Kirjahaku

By age nine, Mary Ellen could start a fire and make breakfast for her family on the Great Plains as they traveled West. By age 11, Connie's family had her hanging the laundry and doing the dishes for a dozen people. By age 13, Beverly had no responsibilities at home and no confidence in herself. The portraits of 14 girls aged 6 to 14, when their ideas of duty and self remained in flux, are used as a starting point for discussion on how to bring daughters and their brothers back into the flow of American home life. The author explores how Americans might make girls feel essential on the home front without denying them the right of self-definition.Few American parents expect their children to play an important role on the home front. The average daughter does fewer than ten hours of housework a week; sons do only two. What are the consequences of this dramatic cultural shift? Collins posits that nothing we can give our children in the public sphere can offset the loss. Collins concludes that Americans must rebuild a domestic culture that moves beyond the damaging sex-based division of labor so common in the past.

The East End of London, 1930. Work is scarce, food is in short supply and there is political unrest on the streets. But in the face of all this hardship, there's always friendship.Becky, Bernie and Rose - three best friends from very different backgrounds - are working hard to establish themselves in pre-war Spitalfields. Becky, the daughter of a Jewish tailor, wants to become a nurse, but her father has more traditional plans for her. Aching to leave the East End and travel the world, Bernie feels trapped by her vast family of poor Irish dock workers. And then there is Rose. Tiny and thin, she lives with her drunken mother and a revolving selection of surrogate fathers who exploit and brutalise them both.But at least the girls have each other and, as Europe begins to drift towards another war, their friendships become ever more crucial as each one of them fights for their place in an ever-changing, frightening, new world. One way or another, love will pull them through . . .

The East End of London, 1930. Work is scarce, food is in short supply and there is political unrest on the streets. But in the face of all this hardship, there's always friendship.Becky, Bernie and Rose - three best friends from very different backgrounds - are working hard to establish themselves in pre-war Spitalfields. Becky, the daughter of a Jewish tailor, wants to become a nurse, but her father has more traditional plans for her. Aching to leave the East End and travel the world, Bernie feels trapped by her vast family of poor Irish dock workers. And then there is Rose. Tiny and thin, she lives with her drunken mother and a revolving selection of surrogate fathers who exploit and brutalise them both.But at least the girls have each other and, as Europe begins to drift towards another war, their friendships become ever more crucial as each one of them fights for their place in an ever-changing, frightening, new world. One way or another, love will pull them through . . .

Can their friendship survive the struggles of war?1940, the East End of London. Life is tough for the Ten Bells Street girls. Best friends from childhood, the three of them now find themselves scattered across London, surviving the war apart. Exiled from the East End, Rose has created a new life for herself and now works as a dancer in a club in Soho - but life in the West End has its problems too. With the arrival of the war, Becky has finally found work as a nurse, but as the bombs continue to fall she struggles to cope with the damage that surrounds her. And Bernie may have achieved her lifelong dream of becoming a professional photographer, but she's never felt more distanced from her family and her life in the East End.Separated by circumstances, the girls' friendship stands strong in the face of hardship as they fight for their place in a frightening new world. One way or another, love will pull them through...

Can their friendship survive the struggles of war?1940, the East End of London.Life is tough for the Ten Bells Street girls. Best friends from childhood, the three of them now find themselves scattered across London, surviving the war apart. Exiled from the East End, Rose has created a new life for herself and now works as a dancer in a club in Soho - but life in the West End has its problems too. With the arrival of the war, Becky has finally found work as a nurse, but as the bombs continue to fall she struggles to cope with the damage that surrounds her. And Bernie may have achieved her lifelong dream of becoming a professional photographer, but she's never felt more distanced from her family and her life in the East End.Separated by circumstances, the girls' friendship stands strong in the face of hardship as they fight for their place in a frightening new world. One way or another, love will pull them through...

Together they triumphed, but what does the future hold? 1950, the East End of London.With the war finally behind them, the Ten Bells Street girls are building new lives. Best friends from childhood, the three of them are there for each other through thick and thin, but the struggle isn't over yet...Of the three best friends, Becky is the only one to remain in the East End. Even though the war is over, she still finds great purpose in her work as a nurse - despite her father's longing for her to settle down and find a husband to support her.Now happily married, Rose has escaped the troubles of the city and lives with her husband and son in Essex, slowly building a happier life than the one she has previously known.And adventurous Bernie has travelled to Israel to join her long-term lover and continue her work as a photographer.But despite their separation, the girls' friendship continues to stand strong as they fight for a place in a post-war world.One way or another, love will pull them through...

This book of poetry is comprised of a young woman's experiences through life, love, loss, and the discovery of herself and identity as a resilient bisexual female in America.

In A Play Book, Creating Writer, Creating Citizens, part memoir-part manifesto, a creative writing professor with three decades of experience taps into tales from her classroom and own childhood to highlight the steady decline in unsupervised play, intellectual flow, and reflection and what it all means for our democracy. The author picks up watercolor painting to add whimsy to her creative process and finds herself penning a collection of flash nonfiction essays and illustrations that make clear what she does with her students is about so much more than writing and vital for all citizens. As one outside reviewer states, the book is a "much-needed antidote to what is making us all, young and old, feel cut off from our senses, our creativity, our courage and our common humanity."

Originally published in 1925, this book embodies the results of research on red-green colour-blind subjects, supplemented by brief accounts of blue-yellow, total, and acquired colour-blindness to complete the description of the different forms of the defect. After a historical survey of previous work by such men as Dalton, Helmholtz, Rayleigh, Edridge-Green and others, the author deals with the most important theories of colour-blindness, and with a description of the tests and a discussion of their results.

Originally published in 1925, this book embodies the results of research on red-green colour-blind subjects, supplemented by brief accounts of blue-yellow, total, and acquired colour-blindness to complete the description of the different forms of the defect. After a historical survey of previous work by such men as Dalton, Helmholtz, Rayleigh, Edridge-Green and others, the author deals with the most important theories of colour-blindness, and with a description of the tests and a discussion of their results.