Kirjahaku

Peace, Love, Unity, and Respect. Cultural liberation and musical innovation. Pyrotechnics, bottle service, bass drops, and molly. Electronic dance music has been a vital force for more than three decades now, and has undergone transformation upon transformation as it has taken over the world. In this searching, lyrical account of dance music culture worldwide, Matthew Collin takes stock of its highest highs and lowest lows across its global trajectory. Through firsthand reportage and interviews with clubbers and DJs, Collin documents the itinerant musical form from its underground beginnings in New York, Chicago, and Detroit in the 1980s, to its explosions in Ibiza and Berlin, to today's mainstream music scenes in new frontiers like Las Vegas, Shanghai, and Dubai. Collin shows how its dizzying array of genres-from house, techno, and garage to drum and bass, dubstep, and psytrance-have given voice to locally specific struggles. For so many people in so many different places, electronic dance music has been caught up in the search for free cultural space: forming the soundtrack to liberation for South African youth after Apartheid; inspiring a psychedelic party culture in Israel; offering fleeting escape from-and at times into-corporatization in China; and even undergirding a veritable "independent republic" in a politically contested slice of the former Soviet Union. Full of admiration for the possibilities the music has opened up all over the world, Collin also unflinchingly probes where this utopianism has fallen short, whether the culture maintains its liberating possibilities today, and where it might go in the future.

Electronic dance music was once the utopian frontier of pop culture. But three decades after the acid house 'summer of love', it has gone from subculture to the global mainstream. Does it still have the same power to inspire? From the pleasure palaces of Ibiza and Las Vegas to 'new frontiers' like Shanghai and Dubai, raving is now a multi-million-dollar business. But there are still hardcore believers upholding its DIY ethos - the techno idealists of Berlin and Detroit and the queer subcults of New York, the post-apartheid party people of South Africa and the outlaw techno travellers of France. In Rave On, Matthew Collin travels the world to experience these unique scenes first-hand, talk to the key players and hear the story of how dance culture went global - and find out if its maverick spirit can survive its own success.

An adrenalin-charged trip through some of the cultural flashpoints of the past few decades, Pop Grenade celebrates the power of music as a force for change. Based on first-hand, personal reportage from raves, riots and rebellions, it explores how music has been used as a weapon in struggles for liberation and attempts to create temporary paradises. From Berlin's anarchic techno scene after the fall of the Wall to outlaw sound systems in wartime Bosnia, from Moscow during the crackdown on Pussy Riot to New York in the militant early years of hip-hop, it tells the extraordinary stories of some of the world's most audacious musical freedom fighters, disco visionaries and rock'n'roll rebels with a cause.

From its first publication in 1997, Altered State established itself as the definitive text on Ecstasy and dance culture. This new edition sees Matthew Collin cast a fresh eye on the heady events of the acid house 'Summer of Love' and the rave scene's euphoric escalation into commercial excess as MDMA became a mass-market narcotic. Altered State is the best-selling book on Ecstasy culture, using a cast of memorable characters to track the origins of the scene and its drug through psychedelic subcults, underground gay discos and the Balearic paradise of Ibiza, to the point where Tony Blair was using an Ecstasy anthem as an election campaign song. Altered State critically examines the ideologies and myths of the scene, documenting the criminal underside to the blissed-out image, shedding new light on the social history of the most spectacular youth movement of the twentieth century.

An expansive and illuminating account of the development of electronic music in the UK, told with passionate enthusiasm by Matthew Collin, the critically-acclaimed author of Altered State and Rave On. Dream Machines tracks the music's evolution from early avant-garde experiments after World War Two through psychedelia, art-rock and synth-pop to electronic dance music, sampling and the techno era. As well as profiling the sonic futurists who pioneered new styles, it documents the scenes and underground movements that built Britain's thrillingly diverse electronic music culture in its formative decades. Based on interviews with key players and a wealth of in-depth research, Dream Machines explores genres as diverse as space rock, electro-pop, ambient, dub, industrial music, prog, electro, hip-hop, hi-NRG and house, highlighting how developments in British electronic music were shaped by changes in society as well as technological advances.

'The definitive story' Q MAGAZINE 'I can't recommend this marvellous piece of work enough' IRVINE WELSH UPDATED WITH BRAND-NEW MATERIAL FOR 2025 Long revered as the definitive work on Ecstasy and dance culture in the late 1980s and 1990s, Altered State follows the UK scene from its euphoric beginnings through to the worst of its commercial excesses as MDMA became a mass-market drug. Acclaimed music journalist Matthew Collin brings together a cast of memorable characters - among them DJs, gang members, promoters and policemen - to examine the myths and ideologies of this revolutionary scene, exploring the criminal underside to the blissed-out image and shedding new light one one of the most spectacular youth movements of the twentieth century.