest to be the 'perfect' housewife, Laura Wade's incisive study of the idealization of gender norms remains as topical as ever as it asks how happily married are the happily married?Winner of the 2019 Olivier Award for Best New Comedy, Home, I'm Darling is published in Methuen Drama's Modern Classics series, featuring a new introduction by Tamara Harvey.

The latest information on bacterial and parasitic diseases in exotic pet animals for the exotic animal veterinarian. Species to be covered include passerines, psittacines, anseriformes, birds of prey, ferrets, rabbits, primates, fish, and more.

'I don't tingle anymore. I used to. To tingle. Everything I feel, feels like it's in my hands. Rest of me's totally...numb.' In a world of systematic, high-speed technology, some people expect to live life as efficiently as the machines they depend on...and when a machine breaks down, there is usually someone with the skills to fix it. But in an age where things that don't work and can't be mended are thrown away, what do we do with something as human and messy as love?