Kirjahaku

circa Fifties Glass from Europe & America includes the Italian and Scandinavian designer art glass usually referred to as "Fifties glass," plus a more popular modern glassware produced in factories, especially in the United States and Italy. This colorful and highly collectible glass is presented in nearly 500 full color and black and white photographs, plus never-before-published catalog pages, with detailed information on 88 designers and makers, design lists for Barovier & Toso and for Venini, glossary, bibliography, index, and value guide. The book is a must for collectors and researchers of mid-century glassware, by the author of numerous books on decorative arts including Fifties Glass and Popular '50s & '60s Glass: Color Along the River.

Few people have seen an original copy of any of the highly sought after Herman Miller product catalogs. This exact reprint of the profusely illustrated 1955/56 Herman Miller Collection will introduce classic modern furniture to anyone interested in twentieth-century design, plus provide detailed documentation and essential information for the connoisseur. The Herman Miller name has come to be synonymous with great modern furniture design. With an introduction by super-designer George Nelson, information on construction, materials, colors, finishes, designer biographies, and an extensive original price list, this volume is an invaluable reference for anyone interested in modern design or furniture.

The great postwar modern furniture designs are classics, because they are still great. Herman Miller, the company that led the office revolution, is a name synonymous with the best modern residential as well as contract furniture. Classics by super-designers - Charles and Ray Eames, George Nelson, and Isamu Noguchi - can still be purchased from the Herman Miller for the Home collection.Their designs, plus the work of more than a dozen other important Herman Miller designers, are described here in detail and shown in color and black and white photographs, plus original drawings by Nelson and the famous Frykholm picnic posters, all from the Herman Miller archives.This book is essential for collectors, dealers, curators, designers, and other devotees of modernism.

Many of the great modern classic furniture designs of the twentieth century are still in production and available to the public in America and abroad. There are also many recent designs destined to become classics, because they share many of the same qualities of modern furniture already in museum collections and sought after by collectors. This volume, with 600 color photographs and detailed captions of a representative sample of the best modern furniture available, is the first source book to focus only on designs that are currently in production, and to present them in full color. It is both a history of modern design and an international shopping catalog. The indexes of 250 designers and companies and the list of sources will enable the reader to locate each item for purchase or for additional information. This book will serve as an indispensable and handy reference for decorators, interior designers, architects, and collectors, plus acquaint the general public with extraordinary designs that are generally only known to the trade.

The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. This exact reprint of the 1939 product catalog from the Herman Miller Archives is an historic document showing hundreds of Art Deco and other classic modern furniture designs, all by Rohde. His use of exotic veneers, tubular steel, bentwood, and plastics was innovative and important in the evolution of modernism. With an added price guide, this catalog will be an invaluable tool for the researcher, collector, dealer, and museum curator.

Herman Miller has led in the modernization of the American home and workplace since Gilbert Rohde revolutionized the company with his Art Deco furniture in the 1930s. Interior installations (from the early days through the famous mid-century designs of George Nelson and Charles and Ray Eames and the textile designs of Alexander Girard, and up to the later accomplishments of a new generation of designers) are shown in more than 200 color and black and white vintage photos entirely from the Herman Miller Archives. With an extensive timeline of events and furniture design introductions, this visual record captures a fascinating portion of the evolution of modern interior design. Appendices of complete product catalog reprints of the Herman Miller Collections of 1950 and 1952 plus a value guide make this volume a must for researchers, preservationists, designers, and collectors of modern interior furnishings.

Fabrics can represent an era or a decade-the colors, patterns, textures, and fibers reveal as much about the culture as do the furnishings and clothing that relied on the fabrics. The decade of the 1960s was one of extremes. Traditional plaids were reintroduced and became popular at the same time as bold prints and geometrics, notably Op Art and "psychedelic" patterns and colors, characterized the decade. Synthetics took off, and phrases like "polyester knit" and "stretch knit" elicit visions of unmistakably '60s staples. The best way to experience the fabric of a decade is to see it, and this book is entirely dedicated to the sensory, the visual. Nearly 600 close-up color photographs with informative captions and index make this book a treat for designers, historians, and anyone interested in fashion and textiles.

