Kirjahaku

Roman Comedy against the Subject provides an expansive interpretation of four Roman comedies named after objects--Plautus's Cistellaria, Aulularia, and Rudens, and Terence's Eunuchus. In this book, the titular object provides an opportunity not to reconceive the relational politics of Roman comedy, but to conceive a different politics of familial and social relations with Roman comedy. Employing object-oriented ontology, psychoanalysis, queer theory, and Black critical theory, the book radically recasts perennial problems of Roman comedy and literature in general: the author, in relation to "mothering" (alternative maternities); character, in relation to neurodiversity; genre, in relation to sibling-like parentality; and the title itself, in relation to gendering and ungendering. Roman Comedy against the Subject explores the aesthetic and political possibilities of becoming object, of embracing "itness." Rather than assimilating objects to subjects or vital agents, the book finds emancipatory potential in renouncing the normative and intrinsically exclusionary subjecthood of "he," "she," and "they," markers of privilege that are burdened by the violence of humanization and often dehumanizing of others. The introduction features nine brief but acute readings of object-oriented modern dramas: Tennessee Williams's Glass Menagerie, Yukio Mishima's The Damask Drum, Eugène Ionesco's Les Chaises, and Alice Childress's String, among others.

International Relations: A European Perspective presents the main schools of international relations while underlining the added value of the European approach. Contrary to US or East Asian perspectives, a European viewpoint adopts a critical approach to traditional cleavages. The author demonstrates the added value of a European approach to international relations, taking into account both the shortcomings and achievements found within European history and current European unity. Key themes include: the evolution of state sovereignty, regional cooperation between previous enemies, political impact of economic integration, regimes building, international rule setting, institutionalization of international relations, and the weight of ideas and perceptions by transnational cooperation. This comprehensive assessment takes into consideration every school of international relations critically presented from this original perspective and as such makes the book ideal for courses on international relations.

Do we take pleasure in reading ancient Greek tragedy despite the unsettling content or because of it? Does a safe aesthetic distance protect us from tragic suffering, or does the proximity to death tap into something more primal? Aristotle proposed catharsis, an emotional cleansing-or, in later interpretations, a sense of equilibrium-as tragedy's outcome, and Sigmund Freud and Jacques Lacan, grand theorists of the forces of anti-mastery in human and nonhuman existence, surprisingly agreed. Notwithstanding this deferral to Aristotle, their theorizations of the death drive-together with Jacques Derrida's notion of the archive as a place of conservation that inevitably fails-provide the groundwork for a radically new way of understanding tragic aesthetics. With bold readings of thirteen plays by Aeschylus, Sophocles, and Euripides, including the Oedipus cycle, the Oresteia, Medea, and Bacchae; an eclectic synthesis of Freud, Lacan, Derrida, Zizek, Deleuze, and other critical theorists; and an engagement with art, architecture, and film, Mario Tel 's Archive Feelings: A Theory of Greek Tragedy locates Greek tragedy's aesthetic allure beyond catharsis in a vertiginous sense of giddy suspension, in a spiral of life and death that resists equilibrium, stabilization, and all forms of normativity. In so doing, Tel forges a new model of tragic aesthetics.

Do we take pleasure in reading ancient Greek tragedy despite the unsettling content or because of it? Does a safe aesthetic distance protect us from tragic suffering, or does the proximity to death tap into something more primal? Aristotle proposed catharsis, an emotional cleansing-or, in later interpretations, a sense of equilibrium-as tragedy's outcome, and Sigmund Freud and Jacques Lacan, grand theorists of the forces of anti-mastery in human and nonhuman existence, surprisingly agreed. Notwithstanding this deferral to Aristotle, their theorizations of the death drive-together with Jacques Derrida's notion of the archive as a place of conservation that inevitably fails-provide the groundwork for a radically new way of understanding tragic aesthetics. With bold readings of thirteen plays by Aeschylus, Sophocles, and Euripides, including the Oedipus cycle, the Oresteia, Medea, and Bacchae; an eclectic synthesis of Freud, Lacan, Derrida, Zizek, Deleuze, and other critical theorists; and an engagement with art, architecture, and film, Mario Tel 's Archive Feelings: A Theory of Greek Tragedy locates Greek tragedy's aesthetic allure beyond catharsis in a vertiginous sense of giddy suspension, in a spiral of life and death that resists equilibrium, stabilization, and all forms of normativity. In so doing, Tel forges a new model of tragic aesthetics.

This book offers an important chronological perspective on the evolution of multilateralism within Europe and beyond.It provides a critical reconstruction of the history of the idea and praxis of peaceful global governance, a comparative analysis of regional multilateral organisations and a discussion about concrete trends and perspectives of a new multilateralism against the challenging context of the current multipolar power politics. Focusing on the changing European interplay with multilateralism – from Eurocentric cradle of civilian cooperation among sovereign imperial states, to political dwarf after the two world wars and decolonisation, and to potential co-leader of a multilayered and multi-actor cooperation within the current multipolar order, it addresses a theoretical “gap” by fuelling the long-recognised idealism v. realism debate over international cooperation and institutionalisation with both historical and new empirical insights.This book will be of key interest to scholars and students of European studies, global governance, multilateralism, international organisations and more broadly international relations.

