Kirjahaku

It is said that Josh Gibson is the only man ever to have hit a fair ball out of Yankee Stadium. Some claim he hit as many as seventy-five home runs in a season. All agreed he was a frightening hitter to face. What Satchel Paige was to pitching in the Negro leagues, Gibson was to hitting: their greatest star, biggest gate attraction, and most important symbol. Though Gibson is best remembered as "the black Babe Ruth," Ruth became a beloved symbol of the national pastime, while Gibson lived a life veiled in the darkness that came both from the shadow world of the Negro leagues and from within his own tortured soul. Mark Ribowsky, the widely acclaimed biographer of Satchel Paige, pulls no punches in his portrait of this magnificent, troubled athlete. This is the most complete, thorough, and authoritative account of the life of black ball's greatest hitter, and one of its most important stars.

The Supremes is a sprawling tale of unforgettable music, cutthroat ambition, and heartbreaking betrayal. Mark Ribowsky explodes Dreamgirl fantasies by taking the reader behind the closed doors of Motown to witness the rise of group leader Diana Ross, the creation of timeless classics like Where Did Our Love Go?," and the dramatic power struggles within Detroit's fabled music factory. Drawing on firsthand, intimate recollections from knowledgeable sources such as the Temptations's Otis Williams and other Motown contemporaries,many never before interviewed, The Supremes is a comprehensive look at the tumultuous relationships within the Supremes as well as among others at the Motown label" ( Library Journal ).

The first and only definitive biography of legendary Motown group, the TemptationsThe Temptations are an incomparable soul group, with dozens of chart-topping hits such as My Girl and Papa Was a Rollin Stone. From the sharp suits, stylish choreography, and distinctive vocals that epitomized their onstage triumphs to the personal failings and psycho-dramas that played out behind the scenes, Ain't Too Proud to Beg tells the complete story of this most popular--and tragic--of all Motown super groups.Based on in-depth research and interviews with founding Temptations member Otis Williams and many others, the book reveals the highly individual, even mutually antagonistic, nature of the group's members. Venturing beyond the money and the fame, it shares the compelling tale of these sometime allies, sometime rivals and reveals the unique dynamic of push and pull and give and take that resulted in musical genius.The first book to tell the whole story of Motown's greatest group, with all-new interviews and previously undiscovered sources and photographsGives the last word on enduring Motown mysteries, including the deaths of Paul Williams and David Ruffin and the truth behind Ruffin's tumultuous romance with Tammi TerrellReveals the secret ""can't miss"" formula behind the Temptations' thirty-seven chart hitsDraws on more than one hundred interviews with the group's associates, industry figures, family members, and most importantly, founding Temptation Otis WilliamsAin't Too Proud to Beg takes a cohesive and penetrating look at the life and enduring legacy of one of the greatest groups in popular music. It is essential reading for fans of the Temptations, music lovers, and anyone interested in the history of American popular culture over the last fifty years.

The first definitive biography of music legend Stevie WonderStevie Wonder's achievements as a singer-songwriter, multi-instrumentalist, and producer are extraordinary. During a career that has spanned almost fifty years, he has earned more than thirty Top 10 hits, twenty-six Grammy Awards, and a place in both the Rock and Roll and Songwriter Halls of Fame--and he's not finished yet. On the verge of turning sixty, he is still composing, still touring, and still attracting dedicated fans around the world.For the first time, Signed, Sealed, and Delivered takes an in-depth look at Stevie Wonder's life and his evolution from kid-soul pop star into a mature artist whose music helped lay the groundwork for the evolution of hip hop and rap.Explores the life, achievements, and influence of one of America's biggest musical icons, set against the history of Motown and the last fifty years of popular musicBased on extensive interviews with Motown producers, music executives, songwriters, and musicians, including founding Temptation Otis Williams, Mickey Stevenson, surviving Funk Brother Eddie Willis, synthesizer genius Malcolm Cecil, guitar legend Michael Sembello, and many othersTraces Stevie's personal and musical development through the decades, from the early 1960s R&B of ""Fingertips"" to the social and political themes of ""Living for the City"" and other 1970s classics, through periods of musical and personal confusion, uncertainty, and, later, renewalRead Signed, Sealed, and Delivered to explore the life and work of one of pop music's most compelling masters of invention.

