Kirjahaku

Coronations are the grandest of all state occasions. This is the first comprehensive in-depth study of the music that was performed at British coronations from 1603 to the present, encompassing the sixteen coronations that have taken place in Westminster Abbey and the last two Scottish coronations. Range describes how music played a crucial role at the coronations and how the practical requirements of the ceremonial proceedings affected its structure and performance. The programme of music at each coronation is reconstructed, accompanied by a wealth of transcriptions of newly discovered primary source material, revealing findings that lead to fresh conclusions about performance practices. The coronation ceremonies are placed in their historical context, including the political background and the concept of invented traditions. The study is an invaluable resource not only for musicologists and historians, but also for performers, providing a fascinating insight into the greatest of all Royal events.

The first in-depth study of the ceremonial and music performed at British royal and state funerals over the past 400 years. British royal and state funerals are among the most elaborate and solemn occasions in European history. This book is the first in-depth study of the ceremonial and the music performed at these events over the past 400 years, fromthe funeral of Elizabeth I in 1603. Covering funerals of both royalty and non-royalty, including Nelson, Wellington and Churchill, this study goes up to the funerals of Queen Elizabeth The Queen Mother in 2002 and the ceremonial funeral of Baroness Thatcher in 2013. While some of these funerals have received a good deal of attention - especially the 1997 funeral of Diana, Princess of Wales - these extraordinary events have largely not been discussed in their longer historical context. The book examines the liturgical changes in the Anglican funeral rite since the Reformation and also the change from the so-called 'public' to 'private' funerals. It includes many new findings onthe development of the ceremonial and its intricate peculiarities, as well as new insights into the music and its performance. British Royal and State Funerals shows that, despite a strong emphasis on continuity in the choice of music, the ceremonial itself has shown an astonishing flexibility over the last four centuries. Overall, the book also contributes to the debate on the monarchy's changing public image over time by paying particular attention to topics such as tradition and propaganda. Drawing on substantial research in principal libraries and archives, including those of Westminster Abbey, the College of Arms, Lambeth Palace and the British Library, this book is an exhaustive resource for musicologists, musicians and historians alike, providing an unprecedented insight into this most sombre of royal and state occasions. MATTHIAS RANGE is author of Music and Ceremonial at British Coronations (2012). He is a post-doctoral researcher for the Digital Image Archive of Medieval Music and its partner AHRC-funded Tudor Partbooks project at the Faculty of Music, University of Oxford.

Modern British Royal weddings are the ultimate in wedding celebrations. In many ways, they have been reflecting and setting world-wide fashions and standards for well over a century. This volume is the first in-depth discussion of the ways in which British Royal Weddings since 1919 have been celebrated. With a strongly interdisciplinary character, this study examines three main aspects of these ceremonies up to the twenty-first century: the choice of venue, the structure of the ceremonial, and the music of these events. More than twenty weddings are discussed in this volume, including some that are all but forgotten today, even though they were very significant and widely popular occasions in their time. This study contributes to the debate on the changing image and representation of the monarchy over the last century, especially the interaction of royalty with the public. A wealth of newly-discovered material has been unearthed, providing many new details of these ceremonies and their context. Particular emphasis is given to the music at these weddings, which illuminates their character and how they were perceived. Enriched with over seventy illustrations, this study approaches the topic of British royal weddings from several different perspectives and is a substantial resource for all those with an interest in twentieth-century British royalty and monarchy in general.