This book offers an important chronological perspective on the evolution of multilateralism within Europe and beyond.It provides a critical reconstruction of the history of the idea and praxis of peaceful global governance, a comparative analysis of regional multilateral organisations and a discussion about concrete trends and perspectives of a new multilateralism against the challenging context of the current multipolar power politics. Focusing on the changing European interplay with multilateralism – from Eurocentric cradle of civilian cooperation among sovereign imperial states, to political dwarf after the two world wars and decolonisation, and to potential co-leader of a multilayered and multi-actor cooperation within the current multipolar order, it addresses a theoretical “gap” by fuelling the long-recognised idealism v. realism debate over international cooperation and institutionalisation with both historical and new empirical insights.This book will be of key interest to scholars and students of European studies, global governance, multilateralism, international organisations and more broadly international relations.

Brexit confirms that the EU is not a super-state in the making but rather an advanced regional organization. This book bridges the gap between EU studies and international relations by providing a student-friendly presentation of regional, multidimensional cooperation among neighbouring states and societies, its four epochs and relevant variations and similarities across five continents, its interplay with globalization, and the changing post-hegemonic and post-Cold War international order. This text secondly focuses on the question of regionalism in hard times: whether the global financial crisis and multipolar power politics are leading to more competitive and political forms of instrumental regionalism and interregionalism in Europe, East-Asia and the Americas. It does this by addressing the political and strategic dimensions of changing regional/interregional arrangements and their current and potential impact on global governance, notably on trade and security challenges.

Brexit confirms that the EU is not a super-state in the making but rather an advanced regional organization. This book bridges the gap between EU studies and international relations by providing a student-friendly presentation of regional, multidimensional cooperation among neighbouring states and societies, its four epochs and relevant variations and similarities across five continents, its interplay with globalization, and the changing post-hegemonic and post-Cold War international order. This text secondly focuses on the question of regionalism in hard times: whether the global financial crisis and multipolar power politics are leading to more competitive and political forms of instrumental regionalism and interregionalism in Europe, East-Asia and the Americas. It does this by addressing the political and strategic dimensions of changing regional/interregional arrangements and their current and potential impact on global governance, notably on trade and security challenges.

This title was first published in 2001. This is a collection of papers that look at the structure of the global economy, and its changing paradigms over the years. The contributors look at how the classic concept of state - autonomous, sovereign and freed of all constraint - never really reflected the reality of the international scene, despite the role it has played in realist and neo-realist theory for many decades. Instead, they consider that the political, social and economic characteristics originally attributed to states seem increasingly to be expressed through regional constructs. The papers in this volume show that even within regionalism there are a variety of different models that exist, and examine five of those models: the European Union; Mercosul-Mercosur; the North American Free Trade Area (NAFTA); the Association of South East Asian Nations (ASEAN); and the South African Development Community (SADC).

This title was first published in 2001. This is a collection of papers that look at the structure of the global economy, and its changing paradigms over the years. The contributors look at how the classic concept of state - autonomous, sovereign and freed of all constraint - never really reflected the reality of the international scene, despite the role it has played in realist and neo-realist theory for many decades. Instead, they consider that the political, social and economic characteristics originally attributed to states seem increasingly to be expressed through regional constructs. The papers in this volume show that even within regionalism there are a variety of different models that exist, and examine five of those models: the European Union; Mercosul-Mercosur; the North American Free Trade Area (NAFTA); the Association of South East Asian Nations (ASEAN); and the South African Development Community (SADC).

Considering Butler’s “tragic trilogy”—a set of interventions on Sophocles’ Antigone, Euripides’ Bacchae, and Aeschylus’s Eumenides—this book seeks to understand not just how Butler uses and interprets Greek tragedy, but also how tragedy shapes Butler’s thinking, even when their gaze is directed elsewhere. Through close readings of these tragedies, this book brings to light the tragic quality of Butler’s writing. It shows how Butler’s mode of reading tragedy—and, crucially, reading tragically—offers a distinctive ethico-political response to the harrowing dilemmas of our current moment.Deeply committed both to critical theory and political activism, Judith Butler is one of the most influential intellectuals today. Their ideas have touched the lives of many people, both readers and those who have never heard Butler’s name. In encompassing gender performativity and sexual difference, vulnerability and precarity, disidentification and bodily interdependency, as well as the politics of protest, Butler’s work is often predicated on a strong engagement with or proximity to Greek tragedy.