As the coach during professional football s most storied era, Tom Landry transformed the gridiron from a no-holds-barred battlefield to the highly-technical chess match it is today. With his trademark fedora and stoic facade, he was a man of faith and few words, for twenty-nine years guiding America s Team from laughingstock to well-oiled machine, with an unprecedented twenty consecutive winning seasons and two Super Bowl titles. Now, more than a decade after Landry s death, acclaimed biographer Mark Ribowsky takes a fresh look at this misunderstood legend, telling us as much about our country s obsession with football as about Landry himself, the likes of whom we ll never see again."

Chet Atkins was one of the most legendary country guitarists of the 1950s, but his influence spans both instruments and time. The Country Gentleman developed a distinctive picking style that helped pioneer "the Nashville Sound." Atkins's musical prowess impacted the jazz, blues, and folk styles of the 1950s and expanded country music appeal to pop music fans. In the more than two decades since his death, Nashville has remained his not-so-humble-anymore domain, but this musical deep dive is the first long-form exploration of Atkins's discography and legacy since the guitarist's own autobiography more than fifty years ago. With never-before-seen detailed analyses of Atkins's overwhelming industry influence, this is a perfect read for music fans everywhere.

In 1970 a scraggly, antiheroic man from North Carolina by way of Massachusetts began presenting a comforting yet biting new sound. Within a year, when young ears sought the latest in rock, there was "Fire and Rain" and "You've Got a Friend," and a new Southern California-fed branch of pop music. James Taylor was its reluctant leader. Remarkably, Taylor has survived: his 2015 release, Before This World, edged out Taylor Swift and went to No. 1 on the charts. Today he is in better physical (and probably mental) condition than during the whirlwind era when he influenced music so heavily, the decade when magazines and newspapers printed feverish stories about his gawky hunkiness, his love affair with Joni Mitchell, his glittery marriage to Carly Simon, his endlessly carried-out heroin habit, and sometimes even his music. Despite it all, Taylor has become the nearest thing to rock royalty in America. Based on fresh interviews with musicians, producers, record company people, and music journalists, as well as previously published interviews, reviews, and profiles, Sweet Dreams and Flying Machines is the definitive biography of an elusive superstar.

The Everly Brothers—aka Don and Phil to fans with an intimate appreciation for them—seemed to exist almost as an apparition. Emerging within the formative era for young Baby Boomer during the blandly regimented ‘50s, they were a ubiquitous presence, clad in snug suits and skinny ties, hair neatly Brylcreemed, never raising their voices when they sang. The two prim-looking country boys with dark, curiously penetrating eyes and perfectly merged, honey-dipped harmonies, were oddly but comfortably settled as sentimental, soothing, sometimes lovelorn voices of a still-uncharted cultural turf.Magnificent as the duo was, they have until now never received a definitive biography. In Long Time Gone: The Perfect Harmony and Imperfect Lives Of the Everly Brothers, the details, small and great, roll along on the mighty “Mississipp,” in near novel-like fashion, revealing facts drawn from exhaustive research and first-hand interviews that trace the character and influences of these hardy but flawed men who grew from teenagers to old men before our eyes. Mark Ribowsky’s authoritative book serves as a fitting companion to an unforgettable collection of songs—heard on countless albums, and covered literally thousands of times—whose recording was a long time gone but that will never to be forgotten.

