Kirjahaku

Although Malcolm Lowry (1909-1957) published only two novels-Ultramarine and Under the Volcano-in his lifetime, numerous other works, most of which have since been edited for publication, were in various stages of composition at his death. La Mordida, the longest and most significant of the manuscripts that have not been previously published, is a draft of a novel based on Lowry's visit to Mexico in 1945-46, which ended in the arrest and deportation of Lowry and his wife following a nightmarish run-in with corrupt immigration authorities. On its most immediate level, the title La Mordida-which means "the little bite," Mexican slang for the small bribe that officials are apt to demand in order to expedite matters-refers to the autobiographical protagonist's legal difficulties. In a larger sense, however, it also represents his inability to escape his past, to repay the fine, or debt, that he owes.The central narrative of La Mordida involves a descent into the abyss of self, culminating in the protagonist's symbolic rebirth at the book's end. Lowry planned to use this basic narrative pattern as the springboard for innumerable questions about such concerns as art, identity, the nature of existence, political issues, and alcoholism. Above all, La Mordida was to have been a metafictional work about an author who sees no point in living events if he cannot write about them and who is not only unable to write but suspects that he is just a character in a novel.A reading of La Mordida in the context of Lowry's aesthetic theories and psychological problems shows why he dreaded the completion of his projects to such an extent that he called success a "horrible disaster" and compared death to "the accepted manuscript of one's life." The reason, La Mordida makes clear, lies partly in the aesthetic theories that led Lowry to attempt a book that he prophetically called "something never dreamed of before, a work of art so beyond conception it could not be written."Patrick A. McCarthy's edition of La Mordida is based on materials held in the Malcolm Lowry Archive at the University of British Columbia. Its publication provides essential evidence for a balanced assessment of Lowry's creative processes and his achievement as a writer.

Although Malcolm Lowry (1909-1957) published only two novels—Ultramarine and Under the Volcano—in his lifetime, numerous other works, most of which have since been edited for publication, were in various stages of composition at his death. La Mordida, the longest and most significant of the manuscripts that have not been previously published, is a draft of a novel based on Lowry's visit to Mexico in 1945–46, which ended in the arrest and deportation of Lowry and his wife following a nightmarish run-in with corrupt immigration authorities. On its most immediate level, the title La Mordida—which means "the little bite," Mexican slang for the small bribe that officials are apt to demand in order to expedite matters—refers to the autobiographical protagonist's legal difficulties. In a larger sense, however, it also represents his inability to escape his past, to repay the fine, or debt, that he owes.The central narrative of La Mordida involves a descent into the abyss of self, culminating in the protagonist's symbolic rebirth at the book's end. Lowry planned to use this basic narrative pattern as the springboard for innumerable questions about such concerns as art, identity, the nature of existence, political issues, and alcoholism. Above all, La Mordida was to have been a metafictional work about an author who sees no point in living events if he cannot write about them and who is not only unable to write but suspects that he is just a character in a novel.A reading of La Mordida in the context of Lowry's aesthetic theories and psychological problems shows why he dreaded the completion of his projects to such an extent that he called success a "horrible disaster" and compared death to "the accepted manuscript of one's life." The reason, La Mordida makes clear, lies partly in the aesthetic theories that led Lowry to attempt a book that he prophetically called "something never dreamed of before, a work of art so beyond conception it could not be written."Patrick A. McCarthy's edition of La Mordida is based on materials held in the Malcolm Lowry Archive at the University of British Columbia. Its publication provides essential evidence for a balanced assessment of Lowry's creative processes and his achievement as a writer.

