Kirjahaku

"Michael Adams's book is great fun No one intends to make a truly bad movie, but when they do, Michael Adams will be there to watch it...and make it entertaining " --John Landis, director of Trading Places and The Blues Brothers In Showgirls, Teen Wolves, and Astro Zombies, film critic Michael Adams embarks on a year-long odyssey to discover the worst movie ever made, which Mystery Science Theater 3000 star, writer, and director Kevin Murphy calls "disturbingly comprehensive, joyously critical, and the best of its kind." From all-time cult classics such as Reefer Madness and Plan 9 from Outer Space to new entries to the pantheon such as Gigli and Baby Geniuses, no genre, star, or director is safe from Adams's acerbic wit and hilarious observations. In the vein of A.J. Jacobs's New York Times bestselling book The Know-It-All, and with the snarky sarcasm of television's Mystery Science Theater 3000 and The Soup, Showgirls, Teen Wolves, and Astro Zombies leaves no stone unturned. With a foreword by cult director George A. Romero (Night of the Living Dead and Dawn of the Dead).

Michael Adams begins his book with a synopsis of the programme's history and a defence of ephemeral language. He then moves to the main body of the work: a detailed glossary of slayer slang, annotated with actual dialogue and recorded in the style accepted by the American Dialect Society. The book concludes with a bibliography and a lengthy index, a guide to sources (novels based on the show, magazine articles about the show, and language culled from the official posting board) and an appendix of slang-making suffixes. Introduced by Jane Espenson, one of the show's most inventive writers (and herself a linguist), Slayer Slang offers a quintessential example of contemporary youth culture serving as a vehicle for slang. bitca n [AHD4 bitch n in sense 2.a + a] Bitch 1997 Sep 15 Whedon When She Was Bad "[Willow:] 'I mean, why else would she be acting like such a b-i-t-c-h?' [Giles:] 'Willow, I think we're all a little old to be spelling things out.' [Xander:] 'A bitca?'" break and enterish adj [AHD4 sv breaking and entering n + -ish suff in sense 2.a] Suitable for crime 1999 Mar 16 Petrie Enemies "I'll go home and stock up on weapons, slip into something a little more break and enterish." [B] carbon-dated adj [fr. AHD4 carbondating + -ed] Very out of date 1997 Mar 10 Whedon Welcome to the Hellmouth "[Buffy:] 'Deal with that outfit for a moment.' [Giles:] 'It's dated?' [Buffy:] 'It's carbon-dated.'" cuddle-monkey n [AHD4 cuddle v + monkey n in sense 2, by analogy fr. RHHDAS (also DAS3 and NTC) sv cuddle bunny 'an affectionate, passionate, or sexually attractive young woman'] Male lover 1998 Feb 10 Noxon Bewitched, Bothered, and Bewildered "Every woman in Sunnydale wants to make me her cuddle-monkey." [X]

Slang, writes Michael Adams, is poetry on the down low, and sometimes lowdown poetry on the down low, but rarely, if ever, merely lowdown. It is the poetry of everyday speech, the people's poetry, and it deserves attention as language playing on the cusp of art. In Slang: The People's Poetry, Adams covers this perennially interesting subject in a serious but highly engaging way, illuminating the fundamental question "What is Slang" and defending slang--and all forms of nonstandard English--as integral parts of the American language. Why is an expression like "bed head" lost in a lexical limbo, found neither in slang nor standard dictionaries? Why are snow-boarding terms such as "fakie," "goofy foot," "ollie" and "nollie" not considered slang? As he addresses these and other lexical curiosities, Adams reveals that slang is used in part to define groups, distinguishing those who are "down with it" from those who are "out of it." Slang is also a rebellion against the mainstream. It often irritates those who color within the lines--indeed, slang is meant to irritate, sometimes even to shock. But slang is also inventive language, both fun to make and fun to use. Rather than complain about slang as "bad" language, Adams urges us to celebrate slang's playful resistance to the commonplace and to see it as the expression of an innate human capacity, not only for language, but for poetry. A passionate defense of slang, jargon, argot and other forms of nonstandard English, this marvelous volume is full of amusing and even astonishing examples of all sorts of slang. It will be a must for students of language and a joy for word lovers everywhere.

