Kirjahaku

This book discusses developments in the history of British house names from the earliest written evidence (Beowulf's Heorot) to the twentieth century. Chapters 1 and 2 track changes from medieval naming practices such as Ceolmundingchaga and Prestebures, to present-day house names such as Fairholme and Oakdene: that is, the shift from recording the name of the householder (Sabelinesbury, 'Sabeline's manor'), the householder's occupation (le Taninghus, 'the tannery') and the appearance of the house (le Brodedore, 'the broad door'); to the five main categories still in use today: the transferred place-name (Aberdeen House), the nostalgically rural (Springfield), the commemorative (Blenheim Palace), the upwardly mobile (Vernon Lodge), and the latest fashion (Fernville). The development and demise of pub names and shop names such as la Worm on the Hope and the Golden Tea Kettle & Speaking Trumpet are detailed, and the rise of heraldic names such as the Red Lion is explained. Chapters 3-5 track the house name Sunnyside backwards in time to prehistory, through English, Latin, Scottish Gaelic, and the influence of Old Norse. Sunnyside's ancient origins lie in the Nordic practice of solskifte, a prehistoric method of dividing up land according to position of shadows, but the name was boosted in the eighteenth century by Nonconformists (especially Quakers), who took it to America, and in the nineteenth century by American celebrity influence. The book contains an appendix of the earliest London house names to the year 1400, and a gazetteer of historic Sunnysides.

This book discusses developments in the history of British house names from the earliest written evidence (Beowulf's Heorot) to the twentieth century. Chapters 1 and 2 track changes from medieval naming practices such as Ceolmundingchaga and Prestebures, to present-day house names such as Fairholme and Oakdene: that is, the shift from recording the name of the householder (Sabelinesbury, 'Sabeline's manor'), the householder's occupation (le Taninghus, 'the tannery') and the appearance of the house (le Brodedore, 'the broad door'); to the five main categories still in use today: the transferred place-name (Aberdeen House), the nostalgically rural (Springfield), the commemorative (Blenheim Palace), the upwardly mobile (Vernon Lodge), and the latest fashion (Fernville). The development and demise of pub names and shop names such as la Worm on the Hope and the Golden Tea Kettle & Speaking Trumpet are detailed, and the rise of heraldic names such as the Red Lion is explained. Chapters 3-5 track the house name Sunnyside backwards in time to prehistory, through English, Latin, Scottish Gaelic, and the influence of Old Norse. Sunnyside's ancient origins lie in the Nordic practice of solskifte, a prehistoric method of dividing up land according to position of shadows, but the name was boosted in the eighteenth century by Nonconformists (especially Quakers), who took it to America, and in the nineteenth century by American celebrity influence. The book contains an appendix of the earliest London house names to the year 1400, and a gazetteer of historic Sunnysides.

The macaronic (mixed-language) business texts of London for the period 1275 to 1500 present a rich source of evidence for the medieval dialect of London English. Hitherto they have been ignored because of mistaken ideas about their value: they have been viewed as bastardized forms produced by ill-educated scribes. We cannot dismiss macaronic documents as debased or degenerate without investigation, nor should we underestimate the evidence they present for the development of the English language. The contemporary importance of these documents is attested by their sheer number - it is easier today to find macaronic business documents from the late medieval period in record offices than it is to find monolingual texts. The book focuses on terminology surrounding the River Thames to present a study of the medieval dialect of London. The vocabulary survey lists many words which had previously been lost to us, and the illustrative extracts from the texts present a fascinating picture of life in medieval times on the River Thames. The author's analysis covers the orthography, phonology, and morphology of the dialect as revealed in these texts.

