Kirjahaku

Film scholar Mark Browning offers the first detailed analysis of the work of David Fincher, director of the critically acclaimed films Se7en, Fight Club, and The Curious Case of Benjamin Button. David Fincher is one of the most exciting filmmakers working in Hollywood today. He has produced a string of groundbreaking films that have achieved both critical and commercial success, while constantly challenging audiences to rethink their expectations of generic boundaries. David Fincher: Films That Scar is the first truly analytical work on the films of this mysterious and complex filmmaker. This insightful book analyzes all of Fincher's feature films, as well as examples of his commercials and pop videos, tracing key influences that include his background in special effects. It considers how he creates roles for strong women, how he has extended the detective genre, and how he adapts cult texts. The book also questions whether Fincher's films, famous for their downbeat endings and "dark" visual style, are really bleak or just part of an unconventional approach to filmmaking. In the end, readers will understand the development of Fincher's individual films and appreciate how the films relate closely to each other.

This book traces the evolution of George Clooney's successful career, from his humble start as a television heartthrob to his current position as one of the most powerful figures in film making today.It can be said that George Clooney has crafted his artistic brand through a mixture of smart career choices of roles, carefully nuanced performances, and key relationships with directors. He is not just an accomplished actor but a major Hollywood player, serving as director, producer, and writer on many projects. His work garners critical acclaim, and his influence and creative input have been the main reason why some of his films exist at all. This fascinating book analyzes the impressive career trajectory of one of the industry's most powerful figures today.George Clooney: An Actor Looking for a Role is the first book to examine the full range of Clooney's career. Arranged by genre, sections include early television work, romantic comedies, action films, heist movies, political thrillers, and films that blend a number of different genres. Clooney's contributions have not only resulted in three Oscar acting nominations and one win, but his work continues to challenge the conventions of the traditional form and expands the definition of key genres.

Four essential questions: Why does one fish? How should one properly fish? What relations are created in fishing? And what effects does fishing have on the future? Haunted by Waters is a self-examination by the author as he constructs his own narrative and tries to answer these questions for himself. But it is also a thorough examination of the answers he uncovers in the course of reading what's been written on the subject. As his own story unfolds, Mark Browning analyzes angling literature from the Bible to Norman Maclean, always bringing his inquiry back to the same source: the enigma of this sport. Haunted by Waters is an exploration of the apparent compulsion of those who fish not only to read about the sport, but to write about it as well. Mark Browning's personal account as a fly fisherman and his perspective as a critic make him uniquely qualified to navigate these waters.

This is the first full-length study devoted to the films of Wes Anderson, one of the most distinctive filmmakers working today.This first full-length consideration of this noted director's work, Wes Anderson: Why His Movies Matter is organized chronologically to encompass all of Anderson's films, from 1996's Bottle Rocket to Rushmore, The Royal Tenenbaums, and the 2009 release, The Fantastic Mr. Fox. The study includes analysis of Anderson's work in commercials, his representation of race and class, his main stylistic influences, and his innovations in the use of frame.Beyond that, author Mark Browning considers whether Anderson's allusions create resonance or simply play a game with an audience keen to spot references. He argues that, in Anderson's films, the style is the substance, and the apparent comedic superficiality is what actually provides depth. Chapters covering the individual films are followed by an examination of Anderson as set designer, author, and stylist. The conclusion explains how his films can be viewed as relevant, exploring links to events and figures in the real world.

For more than thirty years, David Cronenberg has made independent films such as Scanners and A History of Violence which aim to disturb, surprise, and challenge audiences. He has also repeatedly drawn on literary fiction for inspiration, adapting themes from authors like William Burroughs, J. G. Ballard, and Patrick McGrath for the big screen; David Cronenberg: Author or Filmmaker? is the first book to explore how underground and mainstream fiction have influenced—and can help illuminate—his labyrinthine films. Film scholar Mark Browning examines Cronenberg’s literary aesthetic not only in relation to his films’ obvious source material, but by comparing his movies to the writings of Vladimir Nabokov, Angela Carter, and Bret Easton Ellis. This groundbreaking volume addresses Cronenberg’s narrative structures and his unique conception of auteurism, as well as his films’ shocking psychological frameworks, all in the broader context of film adaptation studies. David Cronenberg is an essential read for anyone interested in the symbiotic relationship between literature and filmmaking. “David Cronenberg is a work that attempts to illuminate and unravel the connection between the great Canadian auteur and his literary influences.”—Film Snob Weekly “David Cronenberg is an essential read for anyone interested in the symbiotic relationship between literature and filmmaking.”—Video Canada

From 1976 to the present day, there have been over 45 films adapted from the spine-tingling works of Stephen King. In Stephen King on the Big Screen, Mark Browning addresses the question of why some of the film adaptations of the world’s best-selling author are much more successful than others.By focussing on the theoretical aspect of genre, Browning brings an original approach to familiar films and suggests new ways of viewing them. Although often associated with the macabre, King’s stories form the basis for dozens of narratives, which are clearly not horror from Stand By Me to Hearts in Atlantis. How are The Green Mile and The Shawshank Redemption successful as prison movies? How do Cujo and The Shining work as family dramas? Are Dreamcatcher and Christine merely updated 1950s B-movies? The book is the first written by a film specialist to consider every Stephen King film given a theatrical release, including work by Stanley Kubrick, David Cronenberg and George A. Romero and the first to consider in detail films like Creepshow, Sleepwalkers and 1408. The style, whilst critically rigorous, is designed to be accessible to discerning readers of King and fans of films based on his work.

This book is the first written by a film specialist to consider Stephen King’s television work in its own right, and rejects previous attempts to make the films and books fit rigid thematic categories. Browning examines what makes a written or visual text successful at evoking fear on a case-by-case basis, in a highly readable and engaging way. He also considers the relationship between the big and small screen. Why, for instance, are some TV versions more effective than movie adaptations and vice versa? In the process, Stephen King on the Small Screen is able to shed new light on what it is that makes King’s novels so successful and reveal the elements of style and approach that have helped make King one of the world’s best-selling authors.

What if someone had dropped a hammer on the little ceramic creation and smashed The Ashes urn at Lord's in the late 1960s? Could it have happened? It was certainly talked about. This wonderful and rich contest that began in 1877 is bigger and better today than ever. But in the 1960s as hair grew longer, skirts shortened and pop music blossomed, it was totally 'uncool'. Yet this was entry-level Ashes cricket to passionate Test cricket fan and author Mark Browning. Growing up in the Victorian regional city of Geelong in the 1960s, he embraced The Ashes and its players when it was at its lowest ebb and then rejoiced at its renaissance in 1972, cementing a relationship that endures with undimmed passion and admiration more than half a century later. This is The Ashes: A Coming of Age Memoir.