Kirjahaku

Mary Gaitskill's tales of desire and dislocation in 1980s New York caused a sensation with their frank, caustic portrayals of men and women's inner lives. As her characters have sex, try and fail to connect, play power games and inflict myriad cruelties on each other, she skewers urban life with precision and candour.'Stubbornly original, with a sort of rhythm and fine moments that flatten you out when you don't expect it, these stories are a pleasure to read' Alice Munro'An air of Pinteresque menace hangs over these people's social exchanges like black funereal bunting ... Gaitskill writes with such authority, such radar-perfect detail' Michiko Kakutani, The New York Times

'A perfectly formed set of stories about alienation in modern times' Independent'Mesmerizing - almost ecstatic' The New York TimesMary Gaitskill's coolly compelling, quietly devastating stories explore the messy complexity of relationships between lovers, families and friends. An unsettling encounter on a plane; a tentative affair between an older woman and a younger man; the chasm between a father and his daughter: each expresses our longing for, and our fear of, human connection.

90 classic titles celebrating 90 years of Penguin BooksA writer engulfed by a new obsession, an occasional sex-worker, a runaway, a teenager entering the workplace: these four tales of desire and dislocation explore the rough edges of relationships and the inner lives of women negotiating their precarious place in the world. In these coolly compelling and quietly devastating stories, Gaitskill evokes with razor-sharp precision the pleasure, pain, fear and longing that haunt modern life.

Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years. In "College Town l980," young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale "Mirrorball," a young man steals a girl's soul during a one-night stand; in "The Little Boy," a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child. Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that has come to be seen as stunningly emblematic of Gaitskill's fiction.

In essays on matters literary, social, cultural, and personal, Mary Gaitskill explores date rape and political adultery, the transcendentalism of the Talking Heads, the melancholy of Bj rk, and the playfulness of artist Laurel Nakadate. She celebrates the clownish grandiosity and the poetry of Norman Mailer's long career and maps the sociosexual cataclysm embodied by porn star Linda Lovelace. Witty, wide-ranging, tender, and beautiful, Somebody with a Little Hammer displays the same heat-seeking, revelatory understanding for which Gaitskill's writing has always been known.

The unexpected friendship between two very different women--Alison, a beautiful young woman struggling to recover from her ruined career as a fashion model, and Veronica, an older eccentric and proofreader--survives both Alison's reentry into the world of fashion and Veronica's battle with AIDS as it has a profound influence on both women's lives. Reader's Guide available. Reprint.

National Book Award finalist Mary Gaitskill's classic debut collection from the 1980s--powerful stories of dislocation, longing, and desire Now towering and inevitable in its influence on writing by and for young urbanites, Bad Behavior heralded Mary Gaitskill's arrival on the literary scene and her establishment as one of the sharpest writing talents of her time, or any time: exquisitely funny and startlingly honest; bold and eye-opening on relationships, sex, and the erotic. Set in Manhattan's Lower East Side and peopled with artistic freelancers and intelligent sex workers, smug yuppies and love-torn masochists, Bad Behavior depicts a world equally cruel and tender, where romance and danger go hand in hand. Gaitskill delivers unforgettable stories of a disenchanted and rebellious urban fringe generation groping for human connection.

A "New York Times "Notable Book A man tells a story to a woman sitting beside him on a plane, little suspecting what it reveals about his capacity for cruelty and contempt. A callow runaway girl is stranded in a strange city with another woman's fractiously needy children. An uncomprehending father helplessly lashes out at the daughter he both loves and resents. In these raw, startling, and incandescently lovely stories, the author of "Veronica "yields twelve indelible portraits of people struggling with the disparity between what they want and what they know. "Because They Wanted To "is further evidence that Gaitskill is one of the fiercest, funniest, and most subversively compassionate writers at work today.

"What is in the bag behind the Devil's chair? Knowledge of some kind? Surely something a little girl did not know should be left alone. I've been criticized- and sometimes admired-for what some readers see as my affinity with cruelty, both in my depictions of it and my supposed infliction of it on characters." In The Devil's Treasure-aptly subtitled A Book of Stories and Dreams-the iconic author Mary Gaitskill has created a chimerical hybrid of fiction, memoir, essay, criticism, and visual art that transcends categorization. This collage of four novels (one a work in progress), interspersed with and thematically linked by a single short story, then woven together with the author's commentary, is a kind of director's cut revealing the personal and societal forces that inform each individual piece of work, an ongoing, passionate exploration of core human emotions and experience, the ideally, sometimes quixotically high and grossly, confusedly low. With the stylistic daring and preternatural acuity that has made her one of America's most original writers, Gaitskill has created a layered vision of modern life that simultaneously blends the huge prehistoric creatures that swim at the bottom of our collective ocean with a family that picnics on the beach while a podcast natters about politics and a perhaps dangerously curious child explores the lapping waves.

A NEW YORK TIMES TOP 100 BOOK OF THE 21ST CENTURY Alison and Veronica meet amid the nocturnal glamour of 1980s New York: one is a former modelling sensation, stumbling away from the wreck of her career, the other an eccentric middle-aged proofreader with a meticulous eye. Over the next twenty years their friendship will encompass narcissism and tenderness, exploitation and self-sacrifice, love and mortality. Moving seamlessly between the glamorous and gritty '80s, when beauty and style gave licence to excess, and the broken world of the decade's survivors twenty years later, Gaitskill casts a fierce yet compassionate eye on the two eras and their fixations. Veronica masterfully evokes the fragility and mystery of human relationships in a world where love is rife with frightening artificiality. Evocative, raw and entirely unique, Veronica was shortlisted for the prestigious 2005 National Book Award in the USA.

