Kirjahaku

'Broken: Illness and Disability in Ant nio Francisco Lisboa, Camilo Castelo Branco, Clarice Lispector, Victor Willing, Paula Rego and Ana Palma' traces the lives and works of six major artists and writers from Portugal, Brazil, and Britain through the lens of 'being broken'-in body, mind, or both. Spanning from the eighteenth century to the present, the volume explores how sociopolitical and somatic factors such as mental illness, psychological abuse, arthritis, genital mutilation, and multiple sclerosis shaped their creativity, while also reflecting broader national, social, sexual, and political pressures. Engaging both literature and visual art, the book offers an original and provocative perspective that unsettles conventional narratives of health, gender, and identity in Lusophone and transnational contexts. By situating canonical figures alongside emerging voices, 'Broken' bridges generations and disciplines, revealing how art and fiction transform experiences of illness and disability into critical insights on society, history, and power.

'Broken: Illness and Disability in Ant nio Francisco Lisboa, Camilo Castelo Branco, Clarice Lispector, Victor Willing, Paula Rego and Ana Palma' traces the lives and works of six major artists and writers from Portugal, Brazil, and Britain through the lens of 'being broken'-in body, mind, or both. Spanning from the eighteenth century to the present, the volume explores how sociopolitical and somatic factors such as mental illness, psychological abuse, arthritis, genital mutilation, and multiple sclerosis shaped their creativity, while also reflecting broader national, social, sexual, and political pressures. Engaging both literature and visual art, the book offers an original and provocative perspective that unsettles conventional narratives of health, gender, and identity in Lusophone and transnational contexts. By situating canonical figures alongside emerging voices, 'Broken' bridges generations and disciplines, revealing how art and fiction transform experiences of illness and disability into critical insights on society, history, and power.

This title was first published in 2003. The artist Paula Rego was born in Portugal but has lived in Britain since 1951. In this well-illustrated book, Maria Manuel Lisboa explores the background behind Rego's decision to leave the land of her birth and, in doing so, provides fascinating insights into Rego's persistent portrayal of uneasy and predatory relations between men and women. Looking back over the national, religious and sexual politics of Portugal during Rego's childhood under the shadow of the Salazar dictatorship and subsequently, Lisboa locates the origins of the artist's preoccupation with power and powerlessness, violence and abuse within the political and ideological status quo of Portugal, past and present. Lisboa's clear and thoughtful analysis offers an ambitious contribution to the study of patriarchy, Catholicism and Fascism and their expression in the work of this artist.

This title was first published in 2003. The artist Paula Rego was born in Portugal but has lived in Britain since 1951. In this well-illustrated book, Maria Manuel Lisboa explores the background behind Rego's decision to leave the land of her birth and, in doing so, provides fascinating insights into Rego's persistent portrayal of uneasy and predatory relations between men and women. Looking back over the national, religious and sexual politics of Portugal during Rego's childhood under the shadow of the Salazar dictatorship and subsequently, Lisboa locates the origins of the artist's preoccupation with power and powerlessness, violence and abuse within the political and ideological status quo of Portugal, past and present. Lisboa's clear and thoughtful analysis offers an ambitious contribution to the study of patriarchy, Catholicism and Fascism and their expression in the work of this artist.

Religious conflict has existed for as long as humanity has been capable of articulating the experience of faith. Belief in a higher power – whatever its nature – has tended to go hand in hand with the desire to force, or at least persuade, the rest of the world to agree with the believer. Portugal is a country shaped by successive waves of occupation over the centuries, and by the religious transformations these have entailed. Indigenous Lusitanians and Celtiberians withstood invasions by the Romans, Visigoths and North African Moors, as well as visitations by Jews, Phoenicians and others, but all were eventually killed, driven out or obliged to convert to Christianity. This book investigates texts dating from the eighteenth century to the present and set in periods ranging from the third century BC to the present day, in which the encounter between Paganism, Judaism and Islam, on the one hand, and what in due course became the dominant Christian status quo, on the other, illustrates the former’s resistance to absolute erasure. The study focuses in particular on women as the locus of dissent at the heart of national and sexual politics.