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51 kirjaa tekijältä Michael Richardson

Georges Bataille

Georges Bataille

Michael Richardson

Routledge
1994
sidottu
George Bataille (1867-1962) is widely recognized as one of the most important thinkers of the twentieth century. This is the first book in English to examine Bataille's work as a whole. It offers an accessible introduction to a complex and often ambiguous thinker.
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Georges Bataille

Georges Bataille

Michael Richardson

Routledge
1994
nidottu
George Bataille (1867-1962) is widely recognized as one of the most important thinkers of the twentieth century. This is the first book in English to examine Bataille's work as a whole. It offers an accessible introduction to a complex and often ambiguous thinker.
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Durham People

Durham People

Michael Richardson

The History Press Ltd
2009
nidottu
In recent years Michael Richardson has collected a unique archive of old photographs and memorabilia relating to Durham. Many pictures have been donated by Durham people, and this collection focuses on the city's inhabitants at work and play, between the 1860s and the 1960s. Over two hundred well-chosen photographs, most of them hitherto unpublished, create a fascinating record of trades, transport, festivities, military matters, street scenes, royal visits, sport and leisure. An introduction puts the images in the context of Durham's history, while each picture is fully captioned. Durham People will evoke nostalgic memories for many, and will give pleasure to all who know and love the city.
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Around Durham

Around Durham

Michael Richardson

The History Press Ltd
1998
nidottu
A collection of black and white photographs drawn from family albums, local collections and professional photographers which offer a record of the history of Durham, bringing together all aspects of daily life. Every photograph is captioned, providing names and dates where possible. In the BRITAIN IN OLD PHOTOGRAPHS series.
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Georges Bataille: Essential Writings

Georges Bataille: Essential Writings

Michael Richardson

SAGE Publications Inc
1998
sidottu
Georges Bataille's work is an essential reference in any discussion of modernity and postmodernity. An important influence on Foucault, Derrida and post-structuralism, Bataille is a thinker of key significance. This volume makes a selection from the entire body of his academic work, showing how his thinking on sacrifice, eroticism, taboo and transgression, and the nature of identity inform his social theory. Bataille - Essential Writings will be the standard introductory text to this profound and difficult thinker.
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Georges Bataille: Essential Writings

Georges Bataille: Essential Writings

Michael Richardson

SAGE Publications Inc
1998
nidottu
Georges Bataille's work is an essential reference in any discussion of modernity and postmodernity. An important influence on Foucault, Derrida and post-structuralism, Bataille is a thinker of key significance. This volume makes a selection from the entire body of his academic work, showing how his thinking on sacrifice, eroticism, taboo and transgression, and the nature of identity inform his social theory. Bataille - Essential Writings will be the standard introductory text to this profound and difficult thinker.
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Otherness in Hollywood Cinema

Otherness in Hollywood Cinema

Michael Richardson

Continuum Publishing Corporation
2010
sidottu
This is a beautifully written study, mixing film studies with cultural studies, of how the Hollywood film industry has treated the 'Other' throughout its history. In "Otherness in Hollywood Cinema", Michael Richardson argues that the Hollywood system has been the only national cinema with the resources and inclination to explore images of others through stories set in exotic and faraway places. He traces many of the ways in which Hollywood has constructed otherness, and discusses the extent to which those images have persisted and conditioned today's understanding. Hollywood was from the beginning teeming with people who had experienced cultural displacement. Coaxing the finest talents from around the world and needing to produce films with an almost universal appeal, Hollywood confounded American insularity while simultaneously presenting a vision of 'America' to the world. The book examines a range of genres from the perspective of otherness, including the Western, film noir, and zombie movies. Films discussed include "Birth of a Nation", "The New World", "The Searchers", "King Kong", "Apocalypse Now", "Blade Runner", "Jaws", and "Dead Man". Erudite and highly informed, this is a sweeping survey of how the American film industry has portrayed the foreign and the exotic.
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Otherness in Hollywood Cinema

