Kirjahaku

This is the first book in English to give a comprehensive account of how soldiers, officials, Christians and workers in Germany fought together to frustrate Hitler's aims.

In Germany - The Tides of Power, Michael Balfour sets out to explain the factors which have shaped the German social, political and economic character. Tracing the movement of power from the Middle Ages onwards, he seeks to lead the reader to an understanding of modern Germany - why Germany precipitated, and lost, two major wars this century; how the astonishing growth of wealth over the last half-century was achieved; the meaning behind the recent unification of Germany. As German economic expansion continues into the 1990's, Professor Balfour discusses the power held by this technologically advanced nation - and considers the acceptance of this power by the rest of the world.

In Germany - The Tides of Power, Michael Balfour sets out to explain the factors which have shaped the German social, political and economic character. Tracing the movement of power from the Middle Ages onwards, he seeks to lead the reader to an understanding of modern Germany - why Germany precipitated, and lost, two major wars this century; how the astonishing growth of wealth over the last half-century was achieved; the meaning behind the recent unification of Germany. As German economic expansion continues into the 1990's, Professor Balfour discusses the power held by this technologically advanced nation - and considers the acceptance of this power by the rest of the world.

This is the first book in English to give a comprehensive account of how soldiers, officials, Christians and workers in Germany fought together to frustrate Hitler's aims.

This was the first book to deal with both British and German propaganda during the Second World War, both as regards to what was said at home and what was said to the enemy. The author was well qualified for the task. Michael Balfour first worked in that part of the Ministry of Information which handled publicity on the home front. In 1942 he moved to the Political War Executive which directed propaganda to the enemy and enemy-occupied countries. His job there involved him in closely following German propaganda.Many colourful characters, some of a very dubious mien, feature in these pages: Brendan Bracken, Richard Crossman, Sefton Delmer, Lord Haw-Haw and Hans Fritzsche. His handling of Goebbels is especially interesting, departing considerably from the usual stereotype. The second part of the book is a detailed analysis of the way the war news was handled on both sides: a curious set of distorted mirror-images of the main events emerges from the narrative. With his unique knowledge of the subject Michael Balfour was able to write an immensely impressive and stimulating book.

After all the endeavours that combined to make Britain the first great industrial nation, that dominant position was then relinquished. Joseph Chamberlain (1836-1914), the driven and self-made Birmingham businessman who shifted his energies formidably into politics, might have appeared to be one leader well equipped to help Britain stay competitive in the global race for economic growth. But, as Michael Balfour suggests in this absorbing study, Chamberlain's personality and temperament were not suited to the challenge.Determined always to have his way, animated by 'the business man's love of getting things done', Chamberlain lacked the gift of persuasion and made enemies too well, it being his unique achievement to split both major parties in the space of twenty years. Had it been possible for one man to arrest Britain's slackening growth then that man, Balfour contends, was not the erstwhile 'Radical Joe.'

What were the consequences for Germany, and the world, that William II was Kaiser at the onset of the 'Great War'? In The Kaiser and His Times (first published in 1964), Michael Balfour analyzes the social, constitutional, and economic forces at work in imperial Germany, and sets the complex and disputed character of the Kaiser, who occupied such a central position in the three decades before 1918, in the context of his family background and the history of Germany. '[Balfour] has borne in mind the Kaiser's own request to the head of his military Secretariat - 'Not dry reports only, please, but now and then a funny story.' The circumstances that allowed to Kaiser to live as if 'The greater part of his life... was illusion' would make comic reading if the results had not been so tragic...' Kirkus Review

The Adversaries (1981) examines the post-war world that both the US and the Soviet Union tried to mould in their own images. Their faith in their respective systems came at the cost of a political, economic and military clashing in various parts of the world, an antagonism that rendered the United Nations ineffective as an organ of world government. This book analyses these clashes, as the foreign policy decisions of both superpowers had wide-ranging effects over large portions of the globe.

The Adversaries (1981) examines the post-war world that both the US and the Soviet Union tried to mould in their own images. Their faith in their respective systems came at the cost of a political, economic and military clashing in various parts of the world, an antagonism that rendered the United Nations ineffective as an organ of world government. This book analyses these clashes, as the foreign policy decisions of both superpowers had wide-ranging effects over large portions of the globe.

First Published in 1982 West Germany presents a new approach to the study of contemporary Germany. The past history of the country is used to explain its present state, since the roots of many of the events of this century can be found as far back as the Middle Ages. In order to understand Germany’s relative backwardness in the nineteenth century, it is vital to have some conception of her medieval history, and likewise the descriptions of the constitutions of 1871 and 1919 help to explain why the Basic Law of 1949 took the form it did. The form the book takes is slightly unusual, in that the amount of space devoted to an epoch increases as the present-day approaches, but this is consistent with the aim of the book. This is an important historical document for scholars and researchers of German history and European history.

First Published in 1982 West Germany presents a new approach to the study of contemporary Germany. The past history of the country is used to explain its present state, since the roots of many of the events of this century can be found as far back as the Middle Ages. In order to understand Germany’s relative backwardness in the nineteenth century, it is vital to have some conception of her medieval history, and likewise the descriptions of the constitutions of 1871 and 1919 help to explain why the Basic Law of 1949 took the form it did. The form the book takes is slightly unusual, in that the amount of space devoted to an epoch increases as the present-day approaches, but this is consistent with the aim of the book. This is an important historical document for scholars and researchers of German history and European history.