Writing "Out of all the Camps": J. M. Coetzee's Narratives of Displacement is an interdisciplinary examination--combining ethical, postcolonial, performance, gender-based, and environmental theory--of the ways that 2003 Nobel Prize-winning South African novelist J. M. Coetzee, primarily through his voicing of a female subject position and his presentation of a voiceless subjectivity, the animal, displaces both the narrative and authorial voice in his works of fiction. Coetzee's work remains outside of conventional notions of genre by virtue of the free indirect discourse that characterizes many of his third-person narrated texts that feature male protagonists (Life & Times of Michael K, The Master of Petersburg, and Disgrace), various and differing first-person narrative accounts of the same story (Dusklands, In the Heart of the Country), the use of female narrators and female narrative personas (Age of Iron, The Lives of Animals), and unlocatable, ahistorical contexts (Waiting for the Barbarians). The work has broad academic appeal in the established fields of not only literary studies--postcolonial, contemporary, postmodern and environmental--but also in the realm of performance and gender studies. Because of its broad and interdisciplinary range, this text bridges a conspicuous gap in studies on Coetzee.

Writing Out of all the Camps: J. M. Coetzee's Narratives of Displacement is an interdisciplinary examination--combining ethical, postcolonial, performance, gender-based, and environmental theory--of the ways that 2003 Nobel Prize-winning South African novelist J. M. Coetzee, primarily through his voicing of a female subject position and his presentation of a voiceless subjectivity, the animal, displaces both the narrative and authorial voice in his works of fiction. Coetzee's work remains outside of conventional notions of genre by virtue of the free indirect discourse that characterizes many of his third-person narrated texts that feature male protagonists (Life & Times of Michael K , The Master of Petersburg , and Disgrace ), various and differing first-person narrative accounts of the same story (Dusklands , In the Heart of the Country ), the use of female narrators and female narrative personas (Age of Iron , The Lives of Animals ), and unlocatable, ahistorical contexts (Waiting for the Barbarians ). The work has broad academic appeal in the established fields of not only literary studies--postcolonial, contemporary, postmodern and environmental--but also in the realm of performance and gender studies. Because of its broad and interdisciplinary range, this text bridges a conspicuous gap in studies on Coetzee.

The Cavanaugh brothers left behind River Black, Texas, long ago. But after their father dies, bequeathing them the Triple C, a cattle ranch that sustains their small town, they return--and confront the painful memories of their childhood home and the truth about their sister's murder... For years, James Cavanaugh has traveled the world as a horse whisperer, but even the millions he's earned hasn't healed the pain he hides behind his stoic exterior. Forced to tackle old demons at the ranch, James throws himself into work to avoid his true feelings. Until he meets a woman who shakes the foundations of his well-built walls... Sheridan O'Neil's quiet confidence has served her well, except when it comes to romance. Refusing to allow her heard to led her to disaster, she chooses to focus solely on work. But after Sheridan is rescued from a horse stampede by the most beautiful cowboy she's ever met, her vow to keep her heart penned wavers. Only, as Sheridan uncovers James's belief that no woman is safe with him, she wonders if such a wounded man could ever give in to love, or if some hearts are too broken to be healed....

Alexander Roman wants nothing to do with the controlling rulers of his vampire breed, but as a new threat to the pureblood vampires emerges, Alexander's ties to the past are forced upon him, and without warning, he finds himself disoriented, terrified and near death at the door of a stranger.Dr Sara Donohue is dedicated to removing the traumatic memories of her patients - like those of the stranger at her front door. But what he tells her of his past is too astonishing to be anything more than the delusion of a madman. Then, as their worlds collide, Sara and Alexander are bound as one becomes hunter and the other prey. And Sara's only chance of survival is to surrender to the final - and most unimaginable - desire of her life.

His father unknown, his mother dead, Nicholas Roman was raised by the vampire Breed with one wish: to live as a normal vampire. But once he's transformed against his will into a gifted immortal, Nicholas now has one goal: to stop the Eternal Order of vampires from controlling his life. Then comes a beautiful stranger with a startling secret . . . Vampire Kate Everborne claims she's sheltering Nicholas's long lost son. If this is true, then who is the mother? And how endangered are they if, indeed, Nicholas does possess the bloodline so coveted by the Order? These are questions that with every seductive whisper and every silken touch draw Nicholas and Kate intimately closer, and nearer still to the truth.

