Kirjahaku

This book offers an introduction to the works of a Cajun writer who finds optimism in his blue-collar tales. Margaret Donovan Bauer presents the first book-length study of the Louisiana storyteller, who injects a seldom heard Cajun voice into Southern literature and offers a rare optimistic vision among other contemporary writers of the hardscrabble American South. Bauer surveys Tim Gautreaux's three novels - ""The Next Step in the Dance"", ""The Clearing, and ""The Missing"" - and two collections of short fiction - ""Same Place, Same Things"" and ""Welding with Children"" - to identify his major themes, character types, and structures. She views his chief contribution to Southern letters to be an authentic insider's view of Cajun culture, one resulting in a skillful, realistic, and sympathetic vision of historical and contemporary Acadiana in flux. Bauer addresses how Gautreaux's hopeful vision distinguishes him from other contemporary writers of the blue-collar South. She views Gautreaux's poor white protagonists as action-oriented characters who, while trapped by circumstances, still strive to affect positive change in their lives.

There are two portrayals of Scarlett O'Hara: the widely familiar one of the film Gone with the Wind and Margaret Mitchell's more sympathetic character in the book. In A Study of Scarletts, Margaret D. Bauer examines these two characterizations, noting that although Scarlett O'Hara is just sixteen at the start of the novel, she is criticized for behavior that would have been excused if she were a man.In the end, despite losing nearly every person she loves, Scarlett remains stalwart enough to face another day. For this reason and so many others, Scarlett is an icon in American popular culture and an inspiration to female readers, and yet, she is more often than not condemned for being a sociopathic shrew by those who do not take the time to get to know her through the novel.After providing a more sympathetic reading of Scarlett as a young woman who refuses to accept social limitations based on gender and seeks to be loved for who she is, Bauer examines Scarlett-like characters in other novels. These intertextual readings serve both to develop further a less critical, more compassionate reading of Scarlett O'Hara and to expose societal prejudices against strong women.The chapters in A Study of Scarletts are ordered chronologically according to the novels' settings, beginning with Charles Frazier's Civil War novel Cold Mountain; then Ellen Glasgow's Barren Ground, written a few years before Gone with the Wind but set a generation later, in the years leading up to and just after World War I; Toni Morrison's Sula, which opens after World War I; and finally, a novel by Kat Meads, The Invented Life of Kitty Duncan, with its 1950s- to 1960s-era evolved Scarlett.Through these selections, Bauer shows the persistent tensions that both cause and result from a woman remaining unattached to grow into her own identity without a man, beginning with trouble in the mother-daughter relationship, extending to frustration in romantic relationships, and including the discovery of female friendship as a foundation for facing the future.