LONGLISTED FOR THE 2017 BAILEYS WOMEN'S PRIZE FOR FICTION Ginger is in her forties and a recovering alcoholic when she meets and marries Paul. When it becomes clear it's too late for her to have a baby of her own, she tries to persuade him to consider adoption, but he already has a child from a previous marriage and is ten years older than her, so doesn't share her longing to be a parent at any cost. As a compromise, they sign up to an organisation that sends poor inner-city kids to stay with country families for a few weeks in the summer, and so one hot July day eleven year old Velveteen Vargas, a Dominican girl from one of Brooklyn's toughest neighbourhoods, arrives in their lives, and Ginger is instantly besotted. Bemused by her gentle middle-aged hosts, but deeply intuitive in the way of clever children, Velvet quickly senses the longing behind Ginger's rapturous attention. While Velvet returns her affection, she finds the intensity of it bewildering. Velvet's own passions are more excited by the stables nearby, where she discovers she has a natural talent for riding and a deep affinity with the damaged horses cared for there. But when Ginger begins to entertain fantasies of adopting her, things start to get complicated for everyone involved. This is a heartbreakingly honest and profoundly moving portrait of the nearly unbridgeable gaps between people, and the way we long for fairytale endings despite knowing that they don't exist.

'Gets deep under your skin ... Gaitskill is uniquely attuned to the moment.' Sunday Times 'Gaitskill achieves a superb feat. She distils the suffering, anger, reactivity, danger and social recalibration of the #MeToo movement into an extremely potent, intelligent and nuanced account.' Sarah Hall, Guardian 'I don't know why I behaved the way I did, and I kept doing it; he kept doing it. And though I might once have easily brushed it away, suddenly I could not. Nor could I confront him. The conversation moved too quickly.' This is Pleasure is an extraordinary work by one of the world's finest writers, and achieves more in 15,000 words than most full-length novels. Following the unravelling of the life of a male publisher undone by allegations of sexual impropriety and harassment, and the female friend who tries to understand, and explain, his actions, it looks unflinchingly at our present moment and rejects moral certainties to show us that there are many sides to every story. Mary Gaitskill has spent her whole career mining the complexity of human relationships on both an individual and societal scale with wisdom and grace. Here her insights are more piercing and timely than ever.

A career-spanning collection by the legendary Mary Gaitskill - now in paperback

LONGLISTED FOR THE 2017 WOMEN'S PRIZE FOR FICTION 'Bold, dramatic and deeply unsettling' Guardian When Velveteen Vargas, an eleven-year-old Fresh Air Fund kid from Brooklyn, comes to stay with a couple in upstate New York, what begins as a two-week visit blossoms into something much more significant. Soon Velvet finds herself torn between her hosts - Ginger, a failed artist and shakily recovered alcoholic and Paul, a college professor - and her own tormented mother. Ginger longs for a child of her own, but Paul continues to refuse. Bemused by her gentle middle-aged hosts, but deeply intuitive in the way of clever children, Velvet quickly senses the longing behind Ginger's rapturous attention. Velvet's one constant becomes her newly discovered passion for horse riding, and her affection for an abused, unruly mare. A profound and stirring novel about how love and family are shaped by place, race and class, The Mare is a stunning exploration of the sometimes unexpected but profound connections made throughout our lives.

'A writer of prodigious gifts' Guardian Full of jagged, complex emotion and powerful, incisive writing, the stories in Don't Cry are a testament to Mary Gaitskill's incomparable excavation of character. 'An Old Virgin' describes a nurse's obsession with her forty-three-year-old patient's virginity; 'Folk Song' dissects the lives of people behind newspaper headlines, including a murderer who gives a prime-time interview and a woman attempting to break a world record by having sex with one thousand men; in the title story 'Don't Cry', a grieving widow reflects on her marriage whilst accompanying a friend on a journey to adopt an Ethiopian orphan during a violent election season; and a musician accidentally steals a girl's soul during a one-night stand in the urban fable 'Mirrorball'. The provocative, searching stories of Don't Cry remind us that no experiences should be taken lightly, but instead explored for their physical, emotional and even spiritual revelations.

A bewitching collage of fiction, memoir, and mythography from the author unique in her "ability to evoke the hidden life, the life unseen, the life we don't even know we are living." (Parul Sehgal, New York Times Magazine)Mary Gaitskill is unique among American novelists in "her ability to evoke the hidden life, the life unseen, the life we don't even know we are living."* In this searching biography of the writer's imagination, Gaitskill excavates her own novels, revealing their origins and obsessions, the personal and societal pressures that formed them, and the life story hidden between their pages. Using the techniques of collage, The Devil's Treasure splices fiction together with commentary and personal history, and with the fairy tale that gives the book its title, about a little girl who ventures into Hell through a suburban cellar door. The result is an answer to Gaitskill's critics and, simultaneously, the best book we have about contemporary fiction, the forces ranged against it, and the forces that ping it into being."Even among other artists attracted to weakness as a theme, Gaitskill] is rare in being able to look at it on its own terms. She doesn't treat it like a curiosity, like Diane Arbus, or a chink in the armor that might let in faith, like Flannery O'Connor. She isn't afraid of it, like Muriel Spark; nor does she insist its depictions rouse us to action, like Sontag. She looks--just looks--and sees everything." --Parul Sehgal, New York Times Magazine*