Kirjahaku

In an isolated region of Idaho, Montana, and eastern Oregon known as the Redoubt, an armed occupation of a wildlife refuge is escalating into civil war. Against this backdrop, twelve stories of ordinary lives explore the loneliness, fragility, and heartbreak inherent to love. Families feel the far-reaching shockwaves of displacement and division. A mother makes a hard choice for her sons when their father goes to lead a standoff with the federal government. An unemployed carpenter joins a militia after his wife leaves him and the first airstrikes raze the streets of his hometown. A former soldier raises the daughter of a dead comrade in a bunker beneath an abandoned farm.Ranging from the cities to the small towns of the West, and imbued with its own brand of radical empathy, Loskutoff's fiction is both timely and timeless. Come West and See surges with rage, longing, and fear, and offers startling insights into the wounds of the American people.

As a child in Montana's Bitterroot Valley, Ruthie Fear sees an apparition: a strange, headless creature near a canyon creek. Its presence haunts her throughout her youth. Raised in a trailer by her stubborn, bowhunting father, Ruthie develops a powerful connection with the natural world but struggles to find her place in a society shaped by men. Development, gun violence, and her father's vendettas threaten her mountain home. As she comes of age, her small community begins to fracture in the face of class tension and encroaching natural disaster, and the creature she saw long ago reappears as a portent of the valley's final reckoning.An entirely new kind of western and the first novel from one of this generation's most wildly imaginative writers, Ruthie Fear captures the destruction and rebirth of the modern American West with warmth, urgency, and grandeur. The Technicolor bursts of action that test Ruthie's commitment to the valley and its people invite us to look closer at our nation's complicated legacy of manifest destiny, mass shootings, and environmental destruction. Anchored by its unforgettable heroine, Ruthie Fear presents the rural West as a place balanced on a knife-edge, at war with itself, but still unbearably beautiful and full of love.

In an isolated region of Idaho, Montana, and eastern Oregon known as the Redoubt, an armed occupation of a wildlife refuge is escalating into civil war. Against this backdrop, twelve stories of ordinary lives explore the loneliness, fragility, and heartbreak inherent to love. Families feel the far-reaching shockwaves of displacement and division. A mother makes a hard choice for her sons when their father goes to lead a standoff with the federal government. An unemployed carpenter joins a militia after his wife leaves him and the first airstrikes raze the streets of his hometown. A former soldier raises the daughter of a dead comrade in a bunker beneath an abandoned farm.Ranging from the cities to the small towns of the West, and imbued with its own brand of radical empathy, Loskutoff's fiction is both timely and timeless. Come West and See surges with rage, longing, and fear, and offers startling insights into the wounds of the American people.

In the summer of 1976, Duane Oshun finds himself stranded in a remote Montana town beset by a series of strange and menacing events. He takes a job as a logger and builds a cabin on an isolated road near a reclusive neighbor--a hermit named Ted Kaczynski.The two men are captivated by the valley's endangered old-growth forest, but Kaczynski's violent grievances against modern society soon threaten the lives of all those around him. As Kaczynski's bombs crescendo to the book's devastating conclusion, Old King wrestles with the birth of the modern environmental movement, the accelerating dominion of technology in American life, and a new kind of violence that lives next door.Told in four parts sweeping across two decades, Old King establishes Maxim Loskutoff as one of the most thrilling and inventive authors of the American west, a writer "endowed with fearless audacity, stunning grace, and gutsy heart" (Nickolas Butler).

As a child in Montana's Bitterroot Valley, Ruthie Fear sees an apparition: a strange, headless creature near a canyon creek. Its presence haunts her throughout her youth. Raised in a trailer by her stubborn, bowhunting father, Ruthie develops a powerful connection with the natural world but struggles to find her place in a society shaped by men. Development, gun violence, and her father's vendettas threaten her mountain home. As she comes of age, her small community begins to fracture in the face of class tension and encroaching natural disaster, and the creature she saw long ago reappears as a portent of the valley's final reckoning.An entirely new kind of western and the first novel from one of this generation's most wildly imaginative writers, Ruthie Fear captures the destruction and rebirth of the modern American West with warmth, urgency, and grandeur. The Technicolor bursts of action that test Ruthie's commitment to the valley and its people invite us to look closer at our nation's complicated legacy of manifest destiny, mass shootings, and environmental destruction. Anchored by its unforgettable heroine, Ruthie Fear presents the rural West as a place balanced on a knife-edge, at war with itself, but still unbearably beautiful and full of love.

In the summer of 1976, Duane Oshun finds himself stranded in a remote Montana town beset by a series of strange and menacing events. He takes a job as a logger and builds a cabin on an isolated road near a reclusive neighbor--a hermit named Ted Kaczynski.The two men are captivated by the valley's endangered old-growth forest, but Kaczynski's violent grievances against modern society soon threaten the lives of all those around him. As Kaczynski's bombs crescendo to the book's devastating conclusion, Old King wrestles with the birth of the modern environmental movement, the accelerating dominion of technology in American life, and a new kind of violence that lives next door.Told in four parts sweeping across two decades, Old King establishes Maxim Loskutoff as one of the most thrilling and inventive authors of the American west, a writer "endowed with fearless audacity, stunning grace, and gutsy heart" (Nickolas Butler).