The elegant yet practical chrome and brass houseware specialties created by Chase Brass & Copper Company during the 1930s are synonymous with Art Deco. Reprinted here for the first time are the company's 1934 and 1935 catalogs, issued at the height of Deco's popularity. Objects by such industrial design pioneers as Lurelle Guild, Walter Von Nessen, Russel Wright and Harry Laylon are pictured, with full descriptions, inventory information, and current price guide. Introductory comments are by Leslie Pina and Donald-Brian Johnson, co-authors of Higgins: Adventures in Glass and the forthcoming book on Chase Chrome. Their remarks focus on Chase's contribution to Art Deco style, Chase history, and the unique features of each catalog. A must have for Deco collectors, as well as all admirers of 20th century decorative arts.

The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D. J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. This exact reprint of the 1940 product catalog and supplement from the Herman Miller Archives is an historic document showing hundreds of Art Deco and other classic modern furniture designs, all by Rohde. His use of exotic veneers, tubular steel, bentwood, and plastics was innovative and important in the evolution of modernism. His revolutionary modular seating and cabinets laid the foundation for mid-century design. More than 160 new items were added to the line in the short span of a year, and this catalog will complement rather than repeat the equally important 1939 catalog. With a current price guide, it will be an invaluable tool for the researcher, collector, dealer, and museum curator.

The decade of the 1970s, like the 1960s, was one of extremes. Traditional plaids and prints, which were reintroduced, became popular at the same time that bold prints and geometrics, including Op Art and "psychedelic" patterns and colors, characterized the fabric and fashion. Synthetics were everywhere and made into everything, and phrases like "polyester knit" and "stretch knit" elicit visions of '70s staples that are unmistakable. The best way to experience the fabric of a decade is to see it, and this book is entirely dedicated to the sensory, the visual. Nearly 300 close-up color photographs of synthetic and synthetic blends, with informative captions, glossary, and index make this book a treat for designers, historians, and anyone interested in fashion and textiles.

From Anchor Hocking's Manhattan pattern to Carder and Teague designs for Steuben, all of the major American companies who made Art Deco glass during the Depression Era-Cambridge, Consolidated, Duncan, Fostoria, Heisey, Libbey, Morgantown, Tiffin, and many others-are presented in this long-awaited book. With more than 350 color photos of both popular and rare examples, informative captions with values, plus patent drawings, company information, a bibliography, and a detailed index, this book will delight anyone interested in this highly collectible American glassware or in the Art Deco style.

Beads have been a fascinating method for embellishing fashion since ancient cultures sought personal adornment. The twentieth century has seen some of the most innovative, colorful, and wonderful uses for beading as an enhancement in apparel, and, recently, beads have come into fashion as never before. Both vintage and recent costume are desirable as much, if not more, for their beading as for the overall design. This lavishly illustrated book includes chapters on the history, techniques, preservation, and collecting of beads in the world of fashion. With 534 beautiful color photos, a detailed text, captions, value guide, index, and bibliography, it is the first to cover both vintage and recent costume and accessories in one volume. With clothing by designers, ranging from Fortuny and Mackie to unknowns, this volume will delight anyone in the field of fashion.

The Duncan & Miller Glass Company, of Washington, Pennsylvania, was one of the glassmaking giants of the 1920s -1940s. This book focuses on the company's prolific Depression Era production and includes a valuable prologue about the Victorian wares and an epilogue about their contribution to the Tiffin Glass Co. Over 500 color photos, original catalog pages, advertisements, and patent drawings, combined with a detailed chronology of company history, detailed captions, bibliography, index, and value guide provide a complete reference for this popular glassware.

