Kirjahaku

Alberto Giacometti, one of the most important artists of the twentieth century, was also one of the most enigmatic. In this major new interpretation of Giacometti and his work, art historian and psychoanalyst Laurie Wilson demonstrates how the artist’s secret beliefs and emotional scars are reflected in his evocative sculpture, drawings, and paintings.Wilson’s Giacometti was an extremely imaginative child who entwined fantasy and real-life experiences. As he matured, the artist combined fact and fancy into evolving myths, part conscious and part unconscious. Drawing on biographical data uncovered during a decade of research, Wilson reconstructs traumatic events and issues in Giacometti’s life—including family births and deaths in early childhood, world wars and their aftermath, and his intense and ambivalent relationship with his parents—and examines their profound effects on his artistic evolution. These startling new interpretations will forever change the way we understand both the man and his work.

Louise Nevelson (1899–1988) was, with Calder, Noguchi and David Smith, one of the great American sculptors of the 20th century. She created extraordinary work, from room-size installations composed of boxes to gnarled and majestic steel structures. Her life story is no less interesting. She was born in czarist Russia, but her family emigrated to the States and she grew up in Maine. Nevelson endured a repressive marriage to a New York millionaire, whom she escaped to pursue the life of an artist. She gained recognition as an abstract sculptor at the age of 59, and spent the next 30 years taking the art world by storm, becoming a colourful New York personality and minor celebrity. Laurie Wilson, who knew Nevelson personally, draws extensively on her own research in this crisp new biography. She conducted interviews not just with Nevelson but with her siblings, son, and gallery owner Arne Glimcher. Wilson has also had complete access to Glimcher’s archives, Nevelson’s personal assistant, Diana Mackown, and Lippincott studios, where much of Nevelson’s work was cast, among others

In 1929, Louise Nevelson was a disappointed housewife with a young son, surrounded by New York's vibrant artistic community but unable to fully engage with it. By 1950, she was an artist living on her own, financially dependent on her family, but she had received a glimmer of recognition from the establishment: inclusion in three group shows at the Whitney Museum of American Art. In 1980, Nevelson celebrated her second Whitney retrospective. Her work was held in public collections aroundthe world and her massive steel sculptures appeared in public spaces in seventeen states.The story of Nevelson's artistic, spiritual, even physical transformation (she developed a taste for outrageous outfits and false eyelashes made of mink) is inseparable from major historical and cultural shifts of the twentieth century. Art historian and psychoanalyst Laurie Wilson brings a unique perspective to Nevelson's story, drawing on hours of interviews she conducted with Nevelson and her circle. Over one hundred images, many of them drawn from personal archives and never before published, make this the most comprehensive biography--both in terms of visuals and narrative detail--of this remarkable artist.