When President Obama signed the affordable health care act in 2009, the Vice President was overheard to utter an enthusiastic "This is a big f*** deal!" In 2003, Bono dropped the F-bomb while accepting a Golden Globe, prompting nation-wide debate. A town in Massachusetts leavens $20 fines on swearing in public. Nothing is as paradoxical as our attitude toward swearing and "bad language": how can we judge profanity so harshly in principle, yet use it so frequently in practice? Though profanity is more acceptable today than ever, it is still labeled as rude or at best tolerable only under specific circumstances. Cursing, many argue, signals an absence of character, or poor parenting, and is something to avoid at all costs. Yet plenty of us are unconcerned about the dangers of profanity; bad words are plainly recorded in dictionaries, and are commonly used in mainstream music, Academy Award-winning films, books, and newspapers. And of course, regular people use it in conversation every day. Clearly "dirty words" serve an important purpose. In In Praise of Profanity, Michael Adams offers a provocative, unapologetic defense of profanity, arguing that we've oversimplified profanity by labeling it as taboo, and we consistently fail to appreciate it as a legitimate means of expressing ourselves, either within our social relationships or in popular culture. Adams skillfully weaves together linguistic and psychological analyses of why we swear - for emotional release, as a way to promote group solidarity, or to create intimate relationships - with colorful examples of profanity in literature, TV, film, and music, such as The Sopranos, James Kelman's How Late It Was, How Late, or the songs of Nellie McKay. An entertaining look at the undeniable role of profanity in modern society, this book will challenge readers to re-consider the way they think about swearing.

Slang, writes Michael Adams, is poetry on the down low, and sometimes lowdown poetry on the down low, but rarely, if ever, merely lowdown. It is the poetry of everyday speech, the people's poetry, and it deserves attention as language playing on the cusp of art. In Slang: The People's Poetry, Adams covers this perennially interesting subject in a serious but highly engaging way, illuminating the fundamental question "What is Slang?" and defending slang--and all forms of nonstandard English--as integral parts of the American language. Why is an expression like "bed head" lost in a lexical limbo, found neither in slang nor standard dictionaries? Why are snow-boarding terms such as "fakie," "goofy foot," "ollie" and "nollie" not considered slang? As he addresses these and other lexical curiosities, Adams reveals that slang is used in part to define groups, distinguishing those who are "down with it" from those who are "out of it." Slang is also a rebellion against the mainstream. It often irritates those who color within the lines--indeed, slang is meant to irritate, sometimes even to shock. But slang is also inventive language, both fun to make and fun to use. Rather than complain about slang as "bad" language, Adams urges us to celebrate slang's playful resistance to the commonplace and to see it as the expression of an innate human capacity, not only for language, but for poetry.

Problems in Lexicography is an essential, classic work of practical lexicography (the practice of writing dictionaries) and meta-lexicography. Originally published over sixty years ago, it was based on the proceedings of the Indiana University Conference on Lexicography, held November 11–12, 1960. It set a standard that still holds today, three generations later. This critical and historical edition, brilliantly researched and presented by Michael Adams, explores the enduring legacy of this classic work and promises to extend its life further into the twenty-first century. Problems in Lexicography: A Critical / Historical Edition amply demonstrates that this unique work is a book of historical significance and a worthy prologue to lexicography's present.

Problems in Lexicography is an essential, classic work of practical lexicography (the practice of writing dictionaries) and meta-lexicography. Originally published over sixty years ago, it was based on the proceedings of the Indiana University Conference on Lexicography, held November 11–12, 1960. It set a standard that still holds today, three generations later. This critical and historical edition, brilliantly researched and presented by Michael Adams, explores the enduring legacy of this classic work and promises to extend its life further into the twenty-first century. Problems in Lexicography: A Critical / Historical Edition amply demonstrates that this unique work is a book of historical significance and a worthy prologue to lexicography's present.

This is the fascinating story of Mary Maguire, a 1930s Australian ingenue who sailed for Hollywood and a fabulous life, only to have her career cut short by scandal and tragedy. Packed with celebrity, history and gossip, AUSTRALIA'S SWEETHEART is perfect for readers of SHEILA and THE RIVIERA SET.Mary Maguire was Australia's first teenage movie star and she captivated Hollywood in the mid 1930s. Mary lived on three continents and was celebrated in Melbourne, Brisbane, Sydney, Los Angeles and London. Her life was lived in parallel with seminal incidents of the twentieth century: the Spanish Flu; the Great Depression; the Bodyline series; Australia's early radio, talkies and aviation; Hollywood's Golden Era; the British aristocracy's embrace of European fascism; London's Blitz; and post-war American culture and politics. Mary knew everyone, from Douglas Jardine, Don Bradman, Errol Flynn and Ronald Reagan, to William Randolph Hearst, Maureen O'Sullivan and Judy Garland.AUSTRALIA'S SWEETHEART in an irresistible never-before-told story that captures the glamour of Hollywood and the turbulent times of the twentieth century, with a young woman at its centre.

