Kirjahaku

Following on the heels of Martin Parr’s limited-edition, album-style presentation of Life’s a Beach, released last season, Aperture is delighted to introduce a new beach-bag-sized edition. Parr has been photographing beaches for many decades, documenting all aspects of them, including close-ups of sunbathers, rambunctious swimmers caught mid-plunge, and the eternal sandy picnic underway. His international career, in fact, could well be traced to the launch of The Last Resort, a 1986 book depicting the seaside resort of New Brighton, near Liverpool. What may be less known is that this obsession has led Parr to photograph beaches around the world. This compilation, his first on the topic, presents photos of beachgoers on far-flung shores, including Argentina, Brazil, China, Spain, Italy, Latvia, Japan, the United States, Mexico, Thailand, and of course, the U.K. The compilation brings to the forefront Parr’s engagement with a cherished subject matter—that rare public space in which general absurdities and local quirks seamlessly fuse together. This book shows Parr at his best, startling us with moments of captured absurdity and immersing us in rituals and traditions associated with beach life the world over.

Photography and Pop-culture buffs, get out your crayons and colored pencils! Martin Parr’s colorful and tongue-in-cheek photographs—his comedy of contemporary manners—have been transformed into a coloring book. Here is Parr’s affectionate and hilarious catalogue of human foibles—our bad fashion choices, messy foods, trashy souvenirs and the tourists who buy them, and all the often-overlooked silly details of our daily life—rendered afresh. The book’s eighty pages are packed with the most iconic and beloved Parr images, made into original drawings by Jane Mount, offering hours of coloring entertainment, as well as Parr’s witty take on the coloring book craze. Be inspired to create a new version of a classic Parr—sunbathers in Speedos, tea-drinkers and rainbow cakes, socks with sandals—and in the process, experience his vision in a new way. A riotous take on the eccentricities and peculiarities of today’s world, for all fans of Parr’s work, and an original contribution to the coloring genre!

For over 25 years Martin Parr has been taking photographs in Scotland. From the streets of Glasgow, to an island agricultural show on the Orkneys, Parr has built huge archive of photographs. Now for the first time these images are to be published in this upcoming book to co-incide with his Think of Scotland exhibition at the newly opened Aberdeen Art Gallery. This body of work is Parr’s largest archive that has remained unpublished and weaves together some of the expected visual iconography of Scotland such as highland games and stunning landscapes, but all given the Parr twist that makes the expected look so unfamiliar.

During his long career as a photographer, Martin Parr has always photographed on beaches, particularly in the UK. He has often used the beach as a laboratory to experiment with new cameras and techniques. So far example, when he changed from black and white to medium format colour in the early 80s his first major project was about New Brighton, a run down seaside resort near Liverpool. In recent months he has started exploring the beach with the aid of a telephoto lens. This lens is rarely used in the world of art and documentary photography so it is a challenge to find new ways of using it. Often this involves incorporating the vegetation on the perimeter with the beach as a backdrop, both in and out of focus. So over his long career he has tried everything from a close up macro lens, a medium format wide angled camera and finally this latest offering with the telephoto.

Martin Parr has been taking photographs in Ireland for 40 years. His work covers many of the most significant moments in Ireland’s recent history, encompassing the Pope’s visit in 1979, when a third of the country’s population attended Mass in Knock and Phoenix Park in Dublin, as well as gay weddings and start-up companies in 2019. It is difficult to think of a country that has changed so dramatically in this relatively short space of time. Parr lived in the West of Ireland between 1980-82. He photographed traditional aspects of rural life, such as horse fairs and dances, but also looked at the first hint of Ireland’s new wealth in the shape of the bungalows that were springing up everywhere, replacing more traditional dwellings. During subsequent trips to Ireland he explored the new estates around Dublin and the introduction of the first drive-through McDonald’s. Parr also looked at the North and documented how, after the Good Friday agreement, the Troubles became the focus of a new tourist boom. The final chapter of this book portrays a contemporary Dublin where start-up companies are thriving, the docks area is being gentrified and where icons of wealth and modernity – such as the flat white – can be everywhere. Ireland has also now voted to allow both abortion and gay weddings, developments that would have been unthinkable 40 years ago. The book includes an introduction by the acclaimed journalist Fintan O’Toole.

