Kirjahaku

This groundbreaking and innovative text addresses the deep ontological and epistemological commitments that underpin conventional positivist methods and then demonstrates how "method" can be understood in much broader and more interesting ways. Drawing on a broad range of philosophical and methodological theory as well as a wide variety of artistic sources from fine art to cinema and from literature to the blues, leading contemporary thinker Michael Shapiro shows the reader how a more open understanding of the concept of method is rewarding and enlightening. His notion of ‘writing-as-method’ is enacted throughout the text and offers a stimulating alternative for students to positivist social science methods. This is essential reading for all students and faculty with an interest in post-positivist methods.

The Time of the City is a trans-disciplinary work with a focus on genre-city relationships as they articulate the micropolitics of urban life in diverse cities. Shifting the territorial emphasis of political studies from the mosaic of states to the global network of cities, the book draws on urban theory rather than traditional forms of official city politics. Deriving their methodological approaches from aspects of urban theory and philosophies of aesthetics, the chapters deploy concepts from philosophy, political theory, literary studies, cinema studies, poetics and aesthetic theory on diverse cities, among which are Berlin, Hong Kong, London, Los Angeles, New York, Philadelphia and Washington, DC. Investigating a wide variety of urban formations, and developing a geophilosophy appropriate to urban space, this multi genre approach to urban life provides stunning insights into the micropolitics of ethnicity, identity, security, subjectivity and sovereignty.

The Time of the City is a trans-disciplinary work with a focus on genre-city relationships as they articulate the micropolitics of urban life in diverse cities. Shifting the territorial emphasis of political studies from the mosaic of states to the global network of cities, the book draws on urban theory rather than traditional forms of official city politics. Deriving their methodological approaches from aspects of urban theory and philosophies of aesthetics, the chapters deploy concepts from philosophy, political theory, literary studies, cinema studies, poetics and aesthetic theory on diverse cities, among which are Berlin, Hong Kong, London, Los Angeles, New York, Philadelphia and Washington, DC. Investigating a wide variety of urban formations, and developing a geophilosophy appropriate to urban space, this multi genre approach to urban life provides stunning insights into the micropolitics of ethnicity, identity, security, subjectivity and sovereignty.

This groundbreaking and innovative text addresses the deep ontological and epistemological commitments that underpin conventional positivist methods and then demonstrates how "method" can be understood in much broader and more interesting ways. Drawing on a broad range of philosophical and methodological theory as well as a wide variety of artistic sources from fine art to cinema and from literature to the blues, leading contemporary thinker Michael Shapiro shows the reader how a more open understanding of the concept of method is rewarding and enlightening. His notion of ‘writing-as-method’ is enacted throughout the text and offers a stimulating alternative for students to positivist social science methods. This is essential reading for all students and faculty with an interest in post-positivist methods.

Cross-dressing, sexual identity, and the performance of gender are among the most hotly discussed topics in contemporary cultural studies. A vital addition to the growing body of literature, this book is the most in-depth and historically contextual study to date of Shakespeare's uses of the heroine in male disguise--man-playing-woman-playing-man--in all its theatrical and social complexity.Shapiro's study centers on the five plays in which Shakespeare employed the figure of the "female page": The Two Gentlemen of Verona, The Merchant of Venice, As You Like It, Twelfth Night, and Cymbeline. Combining theater and social history, Shapiro locates Shakespeare's work in relation to controversies over gender roles and cross-dressing in Elizabethan England.The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that found their way into Shakespearean drama, Shapiro considers such cases as cross-dressing women in London being punished as prostitutes and the alleged homoerotic practices of the apprentices who played female roles in adult companies. Shapiro also traces other Elizabethan dramatists' varied uses of the cross-dressing motif, especially as they were influenced by Shakespeare's innovations."Shapiro's engaging study is distinguished by the scope of interrelated topics it draws together and the balance of critical perspectives it brings to bear on them." --ChoiceMichael Shapiro is Professor of English, University of Illinois, Urbana.

"A fascinating look at an almost forgotten era . . . One of the best baseball books of recent seasons." "Cleveland Plain Dealer"In "Bottom of the Ninth," Michael Shapiro brings to life a watershed moment in baseball history, when baseball was under seige in the late 1950s. He reveals how the legendary executive Branch Rickey saw the game's salvation in two radical ideas: the creation of a third major league the Continental League and the pooling of television revenues for the benefit of all. And Shapiro captures the audacity of Casey Stengel, the manager of the Yankees, who believed that he could remake how baseball was played.The story of their ingenious schemes and of the powerful men who tried to thwart them is interwoven with the on-field drama of pennant races and clutch performances, culminating in the stunning climax of the seventh game of the 1960 World Series, when one swing of the bat heralds baseball's eclipse as America's number-one sport."

