Kirjahaku

Looking at painting and sculpture from the fourteenth through the eighteenth centuries, this provocative work focuses on the symbolism of the female breast to open a dazzling interpretive view of Western European history over four centuries. Margaret R. Miles finds that while in 1350 the Virgin's bare breast represented nourishment and loving care - God's provision for the Christian - by 1750, artistic representations of the breast were either erotic or medical. The breast had lost its meaning as a religious symbol. But how did the breast, and nakedness more generally, lose the ability to represent human bodies as site and symbol of religious subjectivity and commitment? To explore this phenomenon, Miles engages in a wide-ranging investigation of the social, cultural, and religious circumstances within which a religious symbol came to be thoroughly "mastered" by erotic and medical meanings. What emerges is a nuanced understanding of the location of power in early modern Western Europe, of how the lives of women changed over this period, of how art reveals and helps to construct religious meaning, and of how modern Christianity's attitude toward bodies was shaped.

Miles brings Plotinus' thought alive for the twenty-first century by relating it to present day concerns.

Miles brings Plotinus' thought alive for the twenty-first century by relating it to present day concerns.

An archaeological study of the City Eleusinion in Athens, the sanctuary of Eleusinian Demeter and the city terminus for the annual Eleusinian Mysteries. The book presents the stratigraphical evidence from excavations of a part of the sanctuary (conducted in the 1930s and 1959-1960), the remains of the Temple of Triptolemos, a Hellenistic stoa, and a propylon, and contains extensive descriptions of the context pottery, a discussion of the ritual vessel plemochoe, and catalogues of inscriptions, sculpture, and architectural pieces from the sanctuary. There is a survey of the topography of the sanctuary and its environs on the North Slope of the Acropolis, and a discussion of its relationship to Eleusis and its position as a landmark within the city of Athens. Since a significant portion of the sanctuary still lies unexcavated under the modern city, the book includes a detailed assessment of the only evidence known so far for the various phases of use of the sanctuary, from the earliest evidence of the 7th century B.C. to the late antique period.

On Memory, Marriage, Tears, and Meditation offers readers the tools for reading Augustine’s journey to human emotions through his writings on feeling, marriage, conversion, and meditation. Augustine understood that feeling, not rationality, gathers and reveals the deep longing of the whole person. Throughout his ecclesiastical career, he discussed marriage in sermons, letters, and treatises from the perspective of his own experience. Miles examines Augustine’s prototypes for conversion – reading and conversion; sacrifice and conversion; and the importance of friends in what might be considered a subjective and private process. Meditation was central to Augustine’s Christian life and Miles argues that his practice of meditation suggests that penitence included a rich range of feeling leading to gratitude, peace, wonder, and love.

On Memory, Marriage, Tears, and Meditation offers readers the tools for reading Augustine’s journey to human emotions through his writings on feeling, marriage, conversion, and meditation. Augustine understood that feeling, not rationality, gathers and reveals the deep longing of the whole person. Throughout his ecclesiastical career, he discussed marriage in sermons, letters, and treatises from the perspective of his own experience. Miles examines Augustine’s prototypes for conversion – reading and conversion; sacrifice and conversion; and the importance of friends in what might be considered a subjective and private process. Meditation was central to Augustine’s Christian life and Miles argues that his practice of meditation suggests that penitence included a rich range of feeling leading to gratitude, peace, wonder, and love.

This outstanding textbook offers an original history of Christian thought, asking what it has meant over the centuries to participate in the religion of the Word made flesh. Traces Christian ideas, conversations, experiences and practices from the first century through to the dawn of modernity at the end of the eighteenth century. Presents an inclusive history, considering the critical roles of women and religious ‘others’– dissenting Christians, Jews and Muslims – in shaping Christian thought. Sets Christian ideas in the context of conversations, controversies and concrete circumstances. Demonstrates the importance of liturgical and devotional exercises to the practice of Christianity. Treats words, images, music and architecture all as primary evidence of Christian traditions. Is accompanied by a CD Rom containing hundreds of visuals to support the theories and examples discussed throughout the volume.