Kirjahaku

The issue of state succession continues to be a vital and complex focal point for public international lawyers, yet it has remained strangely resistant to effective articulation. The formative period in this respect was that of decolonization which marked for many the time when international law came of age and when the promises of the UN Charter would be realized in an international community of sovereign peoples. Throughout the 1990s a series of territorial adjustments placed succession once again at the centre of international legal practice, in new contexts that went beyond the traditional model of decolonization: the disintegration of the Soviet Union, Yugoslavia, and Czechoslovakia, and the unifications of Germany and Yemen brought to light the fundamentally unresolved character of issues within the law of succession. Why have attempts to codify the practice of succession met with so little success? Why has succession remained so problematic a feature of international law? This book argues that the answers to these questions lie in the political backdrop of decolonization and self-determination, and that the tensions and ambiguities that run throughout the law of succession can only be understood by looking at the historical relationship between discourses on state succession, decolonization, and imperialism within the framework of international law.

The issue of state succession continues to be a vital and complex focal point for public international lawyers, yet it has remained strangely resistant to effective articulation. The formative period in this respect was that of decolonization which marked for many the time when international law 'came of age' and when the promises of the UN Charter would be realized in an international community of sovereign peoples. Throughout the 1990s a series of territorial adjustments placed succession once again at the centre of international legal practice, in new contexts that went beyond the traditional model of decolonization: the disintegration of the Soviet Union, Yugoslavia, and Czechoslovakia, and the unifications of Germany and Yemen brought to light the fundamentally unresolved character of issues within the law of succession. Why have attempts to codify the practice of succession met with so little success? Why has succession remained so problematic a feature of international law? This book argues that the answers to these questions lie in the political backdrop of decolonization and self-determination, and that the tensions and ambiguities that run throughout the law of succession can only be understood by looking at the relationship between discourses on state succession, decolonization, and imperialism within the framework of international law.

Utilizing found images from textbooks along with his own geometric patterns, Matthew Craven’s collages and illustrations seek to create a new handmade universe, juxtaposing imagery from different cultures and time periods to celebrate commonalities. Photographs of archaeological remains and the natural world are overlaid on colorful tiled backgrounds drawn on the back of vintage movie posters, to create a hypnotic and mesmerizing vernacular of symbols and designs. Featuring an introduction by LACMA curator Leslie Jones, Primer, is the first publication of Craven’s art and a reconfiguration of traditional historical narratives inspired by obsessive formations.

Matthew Craven first welcomed readers to his handmade universe in 2018's PRIMER, a deep dive into his monumental and meticulous drawing and collage practice. Since then, the artist's work has only broadened in scope; where he previously used painstaking assemblages and labyrinthine patterns to span the scope of human cultures and symbolic languages, Craven has now expanded his focus to the botanical kingdom as well. The result is BLOOM, a visual feast that juxtaposes colorful geometric abstraction with the organic shapes of flowers and plants. More than a simple artist's monograph, BLOOM is a work in and of itself, a vivid exploration of nature's unruly beauty and a more than worthy follow-up to its beloved predecessor.