Kirjahaku

Anne Frank's Diary has been acclaimed throughout the world as an indelible portrait of a gifted girl and as a remarkable document of the Holocaust. For Meyer Levin, the respected writer who helped bring the Diary to an American audience, the Jewish girl's moving story became a thirty-year obsession that altered his life and brought him heartbreaking sorrow. Lawrence Graver's fascinating account of Meyer Levin's ordeal is a story within a story. What began as a warm collaboration between Levin and Anne's father, Otto Frank, turned into a notorious dispute that lasted several decades and included litigation and public scandal. Behind this story is another: one man's struggle with himself—as a Jew and as a writer—in postwar America. Looming over both stories is the shadow of the Holocaust and its persistent, complex presence in our lives. Graver's book is based on hundreds of unpublished documents and on interviews with some of the Levin-Frank controversy's major participants. It illuminates important areas of American culture: publishing, law, religion, politics, and the popular media. The "Red Scare," anti-McCarthyism, and the commercial imperatives of Broadway are all players in this book, along with the assimilationist mood among many Jews and the simplistic pieties of American society in the 1950s. Graver also examines the different and often conflicting ways that people the world over, Jewish and Gentile, wanted Anne Frank and her much-loved book to be represented. That her afterlife has in extraordinary ways taken on the shape and implications of myth makes Graver's story—and Meyer Levin's—even more compelling. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

In recent years, critics and readers alike have increasingly recognized the unique brilliance of Joseph Conrad's short fiction, elevating it to the pinnacle of his artistic achievements. Marvin Mudrick, in his provocative analysis, even argues that Conrad’s finest works are his novellas, suggesting that their compact scope perfectly channels his intense moral and psychological explorations. While Mudrick's view might challenge the centrality of Conrad’s renowned novels like Lord Jim or Nostromo, it highlights the enduring power of works such as Typhoon, The Shadow-Line, and Heart of Darkness, which encapsulate Conrad’s themes with unparalleled clarity and force. This book delves into Conrad's mastery of short fiction, examining his evolution as a writer and the creative tensions he navigated. Conrad’s “long-short” stories, as he termed them, straddle the line between compact storytelling and the expansive narrative techniques of the novel. With works often ranging around 30,000 to 40,000 words—his ideal length for achieving narrative depth and realism—Conrad forged a form that resonated deeply with his artistic sensibilities, even if it challenged market conventions. By exploring the thematic and structural intricacies of his short fiction, this study reveals how Conrad’s tales reflect his quest for a balance between innovation, moral complexity, and reader engagement. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

Anne Frank's Diary has been acclaimed throughout the world as an indelible portrait of a gifted girl and as a remarkable document of the Holocaust. For Meyer Levin, the respected writer who helped bring the Diary to an American audience, the Jewish girl's moving story became a thirty-year obsession that altered his life and brought him heartbreaking sorrow. Lawrence Graver's fascinating account of Meyer Levin's ordeal is a story within a story. What began as a warm collaboration between Levin and Anne's father, Otto Frank, turned into a notorious dispute that lasted several decades and included litigation and public scandal. Behind this story is another: one man's struggle with himself—as a Jew and as a writer—in postwar America. Looming over both stories is the shadow of the Holocaust and its persistent, complex presence in our lives. Graver's book is based on hundreds of unpublished documents and on interviews with some of the Levin-Frank controversy's major participants. It illuminates important areas of American culture: publishing, law, religion, politics, and the popular media. The "Red Scare," anti-McCarthyism, and the commercial imperatives of Broadway are all players in this book, along with the assimilationist mood among many Jews and the simplistic pieties of American society in the 1950s. Graver also examines the different and often conflicting ways that people the world over, Jewish and Gentile, wanted Anne Frank and her much-loved book to be represented. That her afterlife has in extraordinary ways taken on the shape and implications of myth makes Graver's story—and Meyer Levin's—even more compelling. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.

In recent years, critics and readers alike have increasingly recognized the unique brilliance of Joseph Conrad's short fiction, elevating it to the pinnacle of his artistic achievements. Marvin Mudrick, in his provocative analysis, even argues that Conrad’s finest works are his novellas, suggesting that their compact scope perfectly channels his intense moral and psychological explorations. While Mudrick's view might challenge the centrality of Conrad’s renowned novels like Lord Jim or Nostromo, it highlights the enduring power of works such as Typhoon, The Shadow-Line, and Heart of Darkness, which encapsulate Conrad’s themes with unparalleled clarity and force. This book delves into Conrad's mastery of short fiction, examining his evolution as a writer and the creative tensions he navigated. Conrad’s “long-short” stories, as he termed them, straddle the line between compact storytelling and the expansive narrative techniques of the novel. With works often ranging around 30,000 to 40,000 words—his ideal length for achieving narrative depth and realism—Conrad forged a form that resonated deeply with his artistic sensibilities, even if it challenged market conventions. By exploring the thematic and structural intricacies of his short fiction, this study reveals how Conrad’s tales reflect his quest for a balance between innovation, moral complexity, and reader engagement. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

This volume offers a comprehensive critical study of Samuel Beckett’s first and most renowned dramatic work, Waiting for Godot, which has become one of the most frequently discussed, and influential plays in the history of the theatre. Lawrence Graver discusses the play’s background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He reviews some of the differences between Beckett’s original French version and his English translation, and discusses the liberating influence of Waiting for Godot on such important playwrights as Harold Pinter and Tom Stoppard.

This 2004 volume offers a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work, Waiting for Godot, which has become one of the most frequently discussed, and influential plays in the history of the theatre. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He reviews some of the differences between Beckett's original French version and his English translation, and discusses the liberating influence of Waiting for Godot on such important playwrights as Harold Pinter and Tom Stoppard.