This intimate story of Lynyrd Skynyrd tells of how a band of lost souls and self-destructive misfits with uncertain artistic objectives clawed their way to the top of the rock 'n’ roll world. Based on interviews with surviving band members, Whiskey Bottles and Brand-New Cars shares how lead singer and front man Ronnie Van Zant guided the band’s hugely successful five-year run and, in the process, created not only a new country rock idiom, but a new Confederacy in constant conflict with old Southern totems and prejudices. Placing the music and personae of Skynyrd into a broad cultural context, this book gives a new perspective to a history of stage fights, motel-room destructions, cunning business deals, and brilliant studio productions. It also offers a greater appreciation for a band whose legacy, in the aftermath of their last plane ride, has since descended into self-caricature.

When he died suddenly at the age of twenty-six, Otis Redding (1941–1967) was the conscience of a new kind of soul music. Berry Gordy built the first black-owned music empire at Motown but Redding was doing something as historic: mainstreaming black music within the whitest bastions of the post-Confederate south. As a result, the Redding story—still largely untold—is one of great conquest but grand tragedy. Now, in this transformative work, Mark Ribowsky contextualises Redding’s life within the larger cultural movements of his era. What emerges in Dreams to Remember is not only a triumph of music history but also a reclamation of a visionary who would come to define an entire era.

For generations, American athletes have enjoyed the ever-escalating celebrity lavished upon them when they combine on-the-field talent with off-the field charisma, but never before have we seen as transformative a sports dynasty as the Mannings: a bloodline of strong arms, Southern values, and savvy business instincts—each man compelling in his own right, made whole by family. But how, in just fifty years, did this private trio achieve football immortality? A gripping and definitive account, In the Name of the Father traces Archie, Peyton, and Eli’s roots from red-clay Mississippi to the bright lights of the Super Bowl to reveal the truth of their grit and dedication, their inherent ability, and the drama they endured behind closed doors. As New York Times Notable biographer Mark Ribowsky meticulously chronicles, the road to football stardom was not paved smoothly for patriarch Archie. The most celebrated and beloved athlete to emerge from tiny Drew, Mississippi, Archie lost his father to suicide during his heyday at Ole Miss. Then, despite his playing through the pain, a string of surgeries prematurely ended a storied NFL career, most memorably spent with the New Orleans Saints. Similar savior-like expectations were passed to Archie’s eldest, Cooper, the most gifted of his brood, but the shocking discovery of a spinal condition prevented Cooper from ever playing a single snap of college ball. Luckily, Archie had been raising all three of his sons to love the gridiron, throwing deep balls to them off the front porch, and there were two more heir apparents in the wings. Raised watching dusty old game films in the family den, Peyton was swiftly hailed as a generational talent, his record-breaking tenure at Tennessee paving a clear path to the NFL. Winning Super Bowls with both the Indianapolis Colts and the Denver Broncos, he was able to overcome a debilitating neck injury—after barely being able to hold a football—to eclipse Archie in football success. It was Peyton who would first pair his football cachet with capitalism, selecting commercials and appearances to show off his humor and expand the now-ubiquitous Manning brand into mainstream popular culture. And finally there was quiet Eli, with an arm and a career to match his big brother’s but a reserved and enigmatic affect all his own. The good-boy who followed his father to Ole Miss, Eli entered the NFL even more carefully managed then his brother was, forcing a trade when the lackluster San Diego Chargers selected him with the first pick in the draft. Even with two dramatic Super Bowl wins with the New York Giants, Eli’s lows have been catastrophic, and he has never been quite the media darling his brother is. But even as their football careers wind down, the power of the Manning name only grows. Drawing on new interviews and research, Ribowsky reveals a family of transcendent talent and intense loyalty dedicated to maintaining an all-American façade that has, on occasion, shown cracks. From the family’s past steeped in problematic parts of Southern identity, to locker-room scandal turned lawsuit, to flashes of fraternal jealousy, Ribowsky leaves no stone unturned. Rich in gridiron dramatics and familial intrigue, In the Name of the Father is a quintessentially American saga of a multifaceted lineage that has forever changed the game.

