Kirjahaku

A love story told in the form of an auction catalog. Auction catalogs can tell you a lot about a person -- their passions and vanities, peccadilloes and aesthetics; their flush years and lean. Think of the collections of Jacqueline Kennedy Onassis, Truman Capote, the Duke and Duchess of Windsor. In Leanne Shapton's marvelously inventive and invented auction catalog, the 325 lots up for auction are what remain from the relationship between Lenore Doolan and Harold Morris (who aren't real people, but might as well be). Through photographs of the couple's personal effects -- the usual auction items (jewelry, fine art, and rare furniture) and the seemingly worthless (pajamas, Post-it notes, worn paperbacks) -- the story of a failed love affair vividly (and cleverly) emerges. From first meeting to final separation, the progress and rituals of intimacy are revealed through the couple's accumulated relics and memorabilia. And a love story, in all its tenderness and struggle, emerges from the evidence that has been left behind, laid out for us to appraise and appreciate. In an earlier work, Was She Pretty?, Shapton, a talented artist and illustrator, subtly explored the seemingly simple yet powerfully complicated nature of sexual jealousy. In Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris--a very different yet equally original book--she invites us to contemplate what is truly valuable, and to consider the art we make of our private lives.

"Reading Guestbook] feels akin to walking through an art exhibit, each piece linked in ways that are ineffable but clear. . . yearning, like a ghost, lingers long after the stories are done." --NPROne of our most imaginative writers and artists explores the visitations that haunt us in the midst of life, and reinvents the very way we narrate experience. A tennis prodigy collapses after his wins, crediting them to an invisible, not entirely benevolent presence. A series of ghosts appear at their former bedsides, some distraught, some fascinated, to witness their unfamiliar occupants. A woman returns from a visit to Alcatraz with an uncomfortable feeling. The spirit of a prisoner has attached himself to you, a friend tells her. He sensed the sympathy you had for those men. In more than two dozen stories and vignettes, accompanied by an evocative curiosity cabinet of artifacts and images, Guestbook beckons us through the glimmering, unsettling evidence that marks our paths in life.

Winner of the National Book Critics Circle Award for Autobiography Named a Best Book of the Year by The Observer Back in print, a "fusion of cool, clear-eyed prose and watercolors, photographs and painted portraits" (Time Out New York) by celebrated author and artist Leanne Shapton, on a sport that has shaped her life. Intimate with chlorinated space; weightless yet limited; closed off to taste, sound, and most sight; acutely aware of the clock: this is a swimmer's state. When ten-year-old Leanne Shapton joins an Ontario township swim team with her brother, she finds an affinity for its rhythms--and spends years training, making it to the Olympic trials twice. Swimming Studies reflects on her time immersed in a world of rigor and determination, routine and competition, pairing together contemplative essays and paintings. Vivid details of an aquatic life appear: adolescence in suburban Canada, dawn risings for morning practice, bus rides with teammates, a growing collection of swimsuits, dips in lakes and oceans. When she trades athletic pursuits for artistic ones, the metrics of moving through water endure. In these elegant and potent meditations, Shapton renders swimming as a mode of experiencing time, movement, and perspective, capable of shaping our lives in every environment.

Lenore Doolan, a food writer for the New York Times, meets Harold Morris, a photographer, at a halloween party in 2002. He is dressed as Harry Houdini. In Leanne Shapton's marvellously inventive and invented auction catalogue, the 325 lots up for auction are what remain from the relationship between Lenore and Harold (who aren't real people, but might as well be). Through photographs of the couple's personal effects-the usual auction items (jewellery, fine art, and rare furniture) and the seemingly worthless (pyjamas, Post-it notes, worn paperbacks)-the story of a failed love affair vividly and cleverly emerges. From first meeting to final separation, the progress and rituals of intimacy are revealed through the couple's accumulated relics and memorabilia. And a love story, in all its tenderness and struggle, emerges from the evidence that has been left behind, laid out for us to appraise and appreciate. In Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris Leanne Shapton invites us to contemplate what is truly valuable, and to consider the art we make of our private lives.