In an era when headlines often seem dominated by horrific stories about abused children, Solomon's Sword weaves together the elements of two painful custody battles into a memorable book that no reader who cares about children will be able to put aside. In examining collisions between children, parents, and the law, Shapiro meets judges, lawyers, social workers, clergy, and therapists who must advocate a course of action in thousands of cases each year across America. Reading about these dedicated people, professionals in the vanguard of new approaches to the problem of mistreated children, will leave readers hopeful that we are finally learning how to ameliorate this enduring national disgrace. Solomon's Sword sheds new light on a dire social problem in a powerful book that will influence public policy for years to come.

In My Wife the Metaphysician, or Lady Murasaki's Revenge, Michael Shapiro devises a storied diary that views the world through the eyes of an inimitable woman whose being and essence are determined by her superlative and penetrating intellect. Inspired by the great Japanese literature by upper-class women writers of the mid-Heian period, eighty-four masterfully woven sections alternate prose, poetry, social commentary and haiku-like vignettes to tell a fascinating tale of betrayal, revenge and undying love. Cruelly and unjustly exiled, Lady Murasaki, accompanied by her consort, Prince Towa no Ai, is the virtuoso author of learned discourses on the Western literary heritage, especially the Divine Comedy and Proven al poetry. The narrator's skein moves the characters along a topography that has them migrating asynchronously between contemporary California and interwar Tokyo, Budapest and Moscow, ancient Israel and the medieval Romance world, Freiburg and New York, rural Alabama and Vermont. Characters and chronologies are scrambled and reconstituted, real and imaginary events and places commingled, as Lady Murasaki brings her vast knowledge of art and literature to bear on explorations of medieval and Renaissance literature and the labyrinthine fictions of Dostoevsky, Bulgakov, and Nabokov. Her dialogues engage interlocutors that run the gamut from Satan and Pontius Pilate to Dante himself, as well as a giant humanoid cat. Through it all and to the end, including her final attainment of retributive justice, Lady Murasaki is wedded to Prince Towa no Ai, and it is their real-life love story that animates everything.

In A Sense of Place, journalist/travel writer Michael Shapiro goes on a pilgrimage to visit the world's great travel writers on their home turf to get their views on their careers, the writer's craft, and most importantly, why they chose to live where they do and what that place means to them. The book chronicles a young writer’s conversations with his heroes, writers he's read for years who inspired him both to pack his bags to travel and to pick up a pen and write. Michael skillfully coaxes a collective portrait through his interviews, allowing the authors to speak intimately about the writer's life, and how place influences their work and perceptions. In each chapter Michael sets the scene by describing the writer's surroundings, placing the reader squarely in the locale, whether it be Simon Winchester's Massachusetts, Redmond O'Hanlon's London, or Frances Mayes's Tuscany. He then lets the writer speak about life and the world, and through quiet probing draws out fascinating commentary from these remarkable people. For Michael it’s a dream come true, to meet his mentors; for readers, it's an engaging window onto the twin landscapes of great travel writers and the world in which they live.

“Knowledgeable, probing, and thoughtful.” —Foreword Reviews Smokey Robinson • Barbara Kingsolver • Francis Ford Coppola • David Sedaris • Jane Goodall and other luminaries reveal the secrets to their creative success. Amy Tan talks about how she finds truth by writing fiction. Melissa Etheridge tells us how she channels her fire into her music. Pico Iyer shares how seeking stillness enhances his creativity. And Coppola discusses how he found the courage to make groundbreaking films. In The Creative Spark, a collection of interviews prefaced by brief biographies, these luminaries join dozens of other voices to create a symphony of inspiration. Lucinda Williams talks about honesty and making every word count; Jane Goodall cites the value of persistence and believing in yourself; and Smokey Robinson heralds the timeless power of love songs. For more than a decade, award-winning author Michael Shapiro (A Sense of Place) has interviewed many of our brightest creators. In The Creative Spark, musicians, authors, explorers, and chefs speak about what drives them, what helps them see the world in fresh ways, and what inspires them to turn their visions into art. Shapiro’s work as a music journalist has led to interviews with legends including Graham Nash, Lyle Lovett, Melissa Etheridge, Jake Shimabukuro, Merle Haggard, and Jethro Tull bandleader Ian Anderson. And he’s spoken with creative masters in other fields, such as comedian Joan Rivers and author Frances Mayes. Yet it’s not simply that Shapiro has had access to so many supremely talented people—it’s that he gets them to go deep. Moments into his penetrating conversation with Lucinda (her fans call her by her first name), she tells Shapiro about how decisions made about her mother’s funeral led to fissures in her family. From this achingly personal conversation, readers can glean fresh insights into why Lucinda has such a devoted following and why her songs open listeners’ hearts. Unexpected revelations pop up in every chapter of The Creative Spark. Iowa folksinger Greg Brown isn’t a household name, but his fellow musicians revere his poetic compositions. Then there’s San Francisco Giants announcer Mike Krukow, who turns every broadcast into a work of art. Chefs, including SingleThread’s Kyle Connaughton, discuss how they’re transforming the way we approach fine dining and why social responsibility is essential. Each chapter starts with a short biography of the creative person being profiled, then segues into Q+A. This collection brings together some of the best-known artists of our time with others who may not be as famed but who have valuable insights about living an artful life. The Creative Spark stands as a testament to human achievement, showing how creativity illuminates our world. And how it resides in each and every one of us, just waiting to break out.