After he died in the back seat of a Cadillac at the age of twenty-nine, Hank Williams—a frail, flawed man who had become country music’s first real star–instantly morphed into its first tragic martyr. Having hit the heights with simple songs of despair, depression and tainted love, he would become in death a template for the rock generation to follow. Mark Ribowsky weaves together the first fully realised biography of Williams in a generation. Examining his music while re-creating days and nights choked in booze and desperation, he traces the rise of this legend—from the dirt roads of Alabama to the immortal stage of the Grand Ole Opry and to a lonely end on New Year’s Day, 1953. This original work uncovers the real Hank beneath the myths that have long enshrouded his legacy.

Inducted into the Hall of Fame in 1997, Don Shula remains the winningest coach of all time with 347 career victories and the only undefeated season in NFL history. But before he became the architect of the Dolphins dynasty, Shula was a hardworking kid selling fish on the banks of Lake Erie, the eldest of six children born during the Depression to Hungarian immigrant parents. As acclaimed sports biographer Mark Ribowsky shows, Shula met serious resistance at home when he asked to play high school football, but when his parents finally relented, they discovered that their son, though perhaps short on the physical gifts of the truly blessed, had an unmatched mind for the game’s strategy and a stomach for its brutality. With rugged determination, the jut-jawed Shula started as a defensive back in the 1950s, later beginning his thirty-two-year coaching career as the then-youngest coach ever with the Baltimore Colts. The Colts had several successful years, but Shula never quite recovered from the historic loss to the upstart New York Jets in Super Bowl III, and when a lucrative job opened in Miami, he took his talents to South Beach, where he led the Dolphins to the first perfect season in NFL history. Tracing Shula’s singular rise from his blue-collar origins to his glory days in the Miami heat, Ribowsky reveals a man of grit and charisma who never lost sight of a simple creed: “All I’ve ever done is roll up my sleeves, figure out what to do, and start doing it.”

The first major biography of Little Richard, a rollicking, nuanced celebration of the late singer/songwriter’s life and his role in the history of American music—gospel, soul, rock, and more “Tutti Frutti” • “Rip It Up” • “Good Golly Miss Molly” • “Lucille” • “Long Tall Sally” • “You Keep A-Knockin’” Little Richard blazed the trail for generations of musicians—The Beatles, James Brown, the Everly Brothers, Jimi Hendrix, the Rolling Stones, Elton John, Prince . . . the list seems endless. He was “The Originator,” “The Innovator,” and the self-anointed “King and Queen of Rock ’n’ Roll.” When he died on May 9, 2020, The Big Life of Little Richard—a nearly-completed book—was immediately updated to cover the international response to his death. It is the first major biography of Macon, Georgia’s Richard Wayne Penniman, who was, until his passing, the last rock god standing. Mark Ribowsky, acclaimed biographer of musical icons—the Supremes, the Temptations, Stevie Wonder, Otis Redding—takes readers through venues, gigs, and studios, conveying the sweaty energy of music sessions limited to a few tracks on an Ampex tape machine and vocals sung along with a live band. He explores Little Richard’s musicianship; his family life; his uphill battle against racism; his interactions with famous contemporaries and the media; and his lifelong inner conflict between his religion and his sexuality. The Big Life of Little Richard not only explores a legendary stage persona, but also a complex life under the makeup and pomade, the neon-lit duds and piano pyrotechnics, along with a full-body dive into the waters of sexual fluidity. By 2020, eighty-seven-year-old Little Richard’s electrifying smile was still intact, as were his bona fides as rock’s kingly architect: the ’50s defined his reign, and he extended elder statesmanship ever since. His biggest smash, “Tutti Frutti,” is one of history’s most covered songs—a staple of the pre-Invasion Beatles—and Elvis pivoted from country to blues rock after Little Richard made R&B’s sexual overtones a fundament of the new musical order. Even Hendrix, the greatest instrumentalist in rock history, toured with him before launching a meteoric solo career. Whenever someone pushes the music and culture of rock to its outer borders, one should turn to Little Richard for assurance that anything is possible.

