Kirjahaku

Santería, also known as Yoruba, Lukumi, or Orisha, was originally brought to the Americas from Africa by enslaved peoples destined for the Caribbean and South America. By the late 1980s it was estimated that more than 70 million African and American people participated in, or were familiar with, the various forms of Santeria, including traditional religions in Africa, Vodun in Haiti, Candomble in Brazil, Shango religion in Trinidad, Santeria in Cuba and, of course, variants of all of these in the U.S. Today there are practitioners around the world including Europe and Asia. Because of the secretive nature of the religion, it has been difficult to get accurate and objective information, but here, Clark introduces readers to the religion, explores the basic elements, including the Orisha, and answers the many questions Santeria arouses in observers and practitioners alike. Santería was brought to the United States in two principle waves, one in the early 1960s after the Cuban Revolution and later by the Marielitos who escaped from the island in the 1980s. Since then it has spread to the larger Hispanic community, to the African American community, and to other segments of society as well. Today, practitioners can be found in every state, and interest in Orisha and related traditions has gained popularity. As the number of practitioners has grown so has public awareness. In this compelling introduction, Clark answers such questions as where did this religion come from? What do practioners believe? Is it a cult? What takes place at a ritual event? How does it view death and the afterlife? Is there ritual sacrifice? Clark, a practitioner as well as a scholar of the faith, dispels the myths that surround this religious practice, and brings readers to a better understanding of this growing faith in America.

Then We'll Sing a New Song is a fascinating examination of how African religions have shaped belief and practices in America. Not just the story of the development of African American religions or the black church, this book tells the often-unrecognized, but important story of how African religions have shaped religion in America more broadly. Mary Ann Clark introduces readers to the cultures of three African kingdoms that contributed significant numbers of their population to the African slave trade, and also profoundly shaped religion in America—the Kingdom of Kongo, the Oyo Empire, and the Kingdom of Dahomey. Each of these groups has a unique history within the long history of the Atlantic slave trade and interacts with the Americas at a specific point in history. Clark shows how each may have had an influence on contemporary American beliefs and culture, sometimes in surprising ways. The book features a glossary, timeline, and maps.

What would you do if you discovered yourself in an afterworld unlike any you'd ever imagined? When Sara wakes up on that shallow boat, she doesn't remember who she was or where she had been. Eventually, she discovers that she isn't lost and she hasn't been kidnapped. She is dead. But this afterlife is not what she expected. The Empyrean with its Guardians and that vile workshop full of moaning people isn't heaven. And the Nether Realm, full of wild animals, that dreadful wolf-headed Guardian and his lost ones, isn't hell. They call this the Bardo. But Sara doesn't know what that means. Remember, Release, Return is the motto of the Bardo but Sara remembers nothing. All she has is a body she doesn't recognize and a name that doesn't sound familiar. Besides, isn't death a one-way journey? How can she return to her previous life? Her only hope is to join with her companion, the one they call Sam, to complete The Baron Samedi's mission to deliver a coffin-shaped box Kore, the Queen of the Dead. And then, and then ... In this stunning debut novella, The Baron's Box: Stories from the Bardo, Mary Ann Clark invites us follow Sara on her journey through the afterlife. Will she remember enough of her life to understand why she and her compeer, Sam, were thrown together? Will they be able to work together to release the emotions of their lives and tragic deaths? Can they meet the challenges of the Bardo and fulfill their promises to each other? Fans of The Five People You Meet in Heaven and Lincoln in the Bardo will enjoy this imaginative new story.

American Southwest is suffering from years of drought. Using good conservation practices, the people of Verdant Valley have been able to feed themselves and their people. And each year, they have fulfilled their contract for protection with the motorcycle gang known as the Demon Spawn. But this year the gang want more, much more. Giving them what they want will lead to starvation for Verdant Valley and the entire Babapupa Reserve. And it seems improbably that farmers can survive a firefight with bandits brandishing guns. Can a small group of market women and artisans find a way to save their people from both the slow death of starvation and the bloodbath of resistance?