First Published in 1985 Britain and Joseph Chamberlain is not simply the first biography of Joseph Chamberlain to be written from a radical standpoint but also an exercise in ‘counter -history’. What difference might it have made if Ireland had been set on the road to self-government in 1886, if the reforms of the 1906 Liberal Government had been enacted before 1890 and if it had fallen to a government of the left to handle the Boers? All these possibilities were ruled out when Chamberlain, in a fit of personal animosity, broke with Gladstone over Home Rule. He probably also thereby removed the last chance of the Labour Party growing out of the Liberal Party instead of competing with it for progressive votes, and so facilitating the Conservative domination of politics between 1922-1940. Professor Balfour on the other hand does not believe that, even if Chamberlain had remained a radical and become Prime Minister, he would have been able to arrest Britain’s slackening growth. This book is an important historical document for scholars of British history.

First Published in 1985 Britain and Joseph Chamberlain is not simply the first biography of Joseph Chamberlain to be written from a radical standpoint but also an exercise in ‘counter -history’. What difference might it have made if Ireland had been set on the road to self-government in 1886, if the reforms of the 1906 Liberal Government had been enacted before 1890 and if it had fallen to a government of the left to handle the Boers? All these possibilities were ruled out when Chamberlain, in a fit of personal animosity, broke with Gladstone over Home Rule. He probably also thereby removed the last chance of the Labour Party growing out of the Liberal Party instead of competing with it for progressive votes, and so facilitating the Conservative domination of politics between 1922-1940. Professor Balfour on the other hand does not believe that, even if Chamberlain had remained a radical and become Prime Minister, he would have been able to arrest Britain’s slackening growth. This book is an important historical document for scholars of British history.

The book offers a compelling combination of analyis and detailed description of aesthetic projects with young refugee arrivals in Australia. In it the authors present a framework that contextualises the intersections of refugee studies, resilience and trauma, and theatre and arts-based practice, setting out a context for understanding and valuing the complexity of drama in this growing area of applied theatre. Applied Theatre: Resettlement includes rich analysis of three aesthetic case studies in Primary, Secondary and Further Education contexts with young refugees. The case studies provide a unique insight into the different age specific needs of newly arrived young people. The authors detail how each group and educational context shaped diverse drama and aesthetic responses: the Primary school case study uses process drama as a method to enhance language acquisition and develop intercultural literacy; the Secondary school project focuses on Forum Theatre and peer teaching with young people as a means of enhancing language confidence and creating opportunities for cultural competency in the school community, and the further education case study explores work with unaccompanied minors and employs integrated multi art forms (poetry, art, drama, digital arts, clay sculptures and voice work) to increase confidence in language acquisition and explore different forms of expression and communication about the transition process. Through its careful framing of practice to speak to concerns of power, process, representation and ethics, the authors ensure the studies have an international relevance beyond their immediate context. Drama, Refugees and Resilience contributes to new professional knowledge building in the fields of applied theatre and refugee studies about the efficacy of drama practice in enhancing language acquisition, cultural settlement and pedagogy with newly arrived refugee young people.

The book offers a compelling combination of analyis and detailed description of aesthetic projects with young refugee arrivals in Australia. In it the authors present a framework that contextualises the intersections of refugee studies, resilience and trauma, and theatre and arts-based practice, setting out a context for understanding and valuing the complexity of drama in this growing area of applied theatre. Applied Theatre: Resettlement includes rich analysis of three aesthetic case studies in Primary, Secondary and Further Education contexts with young refugees. The case studies provide a unique insight into the different age specific needs of newly arrived young people. The authors detail how each group and educational context shaped diverse drama and aesthetic responses: the Primary school case study uses process drama as a method to enhance language acquisition and develop intercultural literacy; the Secondary school project focuses on Forum Theatre and peer teaching with young people as a means of enhancing language confidence and creating opportunities for cultural competency in the school community, and the further education case study explores work with unaccompanied minors and employs integrated multi art forms (poetry, art, drama, digital arts, clay sculptures and voice work) to increase confidence in language acquisition and explore different forms of expression and communication about the transition process. Through its careful framing of practice to speak to concerns of power, process, representation and ethics, the authors ensure the studies have an international relevance beyond their immediate context. Drama, Refugees and Resilience contributes to new professional knowledge building in the fields of applied theatre and refugee studies about the efficacy of drama practice in enhancing language acquisition, cultural settlement and pedagogy with newly arrived refugee young people.

From the Greeks and Shakespeare to the "Ramayana" and the "Mahabharata", war has often been a major theme of dramatic performances. However, many of the most extraordinary theater projects in recent years not only have been about war but also have originated in actual conflict zones themselves. "Performance in Place of War" is concerned with these initiatives, including theater in refugee camps, war-ravaged villages, towns under curfew, and cities under occupation. It looks at theater and performances that often occur quite literally as bombs are falling, as well as during times of ceasefire and in the aftermath of hostilities. "Performance in Place of War" draws on extensive original material and includes interviews with artists, short play extracts, and photographs from the Democratic Republic of Congo, Kosovo, Israel, Lebanon, the Sudan, and others. The authors combine critical commentary, overviews of the conflicts, and firsthand accounts in order to consider such questions as: Why in times of disruption have people turned to performance? And what aesthetic, ethical, and political choices are made in these different contexts? "Performance in Place of War" is a fascinating perspective on the role of theater in unpredictable, war-torn times.