This book lays more emphasis on orality as source, as process or performance, as outcome. It looks at the primacy of the spoken language that seems to be the main common feature to these two phenomena of Italian theatrical culture.
Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
6 kirjaa tekijältä Michael Caesar
First published in 1995. The Critical Heritage series collects together a large body of criticism on major figures in literature. Each volume presents the contemporary responses to a particular writer, enabling the student to follow the formation of critical attitudes to the writer's work and its place within a literary tradition. This collection of critical writings about Dante, many of them published here in English for the first time, tries to offer a balanced survey of the poet's reception in both time and space. Its scope therefore differs from that of its main predecessors in both English and Italian.
First published in 1995. The Critical Heritage series collects together a large body of criticism on major figures in literature. Each volume presents the contemporary responses to a particular writer, enabling the student to follow the formation of critical attitudes to the writer's work and its place within a literary tradition. This collection of critical writings about Dante, many of them published here in English for the first time, tries to offer a balanced survey of the poet's reception in both time and space. Its scope therefore differs from that of its main predecessors in both English and Italian.
This book provides a comprehensive introduction to the work and thought of Umberto Eco - one of the most important writers in Europe today.
A comprehensive introduction to the work and thought of Umberto Eco. It retraces the development of Eco's thought and its impact on literary studies, aesthetics, philosophy and semiotics, and discusses Eco's attempts to synthesize a general theory of signification and communication.
This book lays more emphasis on orality as source, as process or performance, as outcome. It looks at the primacy of the spoken language that seems to be the main common feature to these two phenomena of Italian theatrical culture.