Lucian Roman knows he must stay away from Bronwyn Kettler for sanity's sake. Since feeding her his blood, he can think of nothing else but possessing her - fighting an uncontrollable desire to kill her, if need be, and the vampire she has sworn to wed.Bronwyn, a brilliant vampire genealogist, can never escape her connection to Lucian. He sustained her when she was starving. He still rules her dreams. And when the nights get dark enough, she still craves him, but although his essence still courses through her body, she has found a true mate in someone else.But when a dangerous enemy threatens Bronwyn, only Lucian - bound to her for ever by blood - can save her life. Even if it means sacrificing his own . . .

This study examines how postcolonial landscapes and environmental issues are represented in fiction. Wright creates a provocative discourse in which the fields of postcolonial theory and ecocriticism are brought together.Laura Wright explores the changes brought by colonialism and globalization as depicted in an array of international works of fiction in four thematically arranged chapters. She looks first at two traditional oral histories retold in modern novels, Zakes Mda’s The Heart of Redness (South Africa) and Ngugi wa Thiong’o’s Petals of Blood (Kenya), that deal with the potentially devastating effects of development, particularly through deforestation and the replacement of native flora with European varieties. Wright then uses J. M. Coetzee’s Disgrace (South Africa), Yann Martel’s Life of Pi (India and Canada), and Joy Williams’s The Quick and the Dead (United States) to explore the use of animals as metaphors for subjugated groups of individuals. The third chapter deals with India’s water crisis via Arundhati Roy’s activism and her novel, The God of Small Things. Finally, Wright looks at three novels—Flora Nwapa’s Efuru (Nigeria), Keri Hulme’s The Bone People (New Zealand), and Sindiwe Magona’s Mother to Mother (South Africa)—that depict women’s relationships to the land from which they have been dispossessed.Throughout Wilderness into Civilized Shapes, Wright rearticulates questions about the role of the writer of fiction as environmental activist and spokesperson, the connections between animal ethics and environmental responsibility, and the potential perpetuation of a neocolonial framework founded on western commodification and resource-based imperialism.

This study examines how postcolonial landscapes and environmental issues are represented in fiction. Wright creates a provocative discourse in which the fields of postcolonial theory and ecocriticism are brought together.Laura Wright explores the changes brought by colonialism and globalization as depicted in an array of international works of fiction in four thematically arranged chapters. She looks first at two traditional oral histories retold in modern novels, Zakes Mda’s The Heart of Redness (South Africa) and Ngugi wa Thiong’o’s Petals of Blood (Kenya), that deal with the potentially devastating effects of development, particularly through deforestation and the replacement of native flora with European varieties. Wright then uses J. M. Coetzee’s Disgrace (South Africa), Yann Martel’s Life of Pi (India and Canada), and Joy Williams’s The Quick and the Dead (United States) to explore the use of animals as metaphors for subjugated groups of individuals. The third chapter deals with India’s water crisis via Arundhati Roy’s activism and her novel, The God of Small Things. Finally, Wright looks at three novels—Flora Nwapa’s Efuru (Nigeria), Keri Hulme’s The Bone People (New Zealand), and Sindiwe Magona’s Mother to Mother (South Africa)—that depict women’s relationships to the land from which they have been dispossessed.Throughout Wilderness into Civilized Shapes, Wright rearticulates questions about the role of the writer of fiction as environmental activist and spokesperson, the connections between animal ethics and environmental responsibility, and the potential perpetuation of a neocolonial framework founded on western commodification and resource-based imperialism.

Bella the Bedtime Butterfly takes you on a short daytime adventure where Bella brings smiles to those in need. Then the story switches to a delightful fairytale Smile-Venture. The switch helps capture the attention of the reader during the bedtime fairytale portion of the story. It is the ideal length for the perfect bedtime story to put your little one to sleep. Let them close their eyes and use their imagination or look at the sweet illustrations Bella the Butterfly starts her day and brings smiles to those in need. Once the days mission is accomplished, she goes to bed and invites you along on a delightful fairytale. You, as her Smile Warrior, help save the kingdom from Frownster the dragon The transition from a short daytime adventure to the nighttime fairytale is designed to assist in switching the brain to bedtime mode.