Otherness in Hollywood Cinema

Michael Richardson

Continuum Publishing Corporation
2010
nidottu
This is a beautifully written study, mixing film studies with cultural studies, of how the Hollywood film industry has treated the 'Other' throughout its history. In "Otherness in Hollywood Cinema", Michael Richardson argues that the Hollywood system has been the only national cinema with the resources and inclination to explore images of others through stories set in exotic and faraway places. He traces many of the ways in which Hollywood has constructed otherness, and discusses the extent to which those images have persisted and conditioned today's understanding. Hollywood was from the beginning teeming with people who had experienced cultural displacement. Coaxing the finest talents from around the world and needing to produce films with an almost universal appeal, Hollywood confounded American insularity while simultaneously presenting a vision of 'America' to the world. The book examines a range of genres from the perspective of otherness, including the Western, film noir, and zombie movies. Films discussed include "Birth of a Nation", "The New World", "The Searchers", "King Kong", "Apocalypse Now", "Blade Runner", "Jaws", and "Dead Man". Erudite and highly informed, this is a sweeping survey of how the American film industry has portrayed the foreign and the exotic.
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Youth Theatre

Youth Theatre

Michael Richardson

Routledge
2015
sidottu
Youth Theatre: Drama for Life defines the youth theatre process, by outlining its constituent parts and explaining how these activities work in order to support young people’s development. As well as describing what is done in youth theatre, it also explores why it’s done and how to ensure the best possible outcomes. The book is in four parts: Part 1 explores the nature and purpose of youth theatre, drawing on Michael Richardson’s extensive personal experience as a practitioner and manager. Part 2 explains, in detail, the youth theatre process: warming up, playing games, voice work, developing skills, devising and the presentation of devised work. Part 3 discusses how to create an appropriate environment within which the youth theatre process can be most effectively applied. Part 4 covers the most common applications of the youth theatre process, namely using it in different education environments; and youth theatre productions and performance.On top of this, two appendices give a list of over 60 games that are useful to use in youth theatre; and a list of recommended further reading that supports this book.As well as giving key tips and advice from his own invaluable experience, Richardson offers comments from practitioners and participants on what makes a successful youth theatre experience.Michael Richardson has worked in youth theatre for over 20 years, has been involved in the training of other practitioners, and in the strategic development of the youth theatre sector in the UK.
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Youth Theatre

Youth Theatre

Michael Richardson

Routledge
2015
nidottu
Youth Theatre: Drama for Life defines the youth theatre process, by outlining its constituent parts and explaining how these activities work in order to support young people’s development. As well as describing what is done in youth theatre, it also explores why it’s done and how to ensure the best possible outcomes. The book is in four parts: Part 1 explores the nature and purpose of youth theatre, drawing on Michael Richardson’s extensive personal experience as a practitioner and manager. Part 2 explains, in detail, the youth theatre process: warming up, playing games, voice work, developing skills, devising and the presentation of devised work. Part 3 discusses how to create an appropriate environment within which the youth theatre process can be most effectively applied. Part 4 covers the most common applications of the youth theatre process, namely using it in different education environments; and youth theatre productions and performance.On top of this, two appendices give a list of over 60 games that are useful to use in youth theatre; and a list of recommended further reading that supports this book.As well as giving key tips and advice from his own invaluable experience, Richardson offers comments from practitioners and participants on what makes a successful youth theatre experience.Michael Richardson has worked in youth theatre for over 20 years, has been involved in the training of other practitioners, and in the strategic development of the youth theatre sector in the UK.
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Durham City History Tour

Durham City History Tour

Michael Richardson

Amberley Publishing
2014
nidottu
Durham City is one of the North East’s hidden gems, rich in history with its Norman cathedral and castle, built on a rocky peninsula and surrounded on three sides by the River Wear. Its medieval market place and street plan remain almost untouched, and the city is full of hidden vennels, lanes and passageways. Dedicated local author Michael Richardson has assembled a unique collection of photographs and postcards of Durham, and takes us on a tour through the history of the city from the 1850s to the 1960s. This book is a valuable record of Durham’s history and will appeal to all those who know and love this great city.
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Nonhuman Witnessing

