Kirjahaku

Whether it's a crew of two hundred shooting a cast of thousands on horseback, or a crew of twelve filming one person in a room, each and every successful movie production requires a strong First Assistant Director (AD) at its helm. In this new and updated edition, veteran First AD Liz Gill walks you through the entire filmmaking process through the perspective of the First AD, from pre-production, shoot, wrap, and everything in between. This book provides invaluable insight into working as a First Assistant Director, featuring tricks-of-the-trade for breaking down a script, creating a schedule and organizing test shoots, alongside how to use turnaround time, weather cover, split days, overtime and continuous days to balance a challenging schedule and get the most from the cast, crew and the shoot. This new edition has been fully updated and expanded throughout to provide up-to-date coverage on new equipment and software, health and safety considerations and the implications of VFX. This is the essential guide to becoming a successful First Assistant Director, ideal for professional and aspiring AD’s seeking to further their career, students of directing and production looking to gain a better understanding of how this department works and anyone interested in film and TV production.The accompanying eResources provide an expanded selection of sample call sheets, report templates, checklists, and other useful documents.

Whether it's a crew of two hundred shooting a cast of thousands on horseback, or a crew of twelve filming one person in a room, each and every successful movie production requires a strong First Assistant Director (AD) at its helm. In this new and updated edition, veteran First AD Liz Gill walks you through the entire filmmaking process through the perspective of the First AD, from pre-production, shoot, wrap, and everything in between. This book provides invaluable insight into working as a First Assistant Director, featuring tricks-of-the-trade for breaking down a script, creating a schedule and organizing test shoots, alongside how to use turnaround time, weather cover, split days, overtime and continuous days to balance a challenging schedule and get the most from the cast, crew and the shoot. This new edition has been fully updated and expanded throughout to provide up-to-date coverage on new equipment and software, health and safety considerations and the implications of VFX. This is the essential guide to becoming a successful First Assistant Director, ideal for professional and aspiring AD’s seeking to further their career, students of directing and production looking to gain a better understanding of how this department works and anyone interested in film and TV production.The accompanying eResources provide an expanded selection of sample call sheets, report templates, checklists, and other useful documents.

This book offers a step-by-step exploration of a producer's on-set responsibilities within the context of creating a TV series or feature film. Being a successful producer requires you to have an intimate understanding of global finances, law, union rules and negotiating. The role also requires solid filmmaking skills from scriptwriting to scheduling, casting to cutting, and sound mixing to marketing. But most important of all these skills is leadership – building a team and facilitating a collection of highly trained (and often artistically temperamental) individuals to do their best collective work. This book describes best practice across geographical jurisdictions, identifying key universal principles as well as the specific and unique detail work that make a great producer. Every chapter offers meaningful advice from experienced industry experts, useful examples including real-world templates of crucial paperwork, and preventative measures that can be implemented. Producers of all backgrounds will benefit from clear, concise writing that outlines industry standard structures, protocols and processes - and why they work. This book will prove invaluable to people starting out in their careers, but also those interested in exploring producing who come from other departments – such as assistant directors, production managers and line producers – and those changing formats, such as from TV to film.

This book offers a step-by-step exploration of a producer's on-set responsibilities within the context of creating a TV series or feature film. Being a successful producer requires you to have an intimate understanding of global finances, law, union rules and negotiating. The role also requires solid filmmaking skills from scriptwriting to scheduling, casting to cutting, and sound mixing to marketing. But most important of all these skills is leadership – building a team and facilitating a collection of highly trained (and often artistically temperamental) individuals to do their best collective work. This book describes best practice across geographical jurisdictions, identifying key universal principles as well as the specific and unique detail work that make a great producer. Every chapter offers meaningful advice from experienced industry experts, useful examples including real-world templates of crucial paperwork, and preventative measures that can be implemented. Producers of all backgrounds will benefit from clear, concise writing that outlines industry standard structures, protocols and processes - and why they work. This book will prove invaluable to people starting out in their careers, but also those interested in exploring producing who come from other departments – such as assistant directors, production managers and line producers – and those changing formats, such as from TV to film.