Considering Butler’s “tragic trilogy”—a set of interventions on Sophocles’ Antigone, Euripides’ Bacchae, and Aeschylus’s Eumenides—this book seeks to understand not just how Butler uses and interprets Greek tragedy, but also how tragedy shapes Butler’s thinking, even when their gaze is directed elsewhere. Through close readings of these tragedies, this book brings to light the tragic quality of Butler’s writing. It shows how Butler’s mode of reading tragedy—and, crucially, reading tragically—offers a distinctive ethico-political response to the harrowing dilemmas of our current moment.Deeply committed both to critical theory and political activism, Judith Butler is one of the most influential intellectuals today. Their ideas have touched the lives of many people, both readers and those who have never heard Butler’s name. In encompassing gender performativity and sexual difference, vulnerability and precarity, disidentification and bodily interdependency, as well as the politics of protest, Butler’s work is often predicated on a strong engagement with or proximity to Greek tragedy.

PROSE AWARDS CLASSICS FINALIST 2024What does it mean to read Greek tragedy in a pandemic, a global crisis? How can Greek tragedy address urgent contemporary troubles? One of the outstanding and most widely read theorists in the discipline, Mario Telò, brings together a deep understanding of Greek tragedy and its most famous icons with contemporary times. In close readings of plays such as Alcestis, Antigone, Bacchae, Hecuba, Oedipus the King, Prometheus Bound, and Trojan Women, our experience is precariously refracted back in the formal worlds of plays named after and, to an extent, epitomized by tragic characters.Structured around four thematic clusters – Air Time Faces, Communities, Ruins, and Insurrections – this book presents timely interventions in critical theory and in the debates that matter to us as disaster becomes routine in the time-out-of-joint of a (post-)pandemic world. Violently encompassing all pre-existing and future crises (relational, political and ecological), the pandemic coincides with the queer unhistoricism of tragedy, and its collapsing of present, past, and future readerships.

What does it mean to read Greek tragedy in a pandemic, a global crisis? How can Greek tragedy address urgent contemporary troubles? One of the outstanding and most widely read theorists in the discipline, Mario Telò, brings together a deep understanding of Greek tragedy and its most famous icons with contemporary times. In close readings of plays such as Alcestis, Antigone, Bacchae, Hecuba, Oedipus the King, Prometheus Bound, and Trojan Women, our experience is precariously refracted back in the formal worlds of plays named after and, to an extent, epitomized by tragic characters.Structured around four thematic clusters – Air Time Faces, Communities, Ruins, and Insurrections – this book presents timely interventions in critical theory and in the debates that matter to us as disaster becomes routine in the time-out-of-joint of a (post-)pandemic world. Violently encompassing all pre-existing and future crises (relational, political and ecological), the pandemic coincides with the queer unhistoricism of tragedy, and its collapsing of present, past, and future readerships.

Stemming from an international and multidisciplinary network of leading specialists, this best-selling text is fully updated with new chapter additions. With the first edition prepared at the end of the last century and the second edition adding inter-regional relations, this new edition focuses on competing models of regional cooperation within a multipolar world and the role of European Union. This new edition offers: - A comparative analysis of regional cooperation and of both US-centred and EU-centred interregionalism. - A fresh exploration of key issues of regionalism versus globalization and the potential for world economic and political governance through regional cooperation, notably in hard times. - A vigorous response to conventional wisdom on the controversial EU international identity - An appendix on regional and interregional organizations. - A key resource for postgraduate or undergraduate study and research of international relations, European integration studies, comparative politics and international political economy. Taking into account both the expanded European Union and regional cooperation in every continent, this multidisciplinary volume comprises contributions from established scholars in the field: A. Gamble, P. Padoan, G. Joffé, G. Therborn, Th. Meyer, R. Higgott, B. Hettne / F. Ponjaert, F. Soederbaum, Ch. Deblock, K. Eliassen / A. Arnottir, S. Keukeleire / I. Petrova, S. Santander and M. Telò (editor).

Stemming from an international and multidisciplinary network of leading specialists, this best-selling text is fully updated with new chapter additions. With the first edition prepared at the end of the last century and the second edition adding inter-regional relations, this new edition focuses on competing models of regional cooperation within a multipolar world and the role of European Union. This new edition offers: - A comparative analysis of regional cooperation and of both US-centred and EU-centred interregionalism. - A fresh exploration of key issues of regionalism versus globalization and the potential for world economic and political governance through regional cooperation, notably in hard times. - A vigorous response to conventional wisdom on the controversial EU international identity - An appendix on regional and interregional organizations. - A key resource for postgraduate or undergraduate study and research of international relations, European integration studies, comparative politics and international political economy. Taking into account both the expanded European Union and regional cooperation in every continent, this multidisciplinary volume comprises contributions from established scholars in the field: A. Gamble, P. Padoan, G. Joffé, G. Therborn, Th. Meyer, R. Higgott, B. Hettne / F. Ponjaert, F. Soederbaum, Ch. Deblock, K. Eliassen / A. Arnottir, S. Keukeleire / I. Petrova, S. Santander and M. Telò (editor).