“Knowledgeable, probing, and thoughtful.” —Foreword Reviews Smokey Robinson • Barbara Kingsolver • Francis Ford Coppola • David Sedaris • Jane Goodall and other luminaries reveal the secrets to their creative success. Amy Tan talks about how she finds truth by writing fiction. Melissa Etheridge tells us how she channels her fire into her music. Pico Iyer shares how seeking stillness enhances his creativity. And Coppola discusses how he found the courage to make groundbreaking films. In The Creative Spark, a collection of interviews prefaced by brief biographies, these luminaries join dozens of other voices to create a symphony of inspiration. Lucinda Williams talks about honesty and making every word count; Jane Goodall cites the value of persistence and believing in yourself; and Smokey Robinson heralds the timeless power of love songs. For more than a decade, award-winning author Michael Shapiro (A Sense of Place) has interviewed many of our brightest creators. In The Creative Spark, musicians, authors, explorers, and chefs speak about what drives them, what helps them see the world in fresh ways, and what inspires them to turn their visions into art. Shapiro’s work as a music journalist has led to interviews with legends including Graham Nash, Lyle Lovett, Melissa Etheridge, Jake Shimabukuro, Merle Haggard, and Jethro Tull bandleader Ian Anderson. And he’s spoken with creative masters in other fields, such as comedian Joan Rivers and author Frances Mayes. Yet it’s not simply that Shapiro has had access to so many supremely talented people—it’s that he gets them to go deep. Moments into his penetrating conversation with Lucinda (her fans call her by her first name), she tells Shapiro about how decisions made about her mother’s funeral led to fissures in her family. From this achingly personal conversation, readers can glean fresh insights into why Lucinda has such a devoted following and why her songs open listeners’ hearts. Unexpected revelations pop up in every chapter of The Creative Spark. Iowa folksinger Greg Brown isn’t a household name, but his fellow musicians revere his poetic compositions. Then there’s San Francisco Giants announcer Mike Krukow, who turns every broadcast into a work of art. Chefs, including SingleThread’s Kyle Connaughton, discuss how they’re transforming the way we approach fine dining and why social responsibility is essential. Each chapter starts with a short biography of the creative person being profiled, then segues into Q+A. This collection brings together some of the best-known artists of our time with others who may not be as famed but who have valuable insights about living an artful life. The Creative Spark stands as a testament to human achievement, showing how creativity illuminates our world. And how it resides in each and every one of us, just waiting to break out.

In A Sense of Place, journalist/travel writer Michael Shapiro goes on a pilgrimage to visit the world's great travel writers on their home turf to get their views on their careers, the writer's craft, and most importantly, why they chose to live where they do and what that place means to them. The book chronicles a young writer's conversations with his heroes, writers he's read for years who inspired him both to pack his bags to travel and to pick up a pen and write. Michael skillfully coaxes a collective portrait through his interviews, allowing the authors to speak intimately about the writer's life, and how place influences their work and perceptions. In each chapter Michael sets the scene by describing the writer's surroundings, placing the reader squarely in the locale, whether it be Simon Winchester's Massachusetts, Redmond O'Hanlon's London, or Frances Mayes's Tuscany. He then lets the writer speak about life and the world, and through quiet probing draws out fascinating commentary from these remarkable people. For Michael it's a dream come true, to meet his mentors; for readers, it's an engaging window onto the twin landscapes of great travel writers and the world in which they live.

This book serves as a basis for the exploration of language in a more systematic way. By surveying the several major divisions of language (phonology, morphology, syntax, lexis, tropology) and explicating the way in which sound and meaning cohere in them, this text lays bare––for students, scholars and advanced readers alike––the lineaments of an understanding of what makes language the sign system par excellence, in the service of its most important function as the instrument of cognition and of communication. This book is intended as a companion volume to Shapiro’s The Speaking Self: Language Lore and English Usage. The two volumes taken in tandem will provide a solid grounding in the observational science of linguistics, linking theory with practice in a way that will expand one’s understanding of language as a global phenomenon.

This book serves as a basis for the exploration of language in a more systematic way. By surveying the several major divisions of language (phonology, morphology, syntax, lexis, tropology) and explicating the way in which sound and meaning cohere in them, this text lays bare––for students, scholars and advanced readers alike––the lineaments of an understanding of what makes language the sign system par excellence, in the service of its most important function as the instrument of cognition and of communication. This book is intended as a companion volume to Shapiro’s The Speaking Self: Language Lore and English Usage. The two volumes taken in tandem will provide a solid grounding in the observational science of linguistics, linking theory with practice in a way that will expand one’s understanding of language as a global phenomenon.