Kirjahaku

In the parched soil of Provence, a fifth gospel has been discovered, Mary Magdalene's account of Jesus' teaching and her relationship with him.

More famous for her sensuous novels, Michele Roberts now writes a short, sharp and witty novel in the spirit of Muriel Spark

Following her critically acclaimed first cookbook French Cooking for One, this new cookbook by Michèle Roberts, illustrated by the author, is about friendship as much as it is about preparing a French dinner for two. A book to stimulate your appetite to invite a dear friend round as soon as possible and cook for them.

'So many micro feasts, and every one of them nourishment for body and soul.' -Rachel Cooke, Observer Food Monthly Whether cooking for one on a daily or an occasional basis, cooking well for yourself means cherishing yourself and your appetites, joyously giving yourself pleasure, opening yourself to new experiences. This book will encourage you to do all that. - M. R. A unique work of literary and culinary joie de vivre, part food memoir, part recipe book, French Cooking for One is Michele Roberts' first cookbook, and a personal and quirky take on Edouard de Pomiane's ten-minute cooking classic. Once a food writer for the New Statesman, Roberts was born in 1949 and raised in a bilingual French-English household, learning to cook from her French grandparents in Normandy. Her love of food and cookery has always shone through in her novels and short stories. French cuisine, classic though it is, still holds delicious surprises. From quick bites for busy days to sumptuous main courses for those who enjoy spending more time in the kitchen, the focus throughout is on dishes that are simple and fun to prepare, and results that are mouthwatering to contemplate and, of course, to eat. With over 160 delicious recipes, the majority of which are vegetarian, combined with piquant storytelling and feminist wit, French Cooking for One is a working cook's book with French flair, bursting with life and illustrated with the author's original ink drawings, full of charm and humour. More than a handbook of classic French dishes, French Cooking for One does something that few, if any, cookbooks do: it bears testimony to a singular literary life. Gorgeously written vignettes of Roberts' childhood in Normandy and of her years living in Pays de la Loire are peppered with anecdotes about intellectual and artistic luminaries: an omelette prepared by Gertrude Stein's cook for Picasso; a simple pasta dish calling to mind the French philosopher Julia Kristeva and the Scottish poet Alison Fell's images of female orgasm; and Emma Bovary's extraordinary wedding cake, among others.

Chosen as a Fiction Book of the Year in the Daily Telegraph by Maggie O'FarrellIn this witty and subversive collection of stories, Michèle Roberts explores women's desires, memories and loves as only she can. A jilted woman skirts the edges of time and place as she walks the streets of London at night; another returns to the scene of her honeymoon without her husband; a wife takes apt revenge on her vegetarian husband . . .

Rebellion, revolution, experimental living, feminist communes, street theatre, radical magazines, love affairs - gay and straight - sex, drugs and rock and roll.Michèle Roberts, one of Britain's most talented and highly acclaimed novelists, now considers her own life, in this vibrant, powerful portrait of a time and place: alternative London of the 1970s and beyond. A fledgling writer taking a leap into radical politics, Roberts finds alternative homes, new families and lifelong friendships in the streets and houses of Holloway, Peckham, Regent's Park and Notting Hill Gate. From Spare Rib to publishing her first book, Paper Houses is Roberts' story of finding a space in which to live, love and write - and learning to share it.'Beguiling, enthusiastic, charming and vivid, this is an autobiography to be savoured' Amanda Craig, DAILY TELEGRAPH

Shortlisted for the Booker PrizeSecrets and lies linger in the very walls of the solid old Normandy house where Therèse and Leonie, French and English cousins, grow up after the war. Intrigued by adults' guilty silences and the broken shrine they find in the woods, the girls weave their own fantasies, unwittingly revealing the village's buried shame, a shame that will haunt them both for the rest of their lives.

Subversive, sensual tales, wise and witty fictions; this collection of short stories from one of Britain's most acclaimed novelists is by turns shockingly delicious and soberingly disquieting. When mother is away taboos are breached, the untouchables embraced and the forbidden tasted.In 'Laundry' a poor, plain girl takes devilish pleasure in outwitting the pious monks and nuns she washes for. In the haunting, powerful fable 'Anger' a young woman, branded by fire at birth by her mother is scarred- and blessed- for life. In the highly sensuous 'Taking it Easy' a mother with writers block finds an escape from the slavery of her twin enemies by turning them into food for thought. And in the beautiful, arresting 'God's House' a young girl faces the ultimate mother's absence.

Freddy thinks he has committed matricide, and his fantasies - or perhaps realities - become stories which twist back through time to varying landscapes. He searches for a home, only to find it in an unexpected place. When able and allowed to return to the present, he can choose which tale to tell.

Always bold, always provocative, Michele Roberts turns now to the forbidden pleasures and pains of the love between father and daughter and unfolds before us the life and death of Saint Josephine. Holy woman or whore? Upholder of pious or pagan delights? Lowly nun or powerful miracle worker? Or both? And woven throughout her story are the heady and sometimes fearful tales of other female saints - one-armed mad girls, beauties locked in towers, seductive daughters - all women who didn't know their place. Rich with fabulous imagery, IMPOSSIBLE SAINTS is as potent and disturbing as its dangerous themes.'Her fictions are high-risk, unconventional, often apparently unstable; yet are steered with such authority that the otherwise cautious reader is taken almost without realising it into dangerous and exhilarating territory ... She is a writer dedicated to challenging the boundaries by which the idle and unthinking might try to circumscribe her' Rachel Cusk, Sunday Express'Hugely entertaining and genuinely thought-provoking' Julia Flynn, Sunday Telegraph

Adam is a writer, struggling to come to terms with the death of his painter father, Robert, and his difficult marriage to Catherine. Before he married Catherine, he had been the lover of her sister, Vinny. The classic menage a trois seems about to repeat itself, when Adam discovers his wife's father was less innocent than he had thought. Set mainly in contemporary London, partly in France, the action also harks back to the 1970's. The narrative evokes the style of the nineteenth century novelists and their themes: desire, guilt, pleasure. Pastoral landscapes alternate with those of the inner city and the past's interaction with the present is acted out by ghosts. The dead father haunts his son; in real life Vinny haunts her sister; and the whole novel is haunted by one of its great earliest exponents, Charlotte Bronte, and her passionate search for creative fulfilment.

Who is Aurora? Every time she becomes a new Mrs (three times when we last counted) she becomes a new woman. Her stepmother thinks Aurora is impractical, romantic and dreamy. The fact that she gets married so often only goes to prove it. 'Every woman owes it to herself to get married once, but you don't have to make a habit of it.' But now, all alone. . . ?'Aurora, given the chance to be true to herself, rather than to her trio of husbands, turns out to be a world-class minx. After Hugh's funeral, she goes to Italy to visit her old radical-feminist friend, Leonora, now the abbess of the Brigandine convent in Padenza. True to the tradition of convent-educated girls in fiction, Aurora flings herself into a voluptuous life of lunches and lovers. Chiselled phrasing and dancing plot . . . a sizzling firework display of a book' Sunday Times.