While famous for his celebrated novel, Under the Volcano, Malcolm Lowry always considered himself a poet. First published in 1962 and long out of print, Selected Poems of Malcolm Lowry is the only comprehensive selection of his poetry to be published, and it remains the perfect introduction to his extensive poetic canon. Edited by Lowry's good friend, renowned Canadian poet Earle Birney, with the assistance of his widow, Margerie Lowry, the selection includes extraordinary poems written during Lowry's stay in Mexico, many of which are closely related to his novel. This new edition includes a "Publisher's Note" from Lawrence Ferlinghetti. "These poems would be worth keeping in print, if for no other reason, for their illuminations of Under the Volcano: 'See mind's petal / torn from a good tree, but where shall it settle / But in the last darkness and at the end?' Sometimes, as the images of "For Under the Volcano," they become 'palm-of-the-hand' versions of that masterpiece. Lowry is a poet of struggle--with life, and with the creative process. Here are his struggle's fruits: guilt, alcoholism, hopeless, self-deriding quest for salvation, which seems to be love, and, above all, self-destruction--but always accomplished with self-knowledge, enriched (in order to further torment itself) with compassion for all the beings that the poet, and us with him, are failing. His words are always sad and often beautiful."-William T. Vollman

"Lowry's masterpiece. . . has a claim to being regarded as one of the ten most consequential works of fiction produced in the twentieth] century." -- Los Angeles TimesUnder the Volcano remains one of literature's most powerful and lyrical statements on the human condition, and a brilliant portrayal of one man's constant struggle against the elemental forces that threaten to destroy him.Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. His debilitating malaise is drinking, an activity that has overshadowed his life. On the most fateful day of the consul's life--the Day of the Dead--his wife, Yvonne, arrives in Quauhnahuac, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. She is determined to rescue Firmin and their failing marriage, but her mission is further complicated by the presence of Hugh, the consul's half brother, and Jacques, a childhood friend. The events of this one significant day unfold against an unforgettable backdrop of a Mexico at once magical and diabolical.

One of the twentieth century's great undisputed masterpieces, Malcolm Lowry's Under the Volcano includes an introduction by Michael Schmidt in Penguin Modern Classics.It is the fiesta 'Day of the Dead' in the small Mexican town of Quauhnahuac. In the shadow of the volcano, ragged children beg coins to buy skulls made of chocolate, ugly pariah dogs roam the streets and Geoffrey Firmin - ex-consul, ex-husband, an alcoholic and a ruined man - is living out the last day of his life. Drowning himself in mescal while his former wife and half-brother look on, powerless to help him, the consul has become an enduring tragic figure. As the day wears on, it becomes apparent that Geoffrey must die. It is his only escape from a world he cannot understand. His story, the image of one man's agonised journey towards Calvary, became a prophetic book for a whole generation.Malcolm Lowry (1909-1957) was born and died in England. Between school and studying English at St Catherine's College, Cambridge he spent five months at sea as a deckhand, an experience which gave him the material for his first novel, Ultramarine (1933). After marrying in Paris, he moved to New York where he completed In Ballast to the White (1936). Under The Volcano was begun in Hollywood, coloured by a short stay in the Mexico that it describes, and eventually finished in Dollarton, British Columbia. If you enjoyed Under the Volcano, you might like F. Scott Fitzgerald's The Beautiful and the Damned, also available in Penguin Classics.'A Faustian masterpiece'Anthony Burgess

