Kirjahaku

The poets of the mid-nineteenth century lived in a time of 'nation-building'. The Realms of Verse brings that political and intellectual context to life. It shows that the Italian Risorgimento raised questions about community and individual liberty which were especially problematic for subjects of the multi-national United Kingdom, and argues that these questions are at the heart of the poetry of Robert and Elizabeth Browning, Tennyson, and Clough. Their long poems characteristically tell stories about marriage, investigating the symbolic and actual interactions between that personal union and national unity. Their verse as a whole exploits correspondences between formal control and political government, and is alert to its own role in fostering a common culture. Historically detailed, theoretically astute, critically nimble, and stylishly written, The Realms of Verse is the most far-reaching reassessment of Victorian poetry to have been published in recent years.

Translation is everywhere, and matters to everybody. Translation doesn't only give us foreign news, dubbed films and instructions for using the microwave: without it, there would be no world religions, and our literatures, our cultures, and our languages would be unrecognisable. In this Very Short Introduction, Matthew Reynolds gives an authoritative and thought-provoking account of the field, from ancient Akkadian to World English, from St Jerome to Google Translate. He shows how translation determines meaning, how it matters in commerce, empire, conflict and resistance, and why it is fundamental to literature and the arts. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The poets of the mid-nineteenth century lived in a time of 'nation-building'. The Realms of Verse brings this political and intellectual context to life. Drawing on a wide range of soources, Matthew Reynolds shows that the Italian Risorgimento raised questions about community and individual liberty which were especially problematic for subjects of the multi-national United Kingdom, and argues that these questions are at the heart of the poetry of Robert and Elizabeth Browning, Tennyson, and Clough. Their long poems characteristically tell stories about marriage, investigating the symbolic and actual interactions between that personal union and national unity. Their verse as a whole exploits correspondences between political government and poetic form, and is alert to its own role in fostering a common culture. Historically detailed, theoretically astute, critically nimble, and stylishly written, The Realms of Verse is the most far-reaching reassessment of Victorian poetry to have been published in recent years.

Poetry is supposed to be untranslatable. But many poems in English are also translations: Pope's Iliad, Pound's Cathay, and Dryden's Aeneis are only the most obvious examples. The Poetry of Translation explodes this paradox, launching a new theoretical approach to translation, and developing it through readings of English poem-translations, both major and neglected, from Chaucer and Petrarch to Homer and Logue. The word 'translation' includes within itself a picture: of something being carried across. This image gives a misleading idea of goes on in any translation; and poets have been quick to dislodge it with other metaphors. Poetry translation can be a process of opening; of pursuing desire, or succumbing to passion; of taking a view, or zooming in; of dying, metamorphosing, or bringing to life. These are the dominant metaphors that have jostled the idea of 'carrying across' in the history of poetry translation into English; and they form the spine of Reynolds's discussion. Where do these metaphors originate? Wide-ranging literary historical trends play their part; but a more important factor is what goes on in the poem that is being translated. Dryden thinks of himself as 'opening' Virgil's Aeneid because he thinks Virgil's Aeneid opens fate into world history; Pound tries to being Propertius to life because death and rebirth are central to Propertius's poems. In this way, translation can continue the creativity of its originals. The Poetry of Translation puts the translation of poetry back at the heart of English literature, allowing the many great poem-translations to be read anew.

Poetry is supposed to be untranslatable. But many poems in English are also translations: Pope's Iliad, Pound's Cathay, and Dryden's Aeneis are only the most obvious examples. The Poetry of Translation explodes this paradox, launching a new theoretical approach to translation, and developing it through readings of English poem-translations, both major and neglected, from Chaucer and Petrarch to Homer and Logue. The word 'translation' includes within itself a picture: of something being carried across. This image gives a misleading idea of goes on in any translation; and poets have been quick to dislodge it with other metaphors. Poetry translation can be a process of opening; of pursuing desire, or succumbing to passion; of taking a view, or zooming in; of dying, metamorphosing, or bringing to life. These are the dominant metaphors that have jostled the idea of 'carrying across' in the history of poetry translation into English; and they form the spine of Reynolds's discussion. Where do these metaphors originate? Wide-ranging literary historical trends play their part; but a more important factor is what goes on in the poem that is being translated. Dryden thinks of himself as 'opening' Virgil's Aeneid because he thinks Virgil's Aeneid opens fate into world history; Pound tries to being Propertius to life because death and rebirth are central to Propertius's poems. In this way, translation can continue the creativity of its originals. The Poetry of Translation puts the translation of poetry back at the heart of English literature, allowing the many great poem-translations to be read anew.

This book explores the palimpsestic realm of translation, illustration and interpretation in the act of reading, with examples from Dante to the sculptor Rachel Whiteread. Reynolds Matthew shows that the practice of reading readings suggests tactics for criticism in general.

The first scholarly monograph devoted exclusively to this vital work of contemporary public art, this book examines Maya Lin’s Confluence Project through the lens of environmental humanities and Indigenous studies. Matthew Reynolds provides a detailed analysis of each earthwork, along with a discussion of the proposed final project at Celilo Falls near The Dalles, Oregon. The book assesses the artist’s longtime engagement with the region of the Pacific Northwest and explores the Confluence Project within Lin’s larger oeuvre. Several consistent themes and experiences are common amongst all the sites. These include an emphasis on individual, multisensory encounters with the earthworks and their surrounding contexts; sound as an experiential dimension of landscape; indexical accounts of the multicultural, multispecies histories of each place; and an evocation of loss. The book will be of interest to scholars working in art history, contemporary art, environmental studies, environmental humanities, and Native American studies.