Ethereal illustrations expand on a New York Times series by an acclaimed author and artistSunday Night Movies features Leanne Shapton's watercolors of resonant moments in black-and-white cinema. Selecting a brief fragment of each chosen film, she creates an indelible image that is both a hand-painted movie still and a personal response to a fleeting celluloid moment. Together, the seventy-eight paintings create a valentine to the world of cinema. Shapton's journey through film history becomes a wistful celebration of the subtle moments in stories, which can often slip by unnoticed. What could be a simple title, still life, or portrait of an actor becomes both illusive and allusive through the medium of these personal paintings. Shapton's bestselling Petit Livre book The Native Trees of Canada took a decades-old government catalogue and reimagined it, employing bold colors and stark shapes to represent familiar trees in their majestic glory. The book was a sleeper hit and went through multiple printings. With Sunday Night Movies she brings her love of film to light, and the effect is restrained and fanciful, familiar and all new.

A dreamy exploration of relationships and jealousy . . . pithy and deadpan . . . It's no self-help book." --SalonWhat's left when a relationship ends? Where does jealousy come from? Delicately and sensitively, Leanne Shapton (Swimming Studies) ruminates on ex-lovers, and our lovers' ex-lovers. A few expressive pencil lines outline a long-abandoned winter coat here, an ineffably alluring Mona Lisa smile there. Each double page describes the way all exes are captured: as impossible to live up to as a Polaroid taken at a flattering angle. This new paperback edition of Was She Pretty? brings the reader deep into a circle of phantoms: its intimate liaisons, embarrassing secrets, and sardonic anecdotes. Shapton introduces the obsessives and the dilettantes, the poets and the actresses, the people with great hair and the people with idiosyncratic clothes. As funny as it is insightful, Was She Pretty? speaks to a central human concern: How do we compare? Elegantly drawn and perfectly narrated, the pages of Was She Pretty? are a testimonial to the power of observation and misapprehension.

Leanne Shapton gives voice to the toys on our shelves in this wry yet tender children's bookAlways there to comfort and listen, stuffed animals provide a reassuring presence in many a childhood. With Toys Talking, acclaimed illustrator and author Leanne Shapton explores their inner lives, to reveal that their thoughts and feelings are just as complicated as our own. The concerns of these bunnies, bears, and ducks range from the mundane to the existential, and with each new pairing of character and text, we see a deeper portrait of their pensive, quiet world. Shapton holds a mirror to our own lives, to our insecurities and concerns, by revealing that the objects who comfort us have worries of their own. This book brings Shapton's gorgeously minimal brushstrokes to a younger audience, and will leave children and parents alike brimming with the beauty and melancholy of self-reflection.

A new edition of the artist s bold reinterpretation of a century-old book. With a foreword by Sheila Heti, Leanne Shapton s cult art book inspired by a government textbook is back in print with a gorgeous new cover. While shopping in the used-book store the Monkey's Paw in Toronto, Leanne Shapton happened upon a 1956 edition of the stalwart reference book The Native Trees of Canada, originally published in 1917 by the Canadian Department of Northern Affairs and National Resources. Most people might simply view the book as a dry cataloguing of a banal subject; Shapton, however, saw beauty in the technical details and was inspired to create her own interpretation of The Native Trees of Canada. Shapton distils each image into its simplest form, using vivid colours in lush ink and house paint. She takes the otherwise complex objects of trees, pinecones, and seeds and strips them down into bold, almost abstract shapes and colours: the water birch is represented as two pulsating red bulbs contrasted against a grey backdrop; the eastern white pine is represented by a close-up of its cone against a radiant summer sky. The author of Guest Book; Toys Talking; Sunday Night Movies; Swimming Studies; Was She Pretty? and Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry, Shapton puts forth yet another entirely new facet of her creative artistry.

'Shapton has created a mystical territory - a performance, an exhibition, a guestbook - in which I felt the ghost within myself; the thing that will outlive me. A fearless and exquisite book' Miranda JulyGuestbook explores the glimmering, unsettling things that haunt us in the midst of life, combining stories, vignettes and an evocative curiosity cabinet of artifacts and images - found photographs, original paintings, Instagram-style portraits - to transform the traditional ghost story into something else entirely.'Leanne Shapton has a way of making books entirely new, surreal, and uncanny ... Guestbook contains ghost stories for a world of images and captions, in which the ghosts are all of us, and our strange time' Sheila Heti, author of How Should a Person Be?

Leanne Shapton's bold, vibrant watercolor portraits of the trees of Canada come to new life in this postcard set. The lively hues of the garry oak and the simple elegance of the staghorn sumac are perfectly presented in a beautiful keepsake box, great as a gift for a friend or yourself! Native Trees of Canada: A Postcard Set collects thirty of Shapton's spirited and singular drawings of the native trees of Canada.