The first biography of soul pioneer Isaac Hayes, whose groundbreaking music provided the foundation for hip-hop and a new racial paradigm.“Black men could finally stand up and be men because here's Black Moses; he's the epitome of Black masculinity. Chains that once represented bondage and slavery now can be a sign of power and strength and sexuality and virility.” —Isaac Hayes Within the stoned soul picnic of Black music icons in the ’60s and ’70s, only one could bill himself without a blush as Moses, demanding liberation for Black men with his notions of life and self—Isaac Lee Hayes Jr., the beautifully sheen, shaded, and chain-spangled acolyte of cool, whose high-toned “lounge music” and proto-rap was soul’s highest order—heard on twenty-two albums and selling millions of records. Hayes’s stunning self-portraits, his obsessive pleas about love, sex, and guilt bathed in lush orchestral flights and soul-stirring bass lines, drove other soul men like Barry White to libidinous license. But Hayes, who called himself a “renegade,” was a man of many parts. While he thrived on soulful remakes of pop standards, his biggest coup was writing and producing the epic soundtrack to Shaft, memorializing the “black private dick” as a “complicated man,” as coolly mean and amoral as any white private eye. This new musical and cultural coda delivered Hayes the first Oscar ever won by a Black musician, as well as the Grammy for Best Song. Yet, few know Hayes’s remarkable achievements. In this compelling buffet of sight and sound, acclaimed music biographer Mark Ribowsky—who has authored illuminating portraits of such luminaries as Stevie Wonder, Little Richard, and Otis Redding—gallops through the many stages of Hayes’s daring and daunting life, starting with Hayes’s difficult childhood in which his mother died young and his father abandoned him. Ribowsky then takes readers through Hayes’s rise at Memphis’s legendary soul factory, Stax Records, first as a piano player on Otis Redding sessions then as a songwriter and producer teamed with David Porter. Tuned to the context of soul music history, he created crossover smashes like Sam & Dave's “Soul Man,” “Hold on I'm Comin’,” and “I Thank You,” making soul a semi-religion of Black pride, imagination, and joyful emotion. Hayes’s subsequent career as a solo artist featured studio methods and out-of-the-box ideas that paved the way for soul to occupy the top of the album charts alongside white rock albums. But his prime years ended prematurely, both as a consequence of Stax’s red ink and his own self-destructive tendencies. In the ’90s he claimed he had finally found himself, as a minion of Scientology. But Scientology would cost him the gig that had revived him—the cartoon voice of the naively cool “Chef” on South Park—after he became embroiled in controversy when South Park’s creators parodied Scientology in an episode that caused the cult’s leaders to order him to quit the show. Although Hayes was honored by the Rock & Roll Hall of Fame in 2002, the brouhaha came as his seemingly perfect body finally broke down. He died in 2008 at age sixty-eight, too soon for a soul titan. But if only greatness can establish permanence in the cellular structure of music, Isaac Hayes long ago qualified. His influence will last for as long as there is music to be heard. And when we hear him in that music, we will by rote say, “We can dig it.”

Howard Cosell's colorful bombast, fearless reporting, and courageous stance on civil rights made him one of the most recognizable and controversial figures in American sports history. "Telling it like it is," he covered nearly every major sports story for three decades, from the travails of Muhammad Ali to the tragedy at the Munich Olympics. Now, two decades after his death, this deeply misunderstood sports legend has finally gotten the "definitive" (Kirkus Reviews, starred review) and revelatory biography he so much deserves. With more than forty interviews, Mark Ribowsky has brilliantly presented Cosell's endless complexities in the "first thoroughly researched and effectively framed biography of Cosell and his times" (Huffington Post).