The first scholarly monograph devoted exclusively to this vital work of contemporary public art, this book examines Maya Lin’s Confluence Project through the lens of environmental humanities and Indigenous studies. Matthew Reynolds provides a detailed analysis of each earthwork, along with a discussion of the proposed final project at Celilo Falls near The Dalles, Oregon. The book assesses the artist’s longtime engagement with the region of the Pacific Northwest and explores the Confluence Project within Lin’s larger oeuvre. Several consistent themes and experiences are common amongst all the sites. These include an emphasis on individual, multisensory encounters with the earthworks and their surrounding contexts; sound as an experiential dimension of landscape; indexical accounts of the multicultural, multispecies histories of each place; and an evocation of loss. The book will be of interest to scholars working in art history, contemporary art, environmental studies, environmental humanities, and Native American studies.

Many of us have had experiences of using IT systems at work that just don’t work right or cause more problems than they solve. Even if we’ve been lucky at work and always had the opportunity to use well-built and functional IT systems, it’s common to hear in the press or in our day-to-day lives about IT systems that are "down" or "slow", or just do not work right. While it can be inconvenient to have to use IT systems that aren’t the best for businesses, buying an IT system that isn’t fit for its intended purpose can have devastating effects on the business itself and the careers of the people involved. The senior team of any business will know everything there is to know about their specific business or market, but their job is not to implement IT systems. This brings an inherent unfairness to IT systems procurement because it makes it very easy to buy the wrong thing at the wrong price. In essence, the buyers are amateurs but the sellers are professionals. This mismatch is at the root of the majority IT systems failures – a problem which might cost a company millions of dollars and negatively impact work. This book is intended to be a practical manual for senior leaders in small-to-medium businesses that will teach them how to buy IT systems effectively – i.e. to somewhat transform the non-IT senior leadership personnel such that they are more informed and capable buyers. There are a million-and-one potholes that can trip up a business, even when buying from an otherwise effective and reputable seller, and this book looks to make it far more likely that the reader will buy the right system, at the right price. The author uses his extensive experience to highlight problem areas and offer solutions to eliminate them.

Many of us have had experiences of using IT systems at work that just don’t work right or cause more problems than they solve. Even if we’ve been lucky at work and always had the opportunity to use well-built and functional IT systems, it’s common to hear in the press or in our day-to-day lives about IT systems that are "down" or "slow", or just do not work right. While it can be inconvenient to have to use IT systems that aren’t the best for businesses, buying an IT system that isn’t fit for its intended purpose can have devastating effects on the business itself and the careers of the people involved. The senior team of any business will know everything there is to know about their specific business or market, but their job is not to implement IT systems. This brings an inherent unfairness to IT systems procurement because it makes it very easy to buy the wrong thing at the wrong price. In essence, the buyers are amateurs but the sellers are professionals. This mismatch is at the root of the majority IT systems failures – a problem which might cost a company millions of dollars and negatively impact work. This book is intended to be a practical manual for senior leaders in small-to-medium businesses that will teach them how to buy IT systems effectively – i.e. to somewhat transform the non-IT senior leadership personnel such that they are more informed and capable buyers. There are a million-and-one potholes that can trip up a business, even when buying from an otherwise effective and reputable seller, and this book looks to make it far more likely that the reader will buy the right system, at the right price. The author uses his extensive experience to highlight problem areas and offer solutions to eliminate them.

'Design - For Life!' ...'And Live - For Design!' (Magic Mottoes 2 & 3) Can Interior Design make you a better person? Alizia Tame(t) believes it can. In this book she will take you on a journey through the most private Interior of all: her thoughts and feelings. Everyone has heard of her creations - the Bridge Hallway, the Funnel Office, the Dawson House with its sofas that run on rails: now you can experience the life that lies behind them. Meet her husband Jem - the postmodern potter - who is in many ways her inspiration. Share the thrills and anxieties of juggling family and career. Discover the truth about her partnership with Fisher Paul and Simon Sanders at IntArchitec, the world's most innovative Design practice. Remember that when your world flips upside-down it is sometimes the most surprising people who turn out to be your friends ...For while Alizia has a Design for everything from relationships to work to motherhood, the people who matter most to her refuse to fit. As the gloss she has put on her life begins to crack she realises there may not, after all, be a Magic Motto for everything. And where can she find happiness then? Designs for a Happy Home is the sparkling story of a sometimes impossible, often infuriating but ultimately loveable heroine whose pilgrim's progress through modern marriage is at once funny, poignant and unforgettable.

There are more than seven billion people on the planet.They have, on average, over 100 billion nerve cells in their brains and 5 litres of blood pumping through their bodies. Their skeletons are made up of 206 bones and their hearts beat approximately 72 times per minute. They are connected to each other in more ways than they can possibly imagine. Philip is one of them. Sue is another. This is their story. It is the story of one year and two lives and what it means to live in them. It is a story about love and courage, risk and betrayal. It is a story that will make you look at the world with new eyes.

The Native American people believed it better to learn from and worship the Earth rather than to try and master it. These are just a few of the lessons taught by the Great Spirit.

This book explores the palimpsestic realm of translation, illustration and interpretation in the act of reading, with examples from Dante to the sculptor Rachel Whiteread. Reynolds Matthew shows that the practice of reading readings suggests tactics for criticism in general.