From one-of-a-kind, hand-made fashions, accessories, and jewelry to commercially made, highly decorative items, wearable art has become an important category for collectors of vintage costume and unique contemporary fashions. This book, with its 575 color photographs, showcases stunning examples of vintage and contemporary wearable art accessories, including close-up shots detailing the intricacy of handiwork involved for the items, a glossary, bibliography, and value guide. An exquisite assemblage of hats, handbags, scarves, shoes, and jewelry present this compelling topic at its best. From Art Deco enameled mesh to Judith Leiber jeweled handbags, antique African trade beads to Femo, the examples shown are not necessarily museum art, but are real wearable creations from the antique to the present. It is sure to delight and intrigue anyone interested in fashion, art, and the unusual and beautiful.

A fascinating and insightful look into the art glass of the 1950s, this revised second edition spans the range of 1950s art glass from common collectibles to those of museum quality, displaying the diversity and creativity of style, color, and shape. This book has served as an inspiration and valuable resource for collectors, dealers, and all struck by the exceptional quality of art glass. Special emphasis is given to Italian (Murano) glass and Scandinavian glass, with an expanded section on American 50s glass. Included in this edition are new and outstanding photographs of art glass, detailed captions, updated information on artists and company histories, an illustrated glossary with section on signatures and labels, an expanded annotated bibliography, and up-to-date price guide.

"Magnificent color, skilled craftsmanship and creative design make Blenko America's most colorful name in glass," touted a Blenko catalog advertisement. First begun in the late nineteenth century in Milton, West Virginia, Blenko remains one of the few glass factories in the United States where modern hand-blown glass is still in production. Recently, Blenko glass designs from the 1950s and 1960s have caught collectors' eyes. This book presents an exact, full-color reprinting of the yearly Blenko company catalogs from 1962 through 1971, thus offering a complete, well-illustrated record of Blenko glass products, including original retail prices and current market values. This book is most useful for the dealers and collectors of glass who appreciate the beauty and "timely glass design" of Blenko.

Over 400 color photos of crackle glass, company catalog pages, information on the manufacturers, detailed captions, up-to-date prices, bibliography, and an index. Crackle glass has become popular in the field of twentieth-century glass collecting. Taking its name from the crackle-like appearance of the glass, a finish caused by dipping the hot piece of hand-blown glass into cooling water, the majority of this highly collectible glass was made by West Virginian companies such as Blenko, Pilgrim, and Rainbow, and Depression Era companies Tiffin, Morgantown, and Duncan. This volume showcases more than 400 color photos of crackle glass along with company catalog pages, manufacturers' information, an essay on glass blowing, detailed captions, an up-to-date price guide, bibliography, and index. It is a must for students, collectors, and dealers of glasswares.

This book showcases a wide variety of Nativity sets that display multi-cultural artistic interpretations of the true meaning of Christmas. Artisans from more than forty countries on five continents are represented, each with beautiful expressions of the greatest story ever told, often with photographs from the country of origin to accompany the artwork. Whether sculpted in clay, carved from wood, painted, woven, or cast, these Créches from around the world are sure to enhance holiday celebrations and illustrate the universality of the Christmas message.

From fun and funky to excitingly exotic, popular purses of the mid-20th century have a fashion appeal all their own. More than simply functional, these bags feature bold, often whimsical stylings. They say “notice me”—and buyers continue to do just that! Crocodile and carved Lucite, and elegant beaded evening bags are here, as are bags by Enid Collins, all enticingly displayed in over 400 color photos and vintage ads. The bright, breezy, and informative text pays tribute to fashion at its flirtiest, while the current price guide will have collectors reaching for their pocketbooks!

Herman Miller, the leader in modern twentieth-century furniture manufacture, was a totally design-oriented company. Known best for Eames and Nelson furniture designs, showrooms, and interiors, they also produced outstanding graphic design. Mid-century and later advertisements, drawings, brochures, catalogs, posters, and wall panels are shown in this visually exciting new book. Photos of award-winning and other graphic designs are all from the Herman Miller Archives. This beautiful book is a must for anyone with an interest in modern furniture, graphics, or twentieth century design in general.