The general tone of this second volume of letters is considerably darker than that of the first. Though Under the Volcano (published in 1947) was behind Lowry, it would never leave him alone. The success of the novel became a curse: he could not avoid helping his translators; he longed for a film treatment of the book; he found it difficult to become fully engaged in new work; the celebrity associated with a best-seller was, as he put it in a poem, a 'disaster' akin to your house burning down. Illnessses, the death of friends, threats of eviction from his beloved foreshore Dollarton home, and drink plagued Lowry. And yet, he made repeated attempts to escape his personal abysses. He made new friends, re-established a good working relationship with his editor Albert Erskine, began several new projects, and continued to write superb letters. The more than 400 included here, all written during the last decade of his life, reveal a man fascinated with films, bristling with plans for his masterwork The Voyage That Never Ends, eager to discuss the virtues of Faulkner, Fitzgerald, Cocteau, and the work of friends like Gerald Noxon or Jimmy Stern. There is also a selection from his several hundred 'love notes' written to Margerie Lowry and pinned to places in the Dollarton shack or to trees along the 'forest path to spring.' These notes, like much else in the volume, are published here for the first time, providing interesting glimpses into Lowry's private world. The letters written just before his sudden death in England in 1957 are among his most moving; they reveal a weariness of spirit, a deep regret for the loss of his Dollarton paradise, but also the courage, self-deprecating humour, love of language, and keen intelligence that characterize everything he wrote. In addition to a critical introduction and detailed chronologies, this volume includes photographs, many of the drawings with which Lowry illustrated his letters, and reproductions of holograph letters.

Notorious for a misspent life full of binges, blackouts, and unimaginable bad luck, Malcolm Lowry managed, against every odd, to complete and publish two novels, one of them, Under the Volcano, an indisputable masterpiece. At the time of his death in 1957, Lowry also left behind a great deal of uncollected and unpublished writing: stories, novellas, drafts of novels and revisions of drafts of novels (Lowry was a tireless revisiter and reviser-and interrupter-of his work), long, impassioned, haunting, beautiful letters overflowing with wordplay and lament, fraught short poems that display a sozzled off-the-cuff inspiration all Lowry's own. Over the years these writings have appeared in various volumes, all long out of print. Here, in The Voyage That Never Ends, the poet, translator, and critic Michael Hofmann has drawn on all this scattered and inaccessible material to assemble the first book that reflects the full range of Lowry's extraordinary and singular achievement. The result is a revelation.In the letters-acknowledged to be among modern literature's greatest-we encounter a character who was, as contemporaries attested, as spellbinding and lovable as he was self-destructive and infuriating. In the late fiction-the long story "Through the Panama," sections of unfinished novels such as Dark as the Grave Wherein My Friend Is Laid, and the little-known La Mordida-we discover a writer who is blazing a path into the unknown and, as he goes, improvising a whole new kind of writing. Lowry had set out to produce a great novel, something to top Under the Volcano, a multivolume epic and intimate tale of purgatorial suffering and ultimate redemption (called, among other things, "The Voyage That Never Ends"). That book was never to be. What he produced instead was an unprecedented and prophetic blend of fact and fiction, confession and confusion, essay and free play, that looks forward to the work of writers as different as Norman Mailer and William Gass, but is like nothing else. Almost in spite of himself, Lowry succeeded in transforming his disastrous life into an exhilarating art of disaster.The Voyage That Never Ends is a new and indispensable entry into the world of one of the masters of modern literature.

Yvonne, Frau von Geoffrey Firmin, britischer Ex-Konsul in einer mexikanischen Kleinstadt am Fuße des Popocatepetl, hat sich von ihrem Mann getrennt, außerstande, dessen Selbstvernichtung durch Trunksucht mitanzusehen oder gar zu verhindern. Schließlich kehrt sie zurück und setzt noch einmal alles daran, den Mann zu retten, den sie nach wie vor liebt. Gemeinsam mit Hugh, Geoffreys unstetem, ziellosem Halbbruder, kämpft sie um sein Leben und wird unaufhaltsam in den Strudel einer verlöschenden Trinkerexistenz hineingezogen. Der Roman wurde von John Houston mit Albert Finney in der Hauptrolle verfilmt.

