Kirjahaku

A story about the ties that bind us, Close-Up explores what makes, drives, complicates, and undermines our most important relationships.In this artful, expansive novel, we follow five protagonists—Jacob, Martin, Caroline, Jeanie, and Jill—through love, marriage, parenthood, and the romance of friendship as they struggle to make sense of themselves and each other and of what makes for good art, good magic, and a good life. What follows is a story only Michelle Herman could write: one of missed connections and old grievances, of loneliness and longing, of rifts and reconciliations and redemption. Close-Up depicts the fraught entanglements of the relationships we’re born into and those we choose—carefully or with abandon—with the precision and nuance that has characterized her work over the last thirty years.

When she was three months old, Michelle Herman's daughter, Grace, went on a hunger strike. At six, she suffered what can only be described, in the old-fashioned way, as a breakdown. And at the ripe old age of eight, she began a study of the nature of "true romance." Motherhood may come naturally, but it doesn't necessarily come easily—certainly not as easily as it seemed to this mother when she vowed to do a better job than her own mother had. But the real trouble started when Herman decided that "better" wasn't good enough: she would be the perfect mother. A memoir from the front lines of motherhood by a longtime writer of fiction, The Middle of Everything weaves a daughter's memories of her Brooklyn childhood in the 1950s and 1960s, and the shadow cast on it by her own young mother's paralyzing depression, with a middle-aged woman's account of trying to break her mother's mold by meeting her own child's every need. A story of love of all kinds, of work and friendship (especially best-friendship, its rewards and perils both), of the charms of other people's families, of the miseries and pleasures of aging, and of the twists of the ties that bind each generation to the next, Michelle Herman's book is an energetic, exhaustive, lacerating, unflinching, and often hilarious inside look at the very nature of motherhood.

The two thought-provoking, extended essays that make up Stories We Tell Ourselves draw from the author’s richly diverse experiences and history, taking the reader on a deeply pleasurable walk to several unexpectedly profound destinations. A steady accumulation of fascinating science, psychoanalytic theory, and cultural history—ranging as far and wide as neuro-ophthalmology, ancient dream interpretation, and the essential differences between Jung and Freud—is smoothly intermixed with vivid anecdotes, entertaining digressions, and a disarming willingness to risk everything in the course of a revealing personal narrative. “Dream Life” plumbs the depth of dreams—conceptually, biologically, and as the nursery of our most meaningful metaphors—as it considers dreams and dreaming every whichway: from the haruspicy of the Roman Empire to contemporary sleep and dream science, from the way birds dream to the way babies do, from our longing to tell them to the reasons we wish other people wouldn’t. “Seeing Things” recounts a journey of mother and daughter—a Holmes-and-Watson pair intrepidly working their way through the mysteries of a disorder known as Alice in Wonderland Syndrome—even as it restlessly detours into the world beyond the looking glass of the unconscious itself. In essays that constantly offer layers of surprises and ever-deeper insights, the author turns a powerful lens on the relationships that make up a family, on expertise and unsatisfying diagnoses, on science and art and the pleasures of contemplation and inquiry—and on our fears, regrets, hopes, and (of course) dreams.