Kirjahaku

So you've caught crabs and you don't know what to do with them Fear not, The Aussie Dumb A*se Cookbook 2, 'A Hunter and Gatherer's Guide' to the rescue. Forget about the fast foods; this book aims to take you on a journey into creating fantastic wholesome foods from scratch. It contains a step-by-step guide to many time honoured techniques and has the recipes and tips to back them up. More than just a cookbook, it also delves into such foreign subjects as how to set a table, cleaning out a stinky fridge, rookie tips for the gluten free guest and starting your own box garden; as well as dedicating in-depth sections to my all-time favourite things - Seafood, Camping and Christmas.Two, four, six, eight - keep going, don't wait

No flashy kitchens or highly paid staff, no fancy or expensive ingredients, no complicated words or instructions - just good old fashioned food that can make everyday seem like a party Lace this all together with a multitude of handy tips and a dash of humour and The Aussie Dumb A*se Cookbook could be just what you need to get yourself or your loved one on the road to becoming a culinary success. So whether you're just 'leaving the nest' or have been 'domestically challenged' for years - two, four, six, eight - get started, don't wait WARNING: For your own health and well-being, do not leave this book unattended on the shelf for long periods of time

What role does nature play in the cultural world of the theatre? Is the auditorium not a natural environment, and how can theatre and nature aesthetics co-exist in the productive expression of performance? Re-Place: Irish Theatre Environments proposes a new way of thinking about Irish theatre: one that challenges established boundaries between nature and culture and argues for theatre performances to be seen as conceptual ecological environments. Broadening the scope of theatre environments to encompass radiophonic and digital spaces, Re-Place is a timely interrogation of how we understand performance history. This book examines the work, both as text and in production, of three canonical Irish playwrights, J. M. Synge, Samuel Beckett and Brian Friel, and looks at how theatre documentation can further the idea of a natural performance environment. The questions under consideration extend Irish theatre history into the field of the environmental humanities and draw on new materialist discourse to offer exciting and innovative ways to approach performance.