Kirjahaku

Focuses on the production of the Basement Tapes, the suppressed recordings made by Bob Dylan and The Band in 1967 in Big Pink, Woodstock. This book returns to the folk/mythological preoccupations of Greil Marcus's "Mystery Train: Images of America in Rock 'n' Roll Music".

This work examines the cultural events that have defined us and our time, the social milieu in which they took place, and the individuals engaged in them. From the Beat Generation to Camille Paglia, Picasso's "Guernica" to the massacre in Tiananmen Square, this book uncovers the histories embedded in even the most fleeting cultural moments and acts, and shows how, through our reading of the truths our culture tells and those it twists and conceals, we situate ourselves in that history and in the world. Greil Marcus is the author of "Mystery Train" and "In the Fascist Bathroom".

First published in 1990, this work provides an investigation into underground, alternative and revolutionary movements in art, music and other cultural forms. Its starting point is the nihilism and anger expressed by punk, and particularly by the Sex Pistols.

This book is about a single, serpentine fact: late in 1976 a record called 'Anarchy in the UK' was issued in London, and this event launched a transformation of pop music all over the world. The song distilled, in crudely poetic form, a critique of modern society once set out by a small group of Paris intellectuals. In Lipstick Traces, Greil Marcus's classic book on punk, Dadaism, the situationists, medieval heretics and the Knights of the Round Table (amongst others), the greatest cultural critic of our times unravels the secret history of the twentieth century.

Greil Marcus saw Bob Dylan for the first time in a New Jersey field in 1963. He didn't know the name of the scruffy singer who had a bit part in a Joan Baez concert, but he knew his performance was unique. So began a dedicated and enduring relationship between America's finest critic of popular music, "simply peerless," in Nick Hornby's words, "not only as a rock writer but as a cultural historian", and Bob Dylan, who in 2016 won the Nobel Prize for Literature. In Like A Rolling Stone Marcus locates Dylan's six-minute masterwork in its richest, fullest context, capturing the heady atmosphere of the recording studio in 1965 as musicians and technicians clustered around the mercurial genius from Minnesota, the young Bob Dylan at the height of his powers. But Marcus shows how, far from being a song only of 1965, "Like a Rolling Stone" is rooted in faraway American places and times, drawing on timeless cultural impulses that make the song as challenging, disruptive, and restless today as it ever was, capable of reinvention by artists as disparate as the comedian Richard Belzer and the Italian hip-hop duo Articolo 31. "Like a Rolling Stone" never loses its essential quality, which is directly to challenge the listener: it remains a call to arms and a demand for a better world. Forty years later it is still revolutionary as will and idea, as an attack and an embrace. How Does it Feel? In this unique, burningly intense book, Marcus tells you, and much more besides.