Nonhuman Witnessing

Michael Richardson

DUKE UNIVERSITY PRESS
2024
sidottu
In Nonhuman Witnessing Michael Richardson argues that a radical rethinking of what counts as witnessing is central to building frameworks for justice in an era of endless war, ecological catastrophe, and technological capture. Dismantling the primacy and notion of traditional human-based forms of witnessing, Richardson shows how ecological, machinic, and algorithmic forms of witnessing can help us better understand contemporary crises. He examines the media-specificity of nonhuman witnessing across an array of sites, from nuclear testing on First Nations land and autonomous drone warfare to deepfakes, artificial intelligence, and algorithmic investigative tools. Throughout, he illuminates the ethical and political implications of witnessing in an age of profound instability. By challenging readers to rethink their understanding of witnessing, testimony, and trauma in the context of interconnected crises, Richardson reveals the complex entanglements between witnessing and violence and the human and the nonhuman.
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Nonhuman Witnessing

Nonhuman Witnessing

Michael Richardson

DUKE UNIVERSITY PRESS
2024
pokkari
In Nonhuman Witnessing Michael Richardson argues that a radical rethinking of what counts as witnessing is central to building frameworks for justice in an era of endless war, ecological catastrophe, and technological capture. Dismantling the primacy and notion of traditional human-based forms of witnessing, Richardson shows how ecological, machinic, and algorithmic forms of witnessing can help us better understand contemporary crises. He examines the media-specificity of nonhuman witnessing across an array of sites, from nuclear testing on First Nations land and autonomous drone warfare to deepfakes, artificial intelligence, and algorithmic investigative tools. Throughout, he illuminates the ethical and political implications of witnessing in an age of profound instability. By challenging readers to rethink their understanding of witnessing, testimony, and trauma in the context of interconnected crises, Richardson reveals the complex entanglements between witnessing and violence and the human and the nonhuman.
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Gestures of Testimony

Gestures of Testimony

Michael Richardson

Bloomsbury Academic USA
2016
sidottu
After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony asks how literature might bear witness to the tortures of a war waged against fear itself. Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, the Bush Administration’s Torture Memos, and fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels, and Janette Turner Hospital, Michael Richardson traces the workings of affect, biopower, and aesthetics to re-think literary testimony. Gestures of Testimony gives shape to a mode of affective witnessing, a reaching beyond the page in the writing of torture that reveals violent trauma — even as it embodies its veiling.
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Gestures of Testimony

Gestures of Testimony

Michael Richardson

Bloomsbury Academic USA
2018
nidottu
After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony asks how literature might bear witness to the tortures of a war waged against fear itself. Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, the Bush Administration’s Torture Memos, and fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels, and Janette Turner Hospital, Michael Richardson traces the workings of affect, biopower, and aesthetics to re-think literary testimony. Gestures of Testimony gives shape to a mode of affective witnessing, a reaching beyond the page in the writing of torture that reveals violent trauma — even as it embodies its veiling.
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Durham City

Durham City

Michael Richardson

DB Publishing
2012
nidottu
"Durham City: Past and Present" is a new book which brings together about 400 photographs of the city. Each old picture is accompanied by a recent image to show the reader how the city has changed. Parts of the city have been altered beyond recognition in the last 40 years or so, and this book has been compiled as a permanent record of what was once there and now has gone. The book is broadly divided into areas: the City Centre, North Road, Old Elvet and New Elvet, Crossgate, Claypath and Gilesgate. Whether you are a resident of Durham or a visitor, this book will appeal to all. Many of the old bygone scenes are now lost and can only be identified by matching up with a recent image. Like Michael's previous books, this is a welcome addition and companion to his other Breedon titles and will no doubt become another treasured possession.
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