This special edition limited to 70 copies includes the book and one gelatin silver print signed and numbered by Parr. The picture is titled Glenbeigh Races, County Kerry, 1983. The print measures 20.0 x 29.0cm Martin Parr has been taking photographs in Ireland for 40 years. His work covers many of the most significant moments in Ireland’s recent history, encompassing the Pope’s visit in 1979, when a third of the country’s population attended Mass in Knock and Phoenix Park in Dublin, as well as gay weddings and start-up companies in 2019. It is difficult to think of country that has changed so dramatically in this relatively short space of time. Parr lived in the West of Ireland between 1980-82. He photographed traditional aspects of rural life such as horse fairs and dances, but also looked at the first hint of Ireland’s new wealth in the shape of the bungalows that were springing up everywhere, replacing more traditional dwellings. During subsequent trips to Ireland he explored the new estates around Dublin and the introduction of the first drive-through McDonald’s. Parr also looked at the North and documented how, after the Good Friday agreement, the Troubles became the focus of a new tourist boom. The final chapter of this book portrays a contemporary Dublin where start-up companies are thriving, the docks area is being gentrified and where icons of wealth and modernity – such as the flat white – can be everywhere. Ireland has also now voted to allow both abortion and gay weddings, developments that would have been unthinkable 40 years ago. The book includes an introduction by the acclaimed journalist Fintan O’Toole.

A new edition of a modern classic of photography. Martin Parr is Europe's premier contemporary photographer, and The Last Resort is the book that is considered to have launched his career. Taken at the height of the Thatcher years, it depicts the "great British seaside" in all its garish glory. Described by some as cruel and voyeuristic and by others as a stunning satire on the state of Britain, early editions are now much sought after by collectors worldwide. Includes a new essay by Gerry Badger, photographer, architect, curator, and critic.

Black Country Stories has taken Martin across the region visiting markets, temples, factories, foundries, social clubs, tea dances, dog training classes, summer fetes and many, many other place. The images capture and celebrate the unique mix of communities living in the area as well as existing, traditional Black Country life.

A fully revised and updated edition of Martin Parr's highly successful Autoportrait, first published in 2000. It features a playable 'labyrinth' puzzle on the front cover and includes a large number of new images taken since its first publication. The book shows the remarkable shift from analogue to digital photography that has taken place over the period.

This is a new and extensively revised edition of Martin Parr's classic photobook Small World. First published in 1996 Small World is one of the most popular and most important of Martin Parr's books. It has been in print continuously since its first publication. This revised and extended edition includes more than 80 photographs and features many of Martin Parr's most iconic images. It is a biting, very funny satire in which Parr looks at tourism worldwide, exposing the increasingly homogenous 'global culture' where in the search for different cultures those same cultures are destroyed. In a world of 'carbon footprints', global warming and climate crisis, the issues that Parr raised almost thirty years ago when the book was first published are even more relevant today. Whilst Parr's larger‐than‐life troupe of tourists appear willing participants in an omnipresent consumer culture they are also bemused victims - at the mercy of larger social forces and locked into their insatiable craving for spectacle. Small World's citizens become a symbol of Western society's prosperous freedoms, declaring their power and their rights to travel, to choose and to consume.

Martin Parr puts the world to rights in this comprehensive catalogue of five decades of his photographs, published to accompany a major exhibition at Jeu de Paume in Paris For over fifty years Martin Parr has photographed the absurdities of the contemporary world, from the frenzy of over-consumption and the ravages of mass tourism to humanity’s increasing reliance on technology and our complex relationship with the animal kingdom. By turns critical, satirical, surprising, and funny, Global Warning is published in association with Jeu de Paume to accompany a new major exhibition of Parr’s photography at the arts centre in Paris in January – May 2026. Richly illustrated with more than 175 of his photographs, from his early black-and-white work in the raucous holiday parks and sleepy supermarkets of rural England to his more recent colour photography of bustling tourist attractions and must-see destinations from across the globe, Global Warning offers a reinterpretation of Martin Parr’s work and position in a time of widespread global disorder. Featuring a tone-setting introduction by Quentin Bajac, director of Jeu de Paume, four further essays by Jean-François Staszak, Roberta Sassatelli, Violette Pouillard, and Adam Greenfield, experts in the fields of geography, sociology, wildlife conservation and urban design, put the selection of works into context and explore the important topics that seem immediately relevant to our everyday lives. Showcasing many of Parr’s most renowned images alongside rarely published hidden gems, Global Warning presents more than five decades of incisive visual commentary from one of the world’s most celebrated photographers.

Leading photographer Martin Parr, author of the highly successful 'Boring Postcards' has put together another wonderful book from his personal collection of cards. This time he celebrates the American Christmas card. These are a fascinating eye-opener into American culture, as proud families everywhere (pets included) pose before the camera to send their Christmas greetings across the nation.