Bella the Bedtime Butterfly takes you on a short daytime adventure where Bella brings smiles to those in need. Then the story switches to a delightful fairytale Smile-Venture. The switch helps capture the attention of the reader during the bedtime fairytale portion of the story. It is the ideal length for the perfect bedtime story to put your little one to sleep. Let them close their eyes and use their imagination or look at the sweet illustrations Bella the Butterfly starts her day and brings smiles to those in need. Once the days mission is accomplished, she goes to bed and invites you along on a delightful fairytale. You, as her Smile Warrior, help save the kingdom from Frownster the dragon The transition from a short daytime adventure to the nighttime fairytale is designed to assist in switching the brain to bedtime mode.

A new approach to sociolinguistics, introducing the study of the social meaning of English words over time, and offering an engaging and entertaining demonstration of lexical sociolinguistic analysis The Social Life of Words: A Historical Approach explores the rise and fall of the social properties of words, charting ways in which they take on new social connotations. Written in an engaging narrative style, this entertaining text matches up sociolinguistic theory with social history and biography to discover which kind of people used what kind of word, where and when. Social factors such as class, age, race, region, gender, occupation, religion and criminality are discussed in British and American English. From familiar words such as popcorn, porridge, café, to less common words like burgoo, califont, etna, and phrases like kiss me quick, monkey parade, slap-bang shop, The Social Life of Words demonstrates some of the many ways a new word or phrase can develop social affiliations. Detailed yet accessible chapters cover key areas of historical sociolinguistics, including concepts such as social networks, communities of practice, indexicality and enregisterment, prototypes and stereotypes, polysemy, onomasiology, language regard, lexical appropriation, and more. The first book to take a focused look at lexis as a topic for sociolinguistic analysis, The Social Life of Words: Introduces sociolinguistic theories and shows how they can be applied to the lexiconDemonstrates how readers can apply sociolinguistic theory to their own analyses of words in English and other languagesProvides an engaging and amusing new look at many familiar words, inviting students to explore the sociolinguistic properties of words over time for themselvesPart of Wiley Blackwell’s acclaimed Language in Society series, The Social Life of Words is essential reading for upper-level undergraduate students, graduate students, postdoctoral researchers, and linguists working in sociolinguistics, lexical semantics, English lexicology, and the history and development of modern English.

The blogger behind the Saveur award-winning blog The First Mess shares her eagerly anticipated debut cookbook, featuring more than 125 beautifully prepared seasonal whole-food recipes. Home cooks head to The First Mess for Laura Wright's simple-to-prepare seasonal vegan recipes but stay for her beautiful photographs and enchanting storytelling. In her debut cookbook, Wright presents a visually stunning collection of heirloom-quality recipes highlighting the beauty of the seasons. Her 125 produce-forward recipes showcase the best each season has to offer and, as a whole, demonstrate that plant-based wellness is both accessible and delicious. Wright grew up working at her family's local food market and vegetable patch in southern Ontario, where fully stocked root cellars in the winter and armfuls of fresh produce in the spring and summer were the norm. After attending culinary school and working for one of Canada's original local food chefs, she launched The First Mess at the urging of her friends in order to share the delicious, no-fuss, healthy, seasonal meals she grew up eating, and she quickly attracted a large, international following.The First Mess Cookbook is filled with more of the exquisitely prepared whole-food recipes and Wright's signature transporting, magical photography. With recipes for every meal of the day, such as Fluffy Whole Grain Pancakes, Romanesco Confetti Salad with Meyer Lemon Dressing, Roasted Eggplant and Olive Bolognese, and desserts such as Earl Grey and Vanilla Bean Tiramisu, The First Mess Cookbook is a must-have for any home cook looking to prepare nourishing plant-based meals with the best the seasons have to offer.