Kirjahaku

PRE-ORDER NOW'Pacy, twisty and layered revenge tale' Joanna Barnard

Whenever I see a girl with a gold bikini, I think of Princess Leia. Here on the Gold Coast, gold bikinis are common, so I think of Princess Leia a lot.Eighteen-year-old Olivia Grace has deferred her law degree and ducked out of her friends' gap-year tour of Asia. Instead, she's fulfilling her childhood dream of becoming a private investigator, following in the footsteps of Nancy Drew and Veronica Mars - who taught her everything she knows, including a solid line in quick-quipping repartee, the importance of a handbag full of disguises, and a way of mixing business with inconvenient chemistry.Playing Watson to the Sherlock of her childhood friend, detective agency owner Rosco (once the Han Solo to her Princess Leia), Olivia pursues a routine cheating husband case from the glitzy Gold Coast to Insta-perfect Byron Bay, where she faces yoga wars, dirty whale activism, and a guru who's kind of a creep.Olivia Grace is a teenage screwball heroine for the #metoo era, and The Girl with the Gold Bikini is a body-positive detective romp, rich with pop-culture pleasures.

A classic fish-out-of-water romantic comedy - can a city-slicker fall for a wildlife ranger? Can a city bird change her feathers? PR whizz Cassandra Daley isn't afraid of using all the dirty tricks of the trade to spin a story her way. A glitzy city-slicker, she has never given much thought to wildlife until she loses a PR war with a potoroo. Sacked and disgraced, she flees the city for an anonymous bolt hole. But small-town Beechville has other plans for her. Feral pigs, a snake in the dunny, a philosopher frog and a town with a secret - could things get worse? Add one man who has the sexiest way with maps she's ever seen and Cassandra's really in trouble. Her best friend Jessica thinks she's been brainwashed by some kind of rural cult, and Jessica could be right. Can Cassandra reinvent herself or will she always be a liar bird?

Looks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import. Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or deny physical difference. In particular, she explores the implications of a predominantly visible model of sexual identity for the feminine lesbian, who is both marked and unmarked, desired and disavowed. Walker's textual analysis cuts across a variety of genres, including modernist fiction such as The Well of Loneliness and Wide Sargasso Sea, pulp fiction of the Harlem Renaissance, the 1950s and the 1960s, post-modern literature as Michelle Cliff's Abeng, and queer theory. In the book's final chapter, "How to Recognize a Lesbian," Walker argues that strategies of visibility are at times deconstructed, at times reinscribed within contemporary lesbian-feminist theory.

Looks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import. Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or deny physical difference. In particular, she explores the implications of a predominantly visible model of sexual identity for the feminine lesbian, who is both marked and unmarked, desired and disavowed. Walker's textual analysis cuts across a variety of genres, including modernist fiction such as The Well of Loneliness and Wide Sargasso Sea, pulp fiction of the Harlem Renaissance, the 1950s and the 1960s, post-modern literature as Michelle Cliff's Abeng, and queer theory. In the book's final chapter, "How to Recognize a Lesbian," Walker argues that strategies of visibility are at times deconstructed, at times reinscribed within contemporary lesbian-feminist theory.

Blacklisted begins with Phoenix Lawyer. A once highly decorated detective and profiler, now he is bound to a desk because of his bungling of a high profile serial killer case. Unhappy and depressed, he was too busy wallowing in his own misery to keep up with current events, until one day he gets a shot at redemption. Sent out to a crime scene, he learns something shocking: there is another serial killer in Whitefish, Montana. As he begins his investigation, he is determined not to repeat the mistakes he made in the past. He keeps his head down as he works quietly to form his own theory of the crimes. He reveals nothing of his own beliefs as to who the murderer might be, but things become complicated when Internal Affairs suspects he himself may be the killer. Suddenly the hunter has become the hunted. Not only by I.A., but the killer as well, who believes Phoenix is getting too close. Nothing will stop Phoenix, though, and when the true identity of the killer is revealed, no one is prepared...

Antarctica is getting hotter ...Summer Wright, hippie turned TV production assistant, organises her life down to the minute. And when her project-management-guru boyfriend, Adrian, proposes marriage - right on schedule - she will reach the peak of The Cone of Certainty. At least, that's the plan - until adventure-show queen Cougar Gale intervenes. Suddenly Summer is impersonating Cougar in Antarctica: learning glaciology and climate science on the fly, building a secret igloo, improvising scripts based on Dynasty, and above all trying not to be revealed as an impostor.Summer finds it particularly hard to fool climate scientist Lucas Nilsson, who is babysitting the production crew. But Lucas is more focused on Adrian's client Nathan Hornby - the science minister who thinks "climate science is crap" - and rumours of faked climate data.With Adrian unexpectedly in Antarctica too, can Summer use her extreme project management skills to get Project Adrian back on track and make a success of "Cougar on Ice"? Was Lucas involved in the sudden disappearance of Minister Hornby during a blizzard? And what is The Krill Question anyway?Antarctica - it gives you perspective ...