Una de las grandes obras maestras del siglo XX.Bajo el volc n relata las ltimas horas de un hombre en su descenso moral y f sico hacia las profundidades del fracaso y la muerte. Es D a de Muertos y Geoffrey Firmin pasea por las cantinas de Quauhn huac mientras dos volcanes, el Popocat petl y el Iztacc huatl, se asoman como tr gico recordatorio de la crisis que tiene con Yvonne, quien acaba de regresar a M xico como ltimo recurso para evitar la ca da de su matrimonio y de Firmin, su esposo. En 1947 Malcolm Lowry public en lengua inglesa una de las obras fundamentales para las letras mexicanas: Bajo el volc n, una suerte de premonici n que deviene en profec a, el relato delirante de un hombre arruinado por el alcohol, de los amantes fuera de su elemento, su Ed n... Quauhn huac es esa ciudad tempestad -tan real como imaginada- de tabernas para beber hasta la sobriedad, de perros callejeros, de ind genas moribundos, de calles serpenteantes por las que desciende una procesi n durante el D a de Muertos. Una ciudad po tica, el mito de la autodestrucci n dominado por dos volcanes y esgrimido por medio de la c bala y el mezcal. ENGLISH DESCRIPTION Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. Here the consul's debilitating malaise is drinking, an activity that has overshadowed his life. Under the Volcano is set during the most fateful day of the consul's life--the Day of the Dead, 1938. His wife, Yvonne, arrives in Quauhnahuac to rescue him and their failing marriage, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. Yvonne's mission is to save the consul is further complicated by the presence of Hugh, the consul's half-brother, and Jacques, a childhood friend. The events of this one day unfold against a backdrop unforgettable for its evocation of a Mexico at once magical and diabolical.

Det är De dödas dag i november 1939. Medan den gamla världen kollapsar letar Geoffrey Firmin, före detta brittisk konsul, upp ständigt nya anledningar att ta en kyld drink i en mexikansk kurort med fyrahundra övergivna pooler, åtta kyrkor och femtiosju barer. I ett gränslöst alkoholiserat delirium är han bara vagt medveten om de sanningar som börjar verka runt omkring honom.Under vulkanen är en av 1900-talets största romaner och det viktigaste av Malcolm Lowrys två fullbordade verk. Romanen iscensätter en säregen medvetandeström: »Här finns en episk uthållighet som hämtar sin styrka ur övertygelsen om litteraturens förmåga att gestalta en mycket svår mänsklig erfarenhet, att förmedla den genom att utgöra en erfarenhet i sig.« (Ur förordet.)I översättning av Erik Sandin och med ett nyskrivet förord av Klas Östergren.»Malmcolm Lowry frambesvärjer en djupt personlig vision av alkoholismens inferno, i en bok full av insikt, medkänsla och tragisk livserfarenhet.« FABIAN KASTNER, SVENSKA DAGBLADET»Under vulkanen är en drabbande berättelse, närmast omöjlig att värja sig emot. En klassisk och mäktig roman som gräver sig djupt in i själens mörkaste skrymslen.« CRISTER ENANDER, TIDNINGEN KULTUREN»En av 1900-talets största romaner.« NEW YORK TIMES»Under vulkanen är skriven med övertygelsen om att en roman kan skildra ett historiskt skeende genom en människas trasiga blick. En mäktig berättelse.« ERIK JERSENIUS, GEFLE DAGBLAD»Ett faustiskt mästerverk.« ANTHONY BURGESS

On the Day of the Dead, 1938, former British consul Geoffrey Firmin is in Quauhnahuac, Mexico, where his life has become overshadowed by the debilitating malaise of drinking. His wife, Yvonne, has just arrived on a mission to rescue their failing marriage, inspired by a vision of a life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. But Yvonne's mission is further complicated by the presence of the consul's half-brother, Hugh, and Jacques, a childhood friend. Geoffrey, for his part, knows he must stop drinking in order to function efficiently, but at the same time he cannot function efficiently without drinking. He both loves and despises Yvonne, simultaneously wants to flee Mexico and stay under the two smoking volcanoes. The events of this one day unfold against the unforgettable backdrop of a Mexico at once magical and diabolical. A modern classic, Under the Volcano is a powerful and lyrical statement on the human condition and one man's constant struggle against the elemental forces that threaten to destroy him.