Kirjahaku

Best known for his theories of ideology and its impact on politics and culture, Louis Althusser revolutionized Marxist theory. His writing changed the face of literary and cultural studies, and continues to influence political modes of criticism such as feminism, postcolonialism and queer theory. Beginning with an introduction to the context of Marxist theory, this book goes on to explain:* how Althusser interpreted and developed Marx’s work * the political implications of reading * ideology and its significance for culture and criticism * Althusser’s aesthetic criticism of literature, theatre and art. Placing Althusser’s key ideas in the context of earlier Marxist thought, as well as tracing their development and impact, Luke Ferretter presents a wide-ranging yet accessible guide, ideal for those new to the work of this influential critical thinker.

Best known for his theories of ideology and its impact on politics and culture, Louis Althusser revolutionized Marxist theory. His writing changed the face of literary and cultural studies, and continues to influence political modes of criticism such as feminism, postcolonialism and queer theory. Beginning with an introduction to the context of Marxist theory, this book goes on to explain:* how Althusser interpreted and developed Marx’s work * the political implications of reading * ideology and its significance for culture and criticism * Althusser’s aesthetic criticism of literature, theatre and art. Placing Althusser’s key ideas in the context of earlier Marxist thought, as well as tracing their development and impact, Luke Ferretter presents a wide-ranging yet accessible guide, ideal for those new to the work of this influential critical thinker.

This is the first study devoted to Sylvia Plath's fiction. Plath wrote fiction throughout her life, in a wide variety of genres, including women's magazine romances, New Yorker stories, comedy, social criticism, autobiography, teenage fiction and science fiction. She wrote novels before and after The Bell Jar. Discussing all these novels and stories, and based on research in the three major archives of her work, this book is the complete study of Plath's fiction. The author analyses her influences as a fiction writer, the relationships between her poetry and fiction, the political views she expresses in her fiction, and devotes two chapters to the central concern of her novels and stories, the roles of women in contemporary society.

This is the first study devoted to Sylvia Plath's fiction. Plath wrote fiction throughout her life, in a wide variety of genres, including women's magazine romances, New Yorker stories, comedy, social criticism, autobiography, teenage fiction and science fiction. She wrote novels before and after The Bell Jar. Discussing all these novels and stories, and based on research in the three major archives of her work, this book is the complete study of Plath's fiction. The author analyses her influences as a fiction writer, the relationships between her poetry and fiction, the political views she expresses in her fiction, and devotes two chapters to the central concern of her novels and stories, the roles of women in contemporary society.

This book introduces the Bible as one of the greatest works of world literature. Luke Ferretter provides a comprehensive history of the field, alongside detailed readings of the texts of the Bible and the most influential theories in the area.The Bible as Literature: A New Introduction is divided into groups of texts in the Bible by genre – the Pentateuch; the histories; the poetry; the Wisdom literature; prophecy; the Gospels; the letters; and apocalyptic writing – reflecting the majority of courses. Organized into three sections, each chapter begins with a clear introduction to current theories around who wrote and edited each Biblical book. Ferretter then offers detailed and original literary criticism of that book, encouraging readers to pursue similar literary criticism of the Bible themselves. The final section in each chapter discusses a text related to each Biblical book. These texts include visual, musical, poetic, fictional, philosophical, theological, and psychological works. Throughout the guidebook, there are also useful text boxes and discussion questions, which contextualize examples and enrich students’ understanding. This engaging and accessible introduction reveals the Bible’s significance both as literature and for literary study in light of current Biblical scholarship. It is essential reading for students and scholars of literature, Biblical studies, and cultural studies.

This book introduces the Bible as one of the greatest works of world literature. Luke Ferretter provides a comprehensive history of the field, alongside detailed readings of the texts of the Bible and the most influential theories in the area.The Bible as Literature: A New Introduction is divided into groups of texts in the Bible by genre – the Pentateuch; the histories; the poetry; the Wisdom literature; prophecy; the Gospels; the letters; and apocalyptic writing – reflecting the majority of courses. Organized into three sections, each chapter begins with a clear introduction to current theories around who wrote and edited each Biblical book. Ferretter then offers detailed and original literary criticism of that book, encouraging readers to pursue similar literary criticism of the Bible themselves. The final section in each chapter discusses a text related to each Biblical book. These texts include visual, musical, poetic, fictional, philosophical, theological, and psychological works. Throughout the guidebook, there are also useful text boxes and discussion questions, which contextualize examples and enrich students’ understanding. This engaging and accessible introduction reveals the Bible’s significance both as literature and for literary study in light of current Biblical scholarship. It is essential reading for students and scholars of literature, Biblical studies, and cultural studies.

D. H. Lawrence wrote in 1914, ‘Primarily I am a passionately religious man, and my novels must be written from the depths of my religious experience.’ Although he had broken with the Congregationalist faith of his childhood by his early twenties, Lawrence remained throughout his writing life a passionately religious man. There have been studies in the last twenty years of certain aspects of Lawrence’s religious writing, but we lack a survey of the history of his developing religious thought and of his expressions of that thought in his literary works. This book provides that survey, from 1915 to the end of Lawrence’s life. Covering the war years, Lawrence’s American works, his time in Australia and Mexico, and the works of the last years of his life, this book provides readers with a complete analysis, during this period, of Lawrence as a religious man, thinker and artist.

D. H. Lawrence wrote in 1914, ‘Primarily I am a passionately religious man, and my novels must be written from the depths of my religious experience.’ Although he had broken with the Congregationalist faith of his childhood by his early twenties, Lawrence remained throughout his writing life a passionately religious man. There have been studies in the last twenty years of certain aspects of Lawrence’s religious writing, but we lack a survey of the history of his developing religious thought and of his expressions of that thought in his literary works. This book provides that survey, from 1915 to the end of Lawrence’s life. Covering the war years, Lawrence’s American works, his time in Australia and Mexico, and the works of the last years of his life, this book provides readers with a complete analysis, during this period, of Lawrence as a religious man, thinker and artist.