Tired of books that have low quality images or skip steps assuming you know how to fill in the gaps? Have you ever wondered: - How difficult is it to draw an object? - What materials and tools am I going to need? - How you must hold your pencil or eraser to do each part of the drawing? - Where do I start as a beginner in drawing? - How hard is it for me to add toning and shading? - Will I be able to draw a beautiful portrait of my beloved ones? This is simply the most comprehensive, analytical and easy to understand DRAWING guide on the market As a beginner you are going to need a real manual of how to draw really well. This book is exactly that A real blueprint that will guide you through all the steps, necessary to learn how to draw your first full portrait. We will take you from the hand from square one and guide you through many analytical steps until you learn how to make complete portraits of your beloved ones on your own. No things to assume, no steps to jump to finished drawings, no wondering "how he did that". Only thing missing from this guide is... your imagination It covers a wide area of information, like: - Materials Needed - Drawing and First Attempts - The Simplicity of Toning and Shading Styles - The Best Grip Techniques to Hold a Pencil - Crash Course to Draw a Portrait - Learn How to Draw from your Memory - Draw your Favourite Superhero - Most Common Mistakes to Avoid - A vast number of high quality illustrations to see EXACTLY how one step leads to an other - Much, much more So are you ready? DRAW AWAY

The very first book devoted to antique silver lemon strainers, this is the fruit of a decade’s research by a biology teacher turned silver expert who gives equal weight to analysis and aesthetics. Lemon strainers, normally consigned to the ‘miscellany’ pages of antique silver guides, are varied, beautiful and collectable and survive in surprising numbers considering their 150 years of use in punch making ended 200 years ago: the author’s database contains 900 examples from England, Ireland, Scotland and America. After an extensive introduction, lemon strainers are described in 27 categories and lavishly illustrated with 268 figures.

"Napoleon and Russia" tells, for the first time, the full story of Napoleon and his crucial relationship with Russia, from the 1790s and Bonaparte's rise to power, through the period of Austerlitz, Tilsit and the Russian invasion, to the Emperor's fall and its aftermath. In doing so, it not only puts the critical events of 1812 in their proper context as part of an even greater tale - of peace as well as war, friendship as well as enmity - but also provides fresh insight into the Napoleonic period as a whole, questioning many of the assumptions about the era prevalent in the English-speaking world. The tale boasts a cast of fascinating characters to rival any novel: the rulers, Napoleon himself, Catherine the Great, 'Mad' Tsar Paul and the enigmatic Alexander I; generals such as Ney, Murat, Davout, Suvorov, Kutuzov and Barclay de Tolly; statesmen like Talleyrand, Caulaincourt, Czartoryski and Rumiantsev; and, of course, the ordinary soldiers who fought some of the most intriguing, bloody and important campaigns in history. This is an enthralling story of fundamental importance in the history of Europe and, indeed, the world.

Diese Arbeit stellt in einzelnen Aufsatzen praxisnahe Anwendungen der oekonomischen Theorie des Rechts dar. Die Aufsatze wurden so gewahlt, dass die Fulle der moeglichen Anwendungen und zugleich ihr unmittelbarer rechtspolitischer Nutzen deutlich werden. So werden Analysen und rechtspolitische Vorschlage zur Zerstoerung der Rauschgiftmarkte, der Struktur von Zivilprozessen, der Kontrolle der Unternehmensverwaltung und deren Vergutung, zur Wahl effizienter Haftungssysteme, der Abschreckung von Straftaten und der Regulierung der Glucksspielindustrie vorgelegt. Im Rahmen von Anwendungen werden auch die Konzepte der mit dem Nobelpreis ausgezeichneten Autoren des Fachgebietes wie Coase, Becker, Stigler, Akerlof, North und Kahneman dargestellt und erlautert. Sie machen die innovative Kraft und die Zukunftsfestigkeit der dargelegten Konzepte deutlich und belegen ihren Nutzen fur die Praxis der Jurisprudenz.

Tyron and Tashia went to middle school and high school together. They were so close that their friends called them T and T. Tyron and Tashia lost touch when Tyron went down to Florida for college. Six years later, Tyron is married to Shanell, whom he met in college. Tyron is determined to build a good career for his family after moving back to Topeka, Kansas, while Shanell seems to be working herself further away from Tyron with her new job. Tyron had moved his family back to Kansas, Topeka, to open his own law office. Here he reconnects with his old high school friend, Tashia. While downtown at work, he meets a new friend named Derrick. Tyron and Derrick become sidekicks. Derick begins to tell Tyron about an affair that he's having, which Tyron and Tashia begin to entertain as a soap opera they title The World We Live In. Meanwhile, Tyron finds out that he has a sister. But Tyron and Tashia don't know how close the world they're talking about is to their own world. As an investigation unfolds, Derrick seems to be finally putting his life back in order. Then the unthinkable happens, which leads Derrick, and the company he works for, into headline news. Everybody takes part in the embarrassment and everyone is faced with shame. Not everyone can heal the heartache when the person you